Known for his blending of philosophy, spirituality, humor, and a rollicking good story, Charles Johnson is one of the most important novelists writing today. From his magical first novel, Faith and the Good Thing, to his decidedly philosophical Oxherding Tale; from his swashbuckling indictment of the slave trade in the National Book Award-winning Middle Passage, to his more recent imaginative treatment of Martin Luther King Jr. in Dreamer, Johnson has continually surprised, instructed, and entertained his many avid readers. As this collection of interviews suggests, the novelist is as multifaceted and complex as his novels. Trained in cartooning and philosophy, martial arts and meditation, and producing teleplays, photobiographies, and literary criticism in addition to fiction, Charles Johnson represents a model of what he calls �life as art.� Alluding to the "Three Gates" of Buddhist "Right Speech," the title of this volume aptly captures the generous spirit that characterizes Charles Johnson�s work. An indispensable resource for all of Johnson�s many readers, Passing the Three Gates represents both the transformation of the artist over time and the continuity and endurance of his aesthetic and spiritual vision.
This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.
From National Book Award winner Charles Johnson, “the celebrated novelist, short story writer, screenwriter, and essayist…comes a small treasure, one to be read and considered and reread” (The New York Times Book Review), showcasing his incredible range and resonant voice. Charles Johnson’s Night Hawks presents an eclectic, masterful collection of stories tied together by Buddhist themes and displaying all the grace, heart, and insight for which he has long been known. Spanning genres from science fiction to realism, “Johnson’s writing, filled with the sort of long, layered sentences you can get happily lost in, conveys a kindness; a sense that all of us…have our own stories” (The Seattle Times). In “The Weave,” Ieesha and her boyfriend carry out a heist at the salon from which she has just been fired—coming away with thousands of dollars of merchandise in the form of hair extensions. “Night Hawks,” the titular story, draws on Johnson’s friendship with the late playwright August Wilson to construct a narrative about two writers who meet at night to talk. In “Kamadhatu,” a lonely Japanese abbot has his quiet world upended by a visit from a black American Buddhist whose presence pushes him toward the awakening he has long found elusive. “Occupying Arthur Whitfield,” about a cab driver who decides to rob the home of a wealthy passenger, reminds readers to be grateful for what they have. And “The Night Belongs to Phoenix Jones” combines the real-life story of a “superhero” in the city of Seattle with an invented narrative about an aging English professor who decides to join him. With precise, elegant, and moving language, Johnson creates an “arresting” array of “indelible moments that show Johnson to be a master of the short form” (Library Journal, starred review). Night Hawks is “a masterpiece…[that] ultimately offers a message of empowerment and hope” (Oprah.com).
Faith Cross, a beautiful and purely innocent young black woman, is told by her dying mother to go and get herself "a good thing." Thus begins an extraordinary pilgrim's progress that takes Faith from the magic and mysticism of the rural South to the promises and perils of modern-day Chicago. It is an odyssey that propels Faith from the degradation of prostitution, drugs, and drink into a faceless middle-class reality, and finally into a searing tragedy that ironically leads to the discovery of the real Good Thing. National Book Award-winner Charles Johnson's first novel, originally published in 1974, puts the life-affirming soul of the African-American experience at the summit of American storytelling.
From Charles Johnson—a National Book Award winner, Professor Emeritus at University of Washington, and one of America’s preeminent scholars on literature and race—comes an instructive, inspiring guide to the craft and art of writing. An award-winning novelist, philosopher, essayist, screenwriter, professor, and cartoonist, Charles Johnson has devoted his life to creative pursuit. His 1990 National Book Award-winning novel Middle Passage is a modern classic, revered as much for its daring plot as its philosophical underpinnings. For thirty-three years, Johnson taught and mentored students in the art and craft of creative writing. The Way of the Writer is his record of those years, and the coda to a kaleidoscopic, boundary-shattering career. Organized into six accessible, easy-to-navigate sections, The Way of the Writer is both a literary reflection on the creative impulse and a utilitarian guide to the writing process. Johnson shares his lessons and exercises from the classroom, starting with word choice, sentence structure, and narrative voice, and delving into the mechanics of scene, dialogue, plot and storytelling before exploring the larger questions at stake for the serious writer. What separates literature from industrial fiction? What lies at the heart of the creative impulse? How does one navigate the literary world? And how are philosophy and fiction concomitant? Luminous, inspiring, and imminently accessible, The Way of the Writer is a revelatory glimpse into the mind of the writer and an essential guide for anyone with a story to tell.
Whether you believe that man evolved from the apes (Darwinism) or that man was created in God's own image (religion), man has questioned the whats and whys of his surroundings. Why does the sun rise and set? Why does it rain? Why do dinosaurs eat us? As time went by, man learned those answers, but there were always many more questions to be answered. From the time, we left the trees and caves to present man we have learned much about what goes on in our planet, the planets closest to us, and our solar system. Even as we continue to learn about the deepest parts of our own oceans and the deepest parts of space around us, there are still mysteries occurring around us every day that we don't know the answers to or even understand. This book brings to light some of those mysteries, explaining the history around them; discussing the opinions, beliefs, and options; and allowing you, the reader, to decide for yourself whether the story is fact or fiction.
Short stories inspired by the history of slavery in America, by the National Book Award–winning author of Middle Passage. Nothing has had as profound an effect on American life as slavery. For blacks and whites alike, the experience has left us with a conflicted and contradictory history. Now, famed novelist Charles Johnson, whose Middle Passage won the National Book Award, presents a dozen tales of the effects and experience of slavery, each based on historical fact, and each about those Africans who arrived on our shores in shackles. From Martha Washington’s management of her slaves, bequeathed to her at the death of the first president, to a boy chained in the bowels of a ship plying the infamous passage from Africa to the South laden with human cargo, from a lynching in Indiana to a hunter of escaped slaves searching the Boston market for his quarry, from an early Quaker meeting exploring resettlement in Africa to the day after Emancipation—the voices, terrors, and savagery of slavery come vividly and unforgettably to life. “[These] highly detailed short historical fictions bring to life this most shameful period in our nation’s history.” —The New York Times Book Review
From National Book Award–winning author Charles Johnson comes a sly, witty, and insightful collection of short stories exploring issues of race and identity. In “Sweet Dreams,” a Kafkaesque tale is set in a world where dreams are taxed—a reality that leads to a man and his dreamlife being audited. In “Cultural Relativity,” a young woman falls in love with the son of the president of an African nation—but is forbidden to ever kiss him. A deeply humane story, “Dr. King's Refrigerator” offers a remarkable glimpse into Martin Luther King Jr.'s life and his refrigerator. “Kwoon” is a graceful and illuminating story about a martial arts teacher on Chicago's South Side. Compassionate and amusing, thought-provoking and richly imagined, Dr. King's Refrigerator and Other Bedtime Stories is a wonderful and compelling collection from one of America's most beloved authors.
National Book Award winner and MacArthur Genius Fellow Charles Johnson reflects on the joys of being a grandparent in this warm, inspiring collection of wisdom and life lessons—the ideal gift for any new parent or grandparent An award-winning novelist, philosopher, essayist, screenwriter, professor and cartoonist, Charles Johnson has held numerous impressive titles over the course of his incomparable career. Now, for the first time, with his trademark wisdom and philosophical generosity, he turns his attention to his most important role yet: grandparent. In Grand, Johnson shares stories from his life with his six-year-old grandson, Emery, weaving in advice and life lessons that stand the test of time. “Looking at the problems I see in the world around me,” Johnson writes, “I realize that there are so many things I want to say to him about the goodness and beauty that life offers. What are the perennial truths that I can impart to Emery that might make his journey through life easier or more rewarding?” Johnson shares these truths and more, offering profound meditations on family, race, freedom and creativity. Joyful, lucid and deeply comforting, Grand is Johnson at his most accessible and profound, an indispensable compendium for new grandparents and growing grandchildren alike, from one of America’s most revered thinkers.
From the National Book Award-winning author of Middle Passage, a fearless fictional portrait of Dr. Martin Luther King Jr. and his pivotal moment in American history. Set against the tensions of Civil Rights era America, Dreamer is a remarkable fictional excursion into the last two years of Martin Luther King Jr.'s life, when the political and personal pressures on this country's most preeminent moral leader were the greatest. While in Chicago for his first northern campaign against poverty and inequality, King encounters Chaym Smith, whose startling physical resemblance to King wins him the job of official stand-in. Matthew Bishop, a civil rights worker and loyal follower of King, is given the task of training the smart and deeply cynical Smith for the job. In doing so, Bishop must face the issue of what makes one man great while another man can only stand in for greatness. Provocative, heartfelt, and masterfully rendered, Charles Johnson confirms yet again that he is one of the great treasures of modern American literature. Dr. Charles Johnson is a novelist, screenwriter, essayist, professional cartoonist and the Pollock Professor of English at the University of Washington. He is the author of more than sixteen books, including the PEN/Faulkner nominated story collection The Sorcerer's Apprentice and the novel Middle Passage, for which he won the National Book Award.
From National Book Award–winning author, Charles Johnson, comes a wonderful mythic novel, part slave narrative, part comedy, part myth—first published in 1982 this phenomenally imaginative work marries Johnson's knowledge of philosophy, religion, race and history. One night in the antebellum South, a slave owner and his African American butler stay up to all hours until, too drunk to face their wives, they switch places in each other's beds. The result is a hilarious imbroglio and an offspring—Andrew Hawkins, whose life becomes Oxherding Tale. Through sexual escapades, picaresque adventures, and philosophical inquiry, Hawkins navigates white and black worlds and comments wryly on human nature along the way. Told with pure genius, Oxherding Tale is a deliciously funny, bitterly ironic account of slavery, racism, and the human spirit—and it reveals the author as a great talent with even greater humanity.
Drawn from the wisdom of ancient oral tradition, this book contains two main doctrines: teaching the attainment of wisdom, and warning against life's pitfalls, from excessive drink to promiscuity. The text is introduced by Charles Johnson.
Were it not for the Buddhadharma, says Charles Johnson in his preface to Turning the Wheel, "I'm convinced that, as a black American and an artist, I would not have been able to successfully negotiate my last half century of life in this country. Or at least not with a high level of creative productivity." In this collection of provocative and intimate essays, Johnson writes of the profound connection between Buddhism and creativity, and of the role of Eastern philosophy in the quest for a free and thoughtful life. In 1926, W. E. B. Du Bois asked African-Americans what they would most want were the color line miraculously forgotten. In Turning the Wheel, Johnson sets out to explore this question by examining his experiences both as a writer and as a practitioner of Buddhism. He looks at basic Buddhist principles and practices, demonstrating how Buddhism is both the most revolutionary and most civilized of possible human choices. He discusses fundamental Buddhist practices such as the Eightfold Path, Taming the Mind, and Sangha and illuminates their place in the American Civil Rights movement. Johnson moves from spiritual guides to spiritual nourishment: writing. In essays touching on the role of the black intellectual, Uncle Tom's Cabin, and Ralph Ellison, Johnson uses tools of Buddhist thinking to clarify difficult ideas. Powerful and revelatory, these essays confirm that writing and reading, along with Buddhism, are the basic components that make up a thoughtful life.
Buddhism-influenced essays, stories, and reviews by National Book Award winner Charles R. Johnson. This wide and varied collection of essays, reviews, and short stories by the renowned author Charles Johnson offers incisive views on poltics, race, and Buddhism. Johnson notes that in his life the two activities that have anchored him and reinforce each other are creative production and spiritual practice. This book is a crystallization of what he has learned during his passage through American literature, the visual arts, and the Buddhadharma. Essays include: • "And if Peace Is Their Goal . . ." on the principles of enlightened politics • "The King We Need" on the deep and sophisticated moral philosophy of Dr. Martin Luther King Jr., and why King's teachings and example are important to all Americans • "Why Buddhists Should Vote"--Johnson posits that voting can be seen as a way to reduce suffering • "The Meaning of Barack Obama"--an appreciation of the man who became one of the most historic US presidents, even before his first 100 days were through • "Why Buddhism for Black America Now?"--what Buddhism can offer the African-American community in the post-MLK era
Prayer, The Power Beyond Belief, is a book written to inspire and uplift the human spirit, of all people: Christians, non-Christian, young and old and those in-between. It is a source book. Something a reader may carry into everyday life and refer to, to bring a smile on a not so great day, or uplift a heavy heart in times of stress. Or, it may be used as a Clarion call to remind us of the beauty of life; within and without. And, at all times, this book reminds us that the glass may be viewed as half full or half empty; depending on the way we perceive the grandeur of the universe, the wonders of the soul, and the precious breath of life; which energizes us from the beginning of life to the end. In short, it is a highly charged battery cable for the soul, designed to jump start the reader's faith in the power -- beyond belief.
It’s 1943, and the second world war has only just started. The Imperial Japanese Navy appears to be invincible, destroying everything they face. The ABDA, (American, British, Dutch and Australian) fleet is all but destroyed. A few units make it to Australia. Very few. In the last naval battle, all but three destroyers are sunk. Facing impossible odds, they run, chasing shell splashes in an attempt to escape the inevitable. Sighting a rain squall, they make for it and amazingly they reach it. Hiding inside, they restock the guns, care for the wounded and prepare for the end. When the rain clears, they find themselves under clear blue skies and in a sea devoid of the enemy. Repairing what damage they can, they return to their base. The first question then is why did the enemy leave when all they had to do was wait for the rain to stop, then wipe out the three small ships? The answer? They didn’t leave. Japanese records show that the three destroyers never left the squall. It was assumed that the destroyers succumbed to their damage and sank, or were scuttled by their crews. In any event, they are recorded as sunk at the coordinates of the squall. The second question is then......If the destroyers were sunk, how did they return to their base? And the third question is......How did they return one hundred years later in 2043?
Shadow of the Plantation focuses on descendants of slaves in one rural Southern community in the early part of this century. In the process, Johnson reviews the troubled history of race relations in the United /States. When reread half a century after it was first written, Shadow of the Plantation is clearly revealed as a remarkably perceptive and fresh comment on race relations and the triumph of individuals over circumstances.Charles Johnson's book is significant for its use of multiple methodologies. The research took place in an ecological setting that was a dynamic element of the life of the community. The book is a multifaceted, interpretive survey of the 612 black families that composed the rural community of Macon County, Alabama, in the late 1920s and early 1930s. Johnson describes and analyzes their families, economic situation, education, religious activities, recreational life, and health practices.Shadow of the Plantation manages to be both historically accurate and foresighted at the same time. It is as much a book about today as it is a discussion of yesterday. This volume is an important study that will be of value to sociologists, anthropologists, and black studies specialists.
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