Because of the huge boom in documentary making there's been a similar growth in the number of courses in documentary studies. This book brings together some of the leading scholars and practitioners in this area to provide a textbook and research tool.
What does it mean to be a documentary filmmaker in today's world? How are new technologies changing documentary filmmaking? What new forms of documentary are emerging? Recent technological developments have made the making and distribution of documentary films easier and more widespread than ever before. Creative Documentary: Theory and Practice is an innovative and essential guide that comprehensively embraces these changing contexts and provides you with the ideas, methods, and critical understanding to support successful documentary making. It helps the aspiring 'total filmmaker' understand the contemporary contexts for production, equipping you also with the understanding of creativity and visual storytelling you'll need to excel. Bridging the gap between theory and practice, it outlines the contemporary, institutional, practical and financial contexts for production - always encouraging innovation and originality. Key features: Five sections covering creativity and creative documentary and the contemporary creative industries: strategies for developing documentary ideas; the art of documentary narrative; digital production methods; new documentary forms; distribution and financing. Provides a comprehensive overview of critical thought and techniques in digital documentary filmmaking. Authors and specialist contributors combine the experience, knowledge and skills of academics and media professionals working in the industry. Practical case studies support analysis and reflection. Exercises, checklists, interviews with professionals and further reading materials accompany each chapter. A historical overview of world documentary. Creative Documentary: Theory and Practice is an essential guide for those engaged in the study and practice of documentary theory and making, as well as key reading for those more broadly interested in video, film and media theory and production.
What does it mean to be a documentary filmmaker in today's world? How are new technologies changing documentary filmmaking? What new forms of documentary are emerging? Recent technological developments have made the making and distribution of documentary films easier and more widespread than ever before. Creative Documentary: Theory and Practice is an innovative and essential guide that comprehensively embraces these changing contexts and provides you with the ideas, methods, and critical understanding to support successful documentary making. It helps the aspiring 'total filmmaker' understand the contemporary contexts for production, equipping you also with the understanding of creativity and visual storytelling you'll need to excel. Bridging the gap between theory and practice, it outlines the contemporary, institutional, practical and financial contexts for production - always encouraging innovation and originality. Key features: Five sections covering creativity and creative documentary and the contemporary creative industries: strategies for developing documentary ideas; the art of documentary narrative; digital production methods; new documentary forms; distribution and financing. Provides a comprehensive overview of critical thought and techniques in digital documentary filmmaking. Authors and specialist contributors combine the experience, knowledge and skills of academics and media professionals working in the industry. Practical case studies support analysis and reflection. Exercises, checklists, interviews with professionals and further reading materials accompany each chapter. A historical overview of world documentary. Creative Documentary: Theory and Practice is an essential guide for those engaged in the study and practice of documentary theory and making, as well as key reading for those more broadly interested in video, film and media theory and production.
LIES, LIES, and MORE LIES is an effort to address ultimate questions of truth and falsehood in a biblical, comprehensive, antithetical, and yet very practical way. Truth is more than words. Truth is embodied in Jesus Christ, who is the origin and ultimate standard of it. Falsehood is distortion of God's truth and can be found everywhere. We must confront it. We must equip our children to identify and to resist it. Norman De Jong has been an educator since 1958 and a pastor since 1993. He received a Ph.D. in Educational Philosophy from the University of Iowa in 1972. His dissertation focused on the relationship between "democracy" and the Kingdom of God. Dr. De Jong has served churches and schools in Australia, Cyprus, Kenya, Newfoundland, South Africa, and the United States. The antithetical relationship between truth and falsehood has been of concern to him since becoming a teacher. Dedicated to a study of God's most Holy Word, he has been testing ideas to see if they come from God or have been distorted by the devil. Dr. De Jong has been married for 50+ years and has been blessed with three children and thirteen grandchildren. It is his desire that they learn the truth and reject falsehood. Norman De Jong tells it like it is. But in this book he does something far more important and helpful than merely sorting out the truth-tellers from the liars. He gives the reader tools for making those distinctions on his own. He shows the reader how to develop both an objective and an intuitive sense for knowing whether the truth is being told in any given situation. That is a profound and critical gift in this relativistic age. JOEL BELZ, Founder, World Magazine.
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