The Epics of China introduces selected epic traditions of China, providing information about them, insights into their literary traditions, and theories concerning their origins, historical development, cultural context, structure, bards, and audiences. The book deals with both historical epics and contemporary “living” epic traditions. Examples are drawn from several of China’s fifty-five official ethnic minority peoples, focusing on epics from various historical or present-day Mongol subgroups of North China, most notably Tibetan and Kirgiz, as well as epics from peoples of Southwest China, such as the Zhuang, Yi, Miao, Dong, and Dai. Several chapters deal, too, with the early Turkic epics that once circulated in parts of northern China and Central Asia. On the whole, the book’s chapters are grouped into three sections: early epics, small and medium-length epics, and the great heroic epics Jangar and Manas. Epics from the North are mainly heroic narratives focusing on the exploits of martial heroes. They feature story lines centered on bride-kidnapping, trials undergone by the suitor, and encounters with multi-headed demons (Mongol mangus), one-eyed giants, and female demons of the underworld. Southern epics focus on tales of how early deities created the sky, earth, water and land forms, and living beings, often listing specific plants, animals, and local tribes. Some of these epics involve female creator figures, and many play out in a dynamic process that moves through phases of initial creation, destruction by fire, a second creation, a destructive flood, and the ultimate re-creation of the world as we now know it. There are also heroic epics from southern China, most notably from the Yi, Dai, and Miao.