David Crowley explore s Dan and Lia Perjovschi s art in its different contexts. From communist Romania in the 1980s to the white cubes of the international art world today, these artists have maintained a sharply critical and sometimes ironic view of the world in which they live and work. Placing their work in the critical and sardonic tradition of marginalia, Crowley examines the ways in which Dan and Lia Perjovschi draw and write on bodies, on printed matter and on institutions.