As human activity and environmental change come to be increasingly recognized as intertwined phenomena on a rapidly urbanizing planet, the field of urban ecology has risen to offer useful ways of thinking about coupled human and natural systems. On the forefront of this discipline is Marina Alberti, whose innovative work offers a conceptual framework for uncovering fundamental laws that govern the complexity and resilience of cities, which she sees as key to understanding and responding to planetary change and the evolution of Earth. Bridging the fields of urban planning and ecology, Alberti describes a science of cities that work on a planetary scale and that links unpredictable dynamics to the potential for innovation. It is a science that considers interactions - at all scales - between people and built environments and between cities and their larger environments. Cities That Think like Planets advances strategies for planning a future that may look very different from the present, as rapid urbanization could tip the Earth toward abrupt and nonlinear change. Alberti's analyses of the various hybrid ecosystems, such as self-organization, heterogeneity, modularity, multiple equilibria, feedback, and transformation, may help humans participate in guiding the Earth away from inadvertent collapse and toward a new era of planetary co-evolution and resilience.
This groundbreaking work is an attempt at providing a conceptual framework to synthesize urban and ecological dynamics into a common framework. The greatest challenge for urban ecologists in the next few decades is to understand the role humans play in urban ecosystems. The development of an integrated urban ecological approach is crucial to advance ecological research and to help planners and managers solve complex urban environmental issues. This book is a major step forward.
This groundbreaking work is an attempt at providing a conceptual framework to synthesize urban and ecological dynamics into a common framework. The greatest challenge for urban ecologists in the next few decades is to understand the role humans play in urban ecosystems. The development of an integrated urban ecological approach is crucial to advance ecological research and to help planners and managers solve complex urban environmental issues. This book is a major step forward.
As human activity and environmental change come to be increasingly recognized as intertwined phenomena on a rapidly urbanizing planet, the field of urban ecology has risen to offer useful ways of thinking about coupled human and natural systems. On the forefront of this discipline is Marina Alberti, whose innovative work offers a conceptual framework for uncovering fundamental laws that govern the complexity and resilience of cities, which she sees as key to understanding and responding to planetary change and the evolution of Earth. Bridging the fields of urban planning and ecology, Alberti describes a science of cities that work on a planetary scale and that links unpredictable dynamics to the potential for innovation. It is a science that considers interactions - at all scales - between people and built environments and between cities and their larger environments. Cities That Think like Planets advances strategies for planning a future that may look very different from the present, as rapid urbanization could tip the Earth toward abrupt and nonlinear change. Alberti's analyses of the various hybrid ecosystems, such as self-organization, heterogeneity, modularity, multiple equilibria, feedback, and transformation, may help humans participate in guiding the Earth away from inadvertent collapse and toward a new era of planetary co-evolution and resilience.
This is the first scholarly work in Modern European History which elucidates consistently how border issues affect the history of nations and states in the 19th and 20th centuries. The book rethinks the Italian history of the last 150 years from the perspective of its eastern periphery and of the profound impact that events on the border had on the core of the country.
This book explores the relationships between ancient witchcraft and its modern incarnation, and by doing so fills an important gap in the historiography. It is often noted that stories of witchcraft circulated in Greek and Latin classical texts, and that treatises dealing with witch-beliefs referenced them. Still, the role of humanistic culture and classical revival in the developing of the witch-hunts has not yet been fully researched. Marina Montesano examines Greek and Latin literature, revealing how particular features of ancient striges were carried into the Late Middle Ages, through the Renaissance and into the fifteenth century, when early Italian trials recall the myth of the strix common in ancient Latin sources and in popular memory. The final chapter also serves as a conclusion, to show how in Renaissance Italy and beyond, classical accounts of witchcraft ceased to be just stories, as they had formerly been, and were instead used to attest to the reality of witches’ powers.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
The bestselling 30-Second... series takes a revolutionary approach to learning about those subjects you feel you should really understand. Each title selects a popular topic and dissects it into the 50 most significant ideas at its heart. Every idea, no matter how complex, is explained in 300 words and one picture, all digestible in 30 seconds. 30-Second Leonardo da Vinci uses this unique approach to grapple with the truly diverse thoughts of the ultimate Renaissance Man. Artist, anatomist, sculptor, inventor, architect, cartographer, mathematician, musician, botanist, geologist the word polymath does not quite do Leonardo justice. The painter of the Mona Lisa and conceptualizer of the helicopter seems like a Renaissance superhero. Here, the worlds leading Leonardo scholars present an instant and expert guide to the breadth and brilliance of his greatest innovations.
The Tazza Farnese is one of the most admired objects from classical antiquity. A libation bowl carved from banded agate, it features Medusa's head on its outside and, inside, an assembly of Egyptian gods. For more than two millennia, these radiant figures have mesmerized emperors and artists, popes and thieves, merchants and museum goers. In this, the first book-length account of this renowned masterpiece, Marina Belozerskaya traces its fascinating journey through history. That it has survived at all is a miracle. The Tazza's origins date back to Ptolemaic Egypt where it likely enhanced the power and prestige of Cleopatra. After her defeat by Emperor Augustus, the bowl began an amazing itinerary along many flashpoints in world history. It likely traveled from Rome to Constantinople. After that city's sack by crusaders in 1204, it returned west to inspire the classical revival at the court of Holy Roman Emperor Frederick II at Palermo. The Tazza next graced Tamerlane's court at Samarqand, before becoming an obsession of Renaissance popes and princes. It witnessed the rediscovery of Pompeii and Herculaneum, the turbulent aftermath of the French Revolution, and the birth of the modern Italian state. Throughout its journey, the Tazza aroused the lust of Greek, Roman, Byzantine, and Mongol rulers, consoled a heart-broken duchess, inspired artists including Botticelli and Raphael, tempted spies and thieves, and drew the ire of a deranged museum guard who nearly destroyed it. More than a biography of the world's most cherished bowl, Medusa's Gaze is a vivid and delightful voyage through history.
How Cyriacus of Ancona—merchant, spy, and amateur classicist—traveled the world, fighting to save ancient monuments for posterity. At the beginning of the fifteenth century, a young Italian bookkeeper fell under the spell of the classical past. Despite his limited education, the Greeks and Romans seemed to speak directly to him—not from books but from the physical ruins and inscriptions that lay neglected around the shores of the Mediterranean.As an international merchant, Cyriacus of Ancona was accustomed to the perils of travel in foreign lands—unlike his more scholarly peers with their handsome libraries and wealthy patrons, who benefited greatly from the discoveries communicated in his widely distributed letters and drawings. Having seen firsthand the destruction of the world’s cultural heritage, Cyriacus resolved to preserve it for future generations. To do so he would spy on the Ottomans, court popes and emperors, and even organize a crusade.Some images in the ebook are not displayed owing to permissions issues.
A brilliant examination of the allegorical uses of the female form to be found in the sculpture ornamenting public buildings as well as throughout the history of western art.
The five-volume set LNCS 3980-3984 constitutes the refereed proceedings of the International Conference on Computational Science and Its Applications, ICCSA 2006, held in Glasgow, UK in May 2006.The five volumes present a total of 664 papers selected from over 2300 submissions. The papers present a wealth of original research results in the field of computational science, from foundational issues in computer science and mathematics to advanced applications in virtually all sciences making use of computational techniques. The topics of the refereed papers are structured according to the five major conference themes: computational methods, algorithms and applications high performance technical computing and networks advanced and emerging applications geometric modelling, graphics and visualization information systems and information technologies.Moreover, submissions from 31 Workshops and technical sessions in the areas, such as information security, mobile communication, grid computing, modeling, optimization, computational geometry, virtual reality, symbolic computations, molecular structures, Web systems and intelligence, spatial analysis, bioinformatics and geocomputations, contribute to this publication.
Explores the history and architecture of two city squares, constructed by rival political parties, in the Italian city of Parma from 1196 to 1300"--Provided by publisher.
This benchmark handbook for neonatal nurse practitioners describes the most common conditions and procedures in an easy-to-access streamlined format. This thoroughly revised third edition continues to promote the foundational principles of evidence-based nursing practice worldwide, while taking the resources and requirements of different practice settings into account. It delivers updated information on trauma-informed care and offers new sections on parent perspectives about transition to home, neonatal opioid withdrawal syndrome (NOWS), and therapeutic hypothermia. Designed with a logical organization, Neonatal Nursing Care Handbook, Third Edition features brief narratives and plentiful illustrations and charts. This quick reference is easily used by English-as-second-language nurses and can be conveniently stored in a pocket for on-the-go referral. Part I uses a systems approach to address management of disorders related to each body system. All chapters include a brief definition of the neonatal problem, followed by diagnostic tests and labs. Part II encompasses special care considerations such as nutrition, surgical care, and palliative care. Part III discusses widely seen procedures and diagnostic tests, complete with lab values. Appendices contain additional useful content on weights and temperatures, common abbreviations, and pertinent web resources. New to the Third Edition: Addresses trauma-informed care Additional Content On: Generalized nursing care regarding respiratory, cardiovascular, gastrointestinal, renal, and hematologic/immune systems Bottle feeding Oral/Nasogastric/Gastrointestinal Tube Feedings Parent perspective on the transition home/primary care High frequency ventilation and new techniques Neonatal Abstinence Syndrome (NAS) and Neonatal Opioid Withdrawal (NOW) Total body cooling/therapeutic hypothermia Key Features: Written by neonatal nurses and other health professionals for neonatal nurses Assists neonatal nurses in making sound clinical decisions Provides streamlined, well-organized format for quick information retrieval Written in brief narratives supported by illustrations, diagrams, and flow charts Easily understandable to English-as-second-language nurses Covers diagnostic tests and lab values and includes medication guide
Marina Leslie draws on three important early modern utopian texts—Thomas More's Utopia, Francis Bacon's New Atlantis, and Margaret Cavendish's Description of a New World Called the Blazing World—as a means of exploring models for historical transformation and of addressing the relationship of literature and history in contemporary critical practice. While the genre of utopian texts is a fertile terrain for historicist readings, Leslie demonstrates that utopia provides unstable ground for charting out the relation of literary text to historical context. In particular, she examines the ways that both Marxist and new historicist critics have taken the literary utopia not simply as one form among many available for reading historically but as a privileged form or methodological paradigm. Rather than approach utopia by mapping out a fixed set of formal features, or by tracing the development of the genre, Leslie elaborates a history of utopia as critical practice. Moreover, by taking every reading of utopia to be as historically symptomatic as the literary production it assesses, her book integrates readings of these three English Renaissance utopias with an analysis of the history and politics of reading utopia. Throughout, Leslie considers utopia as a fictional enactment of historical process and method. In her view, these early modern utopian constructions of history relate very closely to and impinge upon the narrative structures of history assumed by critical theory today.
“If your pictures aren’t good enough, you aren’t close enough.” –Robert Capa Robert Capa and Gerda Taro were young Jewish refugees, idealistic and in love. As photographers in the 1930s, they set off to capture their generation's most important struggle—the fight against fascism. Among the first to depict modern warfare, Capa, Taro, and their friend Chim took powerful photographs of the Spanish Civil War that went straight from the action to news magazines. They brought a human face to war with their iconic shots of a loving couple resting, a wary orphan, and, always, more and more refugees—people driven from their homes by bombs, guns, and planes. Today, our screens are flooded with images from around the world. But Capa and Taro were pioneers, bringing home the crises and dramas of their time—and helping give birth to the idea of bearing witness through technology. With a cast of characters ranging from Langston Hughes and George Orwell to Pablo Picasso and Ernest Hemingway, and packed with dramatic photos, posters, and cinematic magazine layouts, here is Capa and Taro’s riveting, tragic, and ultimately inspiring story. This thoroughly-researched and documented book can be worked into multiple aspects of the common core curriculum.
This book examines the complexities of the colonization of the territory that is now Brazil and its shaping of psychological knowledge and practice. It reveals the rich network of cultural practices that were formed through the appropriation of elements of Jesuit Catholicism and the blending with elements of the cultures of native, African and Lusitanian populations present in the territory, and how psychological concepts and practices emerged and circulated between the sixteenth and the late eighteenth centuries, long before the establishment of psychology as a modern science. The volume summarizes the research program developed by the author over 38 years of academic activity through which she contributed to expand the field of historical studies in psychology by investigating how psychological concepts and practices were produced in cultural and historical contexts different from the European and North American societies where scientific psychology developed in the 19th and 20th centuries. Psychological Knowledge and Practices in Brazilian Colonial Culture will be of interest not only to historians of psychology, but also to professional psychologists working with culturally diverse populations who seek to understand how psychological concepts and phenomena are shaped by culture. By doing so, the book intends to contribute to the development of a psychology better prepared to deal with cultural diversity in an increasingly multicultural world. “Massimi’s book will now form an important foundation of English-language scholarship about the psychological and cultural impact of colonization on subjugated peoples. She has, of course, made many such contributions in Portuguese. It is to be hoped that much of her work will be translated into English so that more scholars may benefit from the richness of her insights.” – Excerpt from the Foreword by Dr. Wade E. Pickren.
Challenging traditional historiographical approaches, this book offers a new history of Italian Jews in the early modern age. The fortunes of the Jewish communities of Italy in their various aspects – demographic, social, economic, cultural, and religious – can only be understood if these communities are integrated into the picture of a broader European, or better still, global system of Jewish communities and populations; and, that this history should be analyzed from within the dense web of relationships with the non-Jewish surroundings that enveloped the Italian communities. The book presents new approaches on such essential issues as ghettoization, antisemitism, the Inquisition, the history of conversion, and Jewish-Christian relations. It sheds light on the autonomous culture of the Jews in Italy, focusing on case studies of intellectual and cultural life using a micro-historical perspective. This book was first published in Italy in 2014 by one of the leading scholars on Italian Jewish history. This book will appeal to students and scholars alike studying and researching Jewish history, early modern Italy, early modern Jewish and Italian culture, and early modern society.
With over thirty illustrations in color and black and white, Phantasmagoria takes readers on an intellectually exhilarating tour of ideas of spirit and soul in the modern world, illuminating key questions of imagination and cognition. Warner tells the unexpected and often disturbing story about shifts in thought about consciousness and the individual person, from the first public waxworks portraits at the end of the eighteenth century to stories of hauntings, possession, and loss of self in modern times. She probes the perceived distinctions between fantasy and deception, and uncovers a host of spirit forms--angels, ghosts, fairies, revenants, and zombies--that are still actively present in contemporary culture.
Connecting interactive cinema to media ethics and global citizenship Interactive Cinema explores various cinematic practices that work to transform what is often seen as a primarily receptive activity into a participatory, multimedia experience. Surveying a multitude of unorthodox approaches throughout the history of motion pictures, Marina Hassapopoulou offers insight into a range of largely ephemeral and site-specific projects that consciously assimilate viewers into their production. Analyzing examples of early cinema, Hollywood B movies, museum and gallery installations, virtual-reality experiments, and experimental web-based works, Hassapopoulou travels across numerous platforms, highlighting a diverse array of strategies that attempt to unsettle the allegedly passive spectatorship of traditional cinema. Through an exploration of these radically inventive approaches to the medium, many of which emerged out of sociopolitical crises and periods of historical transition, she works to expand notions of interactivity by considering it in both technological and phenomenological terms. Deliberately revising and expanding Eurocentric scholarship to propose a much broader, transnational scope, the book emphasizes the ethical dimensions of interactive media and their links to larger considerations around community building, citizenship, and democracy. By combining cutting-edge theory with updated conventional film studies methodologies, Interactive Cinema presses at the conceptual limits of cinema and offers an essential road map to the rapidly evolving landscape of contemporary media.
Frommer's Driving Tours are packed with detailed, color-coded maps and stunning full-color photographs. Each guide outlines dozens of driving tour options and then helps you plan your route with exact directions, distances, and driving times. You'll see all the top sights and then have the flexibility to discover the hidden pleasures of each destination -- our suggested routes include scenic detours and stops for spectacular views, easy walks, shopping, dining, and fun breaks for travelers with children. We'll show you how to enjoy some of the world's most spectacular drives! This first edition of Frommer's Northern Italy's Best-Loved Driving Tours guides you and your car through several different regions -- including the areas along and around Lake Maggiore; the Lakes of Varese and Lake Lugano; Lake Como; Bergamo, Brescia, and Lake Iseo; Lake Garda, and The Veneto. It features: 25 distinctive, easy-to-use itineraries More than 100 beautiful full-color maps and photos Recommendations on the best hotels and the restaurants along each route Exact directions, distances, and driving times for each route All the sights along the way -- with highlights for history buffs, nature lovers, and families traveling with kids Sceneic side trips, special moments, and recommended walks Detailed, accurate full-color route-planning maps Whether you're seeking the vineyards of Franciacorta, the paintings of the Convent of the Annunziata, or simply want to explore this beautiful region, Frommer's Northern Italy's Best-Loved Driving Tours is the only guide you'll need to see the best of Northern Italy by car.
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