Part critique, part witty polemic, this revisiting of one of the 1960s' most tortured and misunderstood productions finds a flawed masterpiece that survived multiple writers (including Stanley Kubrick), an egomaniacal star with no previous directing experience, and a virulent critical reaction to become, in retrospect, a crucial rethinking of the Western genre. Included is an excerpt from a screenplay cowritten by Barry Gifford and James Hamilton that retools Brando's characters into the hapless inhabitants of a noir Old West.