"Corinne Kratz establishes a new benchmark for visual anthropology, and more generally for the photographic exhibit and the photographic essay forms. She not only brings together extraordinary photography with intimate knowledge of the individuals, rituals, and history of costume changes. She has the Okiek comment, providing an experiential insiders sensibility to the exhibit. And finally, she puts the exhibit into motion, ethnographically observing the exhibit's reception by very different audiences. It becomes a polyvocal communicative performance piece transcending our usual notions of photographic books and exhibits."--Michael M.J. Fischer, co-author of Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences

"An exciting and groundbreaking work involving the innovative use of photography in cross-cultural discourse, that brings with it advances in method, theory and interpretation in visual anthropology."--Howard Morphy, Director of the Centre for Cross-Cultural Research, Australian National University, and author of Aboriginal Art (Art & Ideas)