We recognize the challenges churches face in engaging high school teens in deeper faith formation. Made up of 5 4-week studies, Canvas will captivate your students as they experience and explore the theological beliefs and foundational concepts that ground their faith. By working together to learn from history, tradition, and the Bible, students will uncover a portrait of God that will be an inspirational foundation to their own journey. This undated resource is designed to empower students to lead the lessons themselves, thus drawing students to not only learn about their faith, but put it into practice by serving and teaching others. Flexible to use as a continuation of confirmation, a small group resource, or student leadership resource. Canvas will inspire your students to paint the picture of their faith. Since the earliest days of Christianity, people of faith have been trying to comprehend the nature of Jesus. Many of the earliest debates and conflicts in Church history centered around Jesus being both fully human and fully divine. In Canvas: A Portrait of Jesus, your students will dive into the heart of these foundational conversations to see what the early Church had to say about who Jesus was. Throughout this four-week study, students will explore the power of the resurrection, Jesus' role in creation, and why it is so important that Jesus became human and lived among us.
We recognize the challenges churches face in engaging high school teens in deeper faith formation. Made up of 5 4-week studies, Canvas will captivate your students as they experience and explore the theological beliefs and foundational concepts that ground their faith. By working together to learn from history, tradition, and the Bible, students will uncover a portrait of God that will be an inspirational foundation to their own journey. This undated resource is designed to empower students to lead the lessons themselves, thus drawing students to not only learn about their faith, but put it into practice by serving and teaching others. Flexible to use as a continuation of confirmation, a small group resource, or student leadership resource. Canvas will inspire your students to paint the picture of their faith. Even when we don't deserve it, God embraces us. This is the story of grace - about how God responds to our faults and failures with patience and generosity, offering us a new life and a chance to grow forward. In Canvas: A Portrait of Grace, your students will experience what it means to be people who are covered with God's grace. Over four weeks, they will immerse themselves in the grace of God, explore what the Bible says, and then explore how the church has experienced and lived in God's grace through the centuries. Throughout all of it, they will be reminded of the awesome gift that we are given through our relationship with God.
We recognize the challenges churches face in engaging high school teens in deeper faith formation. Made up of 5 4-week studies, Canvas will captivate your students as they experience and explore the theological beliefs and foundational concepts that ground their faith. By working together to learn from history, tradition, and the Bible, students will uncover a portrait of God that will be an inspirational foundation to their own journey. This undated resource is designed to empower students to lead the lessons themselves, thus drawing students to not only learn about their faith, but put it into practice by serving and teaching others. Flexible to use as a continuation of confirmation, a small group resource, or student leadership resource. Canvas will inspire your students to paint the picture of their faith. As humans, we understand that we are incredibly complex beings. We're told in Genesis 2 that God formed us with God's own hands and breathed the breath of life into our lungs, but we also know that we rebelled against God. In Canvas: A Portrait of Humanity, your students will delve into the myriad complexities of human nature and our relationship to God. Over four weeks, students will unpack what it means for humans to be made in the image of God, how that image has been distorted by our sinful nature, and why God continues to offer us a path back to redemption.
We recognize the challenges churches face in engaging high school teens in deeper faith formation. Made up of 5 4-week studies, Canvas will captivate your students as they experience and explore the theological beliefs and foundational concepts that ground their faith. By working together to learn from history, tradition, and the Bible, students will uncover a portrait of God that will be an inspirational foundation to their own journey. This undated resource is designed to empower students to lead the lessons themselves, thus drawing students to not only learn about their faith, but put it into practice by serving and teaching others. Flexible to use as a continuation of confirmation, a small group resource, or student leadership resource. Canvas will inspire your students to paint the picture of their faith. As humans, we understand that we are incredibly complex beings. We're told in Genesis 2 that God formed us with God's own hands and breathed the breath of life into our lungs, but we also know that we rebelled against God. In Canvas: A Portrait of Humanity, your students will delve into the myriad complexities of human nature and our relationship to God. Over four weeks, students will unpack what it means for humans to be made in the image of God, how that image has been distorted by our sinful nature, and why God continues to offer us a path back to redemption.
We recognize the challenges churches face in engaging high school teens in deeper faith formation. Made up of 5 4-week studies, Canvas will captivate your students as they experience and explore the theological beliefs and foundational concepts that ground their faith. By working together to learn from history, tradition, and the Bible, students will uncover a portrait of God that will be an inspirational foundation to their own journey. This undated resource is designed to empower students to lead the lessons themselves, thus drawing students to not only learn about their faith, but put it into practice by serving and teaching others. Flexible to use as a continuation of confirmation, a small group resource, or student leadership resource. Canvas will inspire your students to paint the picture of their faith. Since the earliest days of Christianity, people of faith have been trying to comprehend the nature of Jesus. Many of the earliest debates and conflicts in Church history centered around Jesus being both fully human and fully divine. In Canvas: A Portrait of Jesus, your students will dive into the heart of these foundational conversations to see what the early Church had to say about who Jesus was. Throughout this four-week study, students will explore the power of the resurrection, Jesus' role in creation, and why it is so important that Jesus became human and lived among us.
A literary exposition of the early 19th century India, with interesting account of social, cultural and religious life. These illustrated chronicles are valuable for conservation and restoration of some of the important historical buildings and monuments
Arguing that postmodernism has so shifted current critical paradigms that Adorno's work can best be assessed in terms of its relevance in specific localized contexts, this book pursues a course that preserves Adorno's opposition to hegemonic programs but that is also wary of Adorno's own (negative) penchant for totalizing concepts. Unlike recent works which attempt to synthesize Adorno's writings into a comprehensive system that then becomes either the focus of an overriding critique or an object of appropriation, Harding orders his book as a collection of essays whose loose association questions the structural totality of Adorno's thought. Though together the essays cover all the major issues of Adorno's thought and offer a wide critical survey of his writings, the diversity of their focus avoids a systematic reduction of Adorno's work into a reproducible technique or method. The result of this strategy is a far more dynamic analysis of Adorno than a mere critical reconstruction of his ideas. By applying Adorno's theories to works by Samuel Beckett, T.S. Eliot, Ralph Ellison, and Amiri Baraka, the book pushes critical discussion of Adorno into cultural contexts that, while perhaps new for Adorno scholars, reach out to those whose knowledge of Adorno is limited. This book is a fine introduction to the subtleties of Adorno's writing and a genuine contribution to Adorno scholarship.
Shedding fresh light on Wordsworth's contested relationship with an England that changed dramatically over the course of his career, James Garrett places the poet's lifelong attempt to control his literary representation within the context of national ideas of self-determination represented by the national census, national survey, and national museum. Garrett provides historical background on the origins of these three institutions, which were initiated in Britain near the turn of the nineteenth century, and shows how their development converged with Wordsworth's own as a writer. The result is a new narrative for Wordsworth studies that re-integrates the early, middle, and late periods of the poet's career. Detailed critical discussions of Wordsworth's poetry, including works that are not typically accorded significant attention, force us to reconsider the usual view of Wordsworth as a fading middle-aged poet withdrawing into the hills. Rather, Wordsworth's ceaseless reworking of earlier poems and the flurry of new publications between 1814 and 1820 reveal Wordsworth as an engaged public figure attempting to 'write the nation' and position himself as the nation's poet.
This book reads Oscar Wilde as a queer theorist and Wilfred Owen as his symbolic son. It centers on the concept of 'male procreation', or the generation of new ideas through an erotic but non-physical connection between two men, and it sees Owen as both a product and a continuation of this Wildean tradition.
In two volumes. Volume I: 601 pages including a 522 page index of family names, in alphabetical order, describing the crest of every name listed and where to find an illustration in the volume of plates; a glossary of heraldic terms and other words; and nearly seventy pages of family mottoes with translations of those in Latin, French or other foreign languages. Volume II: contains 130 plates, each depicting 15 family crests in b&w and a further 18 plates illustrating regalia, insignia, crowns, flags, monograms, arms of principal cities etc. also in b&w. There is a key to all the plates which, in the case of the crests, shows which families have which crest.
The nineteenth-century English slide trumpet was the last trumpet with the traditional sound of the old classic trumpet. The instrument was essentially a natural trumpet to which had been added a movable slide with a return mechanism. It was England's standard orchestral trumpet, despite the dominance of natural and, ultimately, valved instruments elsewhere, and it remained in use by leading English players until the last years of the century. The slide trumpet's dominating role in nineteenth-century English orchestral playing has been well documented, but until now, the use of the instrument in solo and ensemble music has been given only superficial consideration. Art Brownlow's study is a new and thorough assessment of the slide trumpet. It is the first comprehensive examination of the orchestral, ensemble and solo literature written for this instrument. Other topics include the precursors of the nineteenth-century instrument, its initial development and subsequent modifications, its technique, and the slide trumpet's slow decline. Appendices include checklists of English trumpeters and slide trumpetmakers.
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