Hans Memling: Portraiture, Piety, and a Reunited Altarpiece accompanies the first museum exhibition to explore the reconstructed masterpiece in context. It has long been observed that the donor portraits are the most outstanding aspect of the Crabbe Triptych, especially the portrait of Anna Willemzoon in the left wing, an extraordinary image of old age, and representative of the merging of the sacred and secular realms that is often present in the work of Memling and his contemporaries. Memling was notable as a painter of portraits, and his work in this field revolutionized portrait painting across Europe. To present the artist's extraordinary ability to capture a likeness, a number of his independent portraits will be examined, including the Morgan's compelling Man with a Pink.

The volume also highlights links between panel painting and manuscript painting in 15th-century Flemish art, drawing connections, for example, between the grisaille Annunciation on the outer wings of the altarpiece and the grisaille figures that decorate so many manuscripts painted in Bruges during Memling's lifetime. Underscoring this great artist's impact, the book also examines Early Netherlandish drawings from the Morgan's collection, works ranging from the early compositional studies and figure drawings to a group of portrait drawings made in the generation after Memling and under his influence.