In this full-color sequel to his Landscape Painting in Watercolor, Zoltan Szabo shows that there is an abundance of ways to paint a landscape. This internationally acclaimed watercolorist demonstrates how to paint virtually every component of a landscape in a number of ways. He paints a rock, for example, with a split dry brush, with the palette knife, wet-in-wet, with a series of glazes, by scratching and scraping, by texturing with sponges-and by combining several of these techniques. The book contains three helpful sections. The first section, "Notes on Landscape Painting," describes how the artist selects and mixes colors, analyzes the many techniques for which Szabo is famous, and then demonstrates how to paint the seven most common landscape subjects. In these seven segments, Szabo makes valuable suggestions for painting trees; weeds, grass, and flowers; forms of the land ranging from rocks and soil to mountains and hills; still and moving water; snow, ice, and frost; skies and weather, including clouds, storms, rain, fog and mist; and finally, man-made structures. The second section, "Painting Techniques in Color," features 173 full-color studies of all these subjects. Here the reader sees fascinating close-ups that show how this famous watercolorist paints every detail of the landscape: the texture of tree bark and the intricate detail of leaves; the wispy shapes of weeds and grass, and the delicate colors of wildflowers; the bold shapes and rough textures of rocks crowned with moss; the sparkling transparent colors of water, broken by reflections of land and sky colors; the luminous lights and shadows of snow; skies ranging from clear blue to fiery sunsets. The third and final section, "Finished Paintings in Color," highlights 24 of Zoltan Szabo's finest landscapes, full-page size, and in full color. On each adjacent page, two significant sections of that painting are reproduced close to life-size so that the reader can study the painter's techniques. Zoltan Szabo Paints Landscapes is a treasury of techniques and inspiration for the advanced watercolorist. Zoltan Szabo was born in Hungary in 1928 and studied at the National Academy of Industrial Art in Budapest. He emigrated to Canada in 1949, and made a name for himself as one of Canada's foremost landscape painters. In addition to teaching workshops and seminars on watercolor painting, Szabo has exhibited his work in London, Canada, and the United States. Zoltan Szabo's paintings are found in public and private collections worldwide, including those of the prime ministers of Canada and Jamaica and in the National Gallery of Hungary. Other books by Zoltan Szabo include Landscape Painting in Watercolor, Painting Little Landscapes, and Painting Nature's Hidden Treasures. Readers interested in related titles from Zoltan Szabo will also want to see: Creative Watercolor Techniques (ISBN: 9781626541368), Landscape Painting in Watercolor (ISBN: 9781626549012), Painting Little Landscapes (ISBN: 9781626549173), Painting Nature's Hidden Treasures (ISBN: 9781626549180 ).
This book makes watercolour painting simple, straightforward and fun: 43 mini-demonstrations teach a wide range of useful watercolour techniques. 13 step-by-step demonstrations show these techniques applied to landscapes, flowers and other subjects. Page after page of proven approaches for painting clouds, trees, rocks, grass, snow, reflections and more. These are tried-and-true methods that Zoltan perfected over 65 years of painting. Now you can put them to work in your paintings immediately!
Zoltan Szabo's Landscape Painting in Watercolor offers a wealth of information for both aspiring artists and seasoned painters. This comprehensive text, enriched by over 300 illustrations, 24 of which are full-page color plates, includes instructions and advice for creating fantastic watercolor paintings. Thirty-six step-by-step demonstrations and over 200 monochrome illustrations vividly guide the reader through every phase of painting the landscape. Zoltan Szabo discusses color, texture, and other characteristics of watercolor, as well as the materials and equipment needed to complete a watercolor master-piece. He describes various techniques-the basic washes, direct painting, dry brush, painting on wet paper, handling the painting knife-and suggests ways of achieving texture, pattern, and special effects by using masking techniques, razor blades, and many other objects and approaches. The reader learns what to looks for in the environment, how to choose a subject, and how to handle both simple and complex subjects. Szabo also introduces the basics of composition-relationships of shapes, center of interest, three-dimensionality and perspective, value and form, white space, the sequence of painting, and sketching. Step-by-step demonstrations and auxiliary illustrations demonstrate how to paint the seasons, trees, forests, undergrowth, rocks, sand and soil, water (still and moving), reflections, fog, mist, rain, snow, sky and clouds, sunsets, fences, buildings, and people and animals in landscape. This book is sure to appeal to novice and professional painter alike and will provide, with its handsome gallery of illustrations, inspiration as well as instruction for every watercolor enthusiast. Zoltan Szabo was born in Hungary in 1928 and studied at the National Academy of Industrial Art in Budapest. He emigrated to Canada in 1949, and made a name for himself as one of Canada's foremost landscape painters. In addition to teaching workshops and seminars on watercolor painting, Szabo has exhibited his work in London, Canada, and the United States. Zoltan Szabo's paintings are found in public and private collections worldwide, including those of the prime ministers of Canada and Jamaica and in the National Gallery of Hungary. Other books by Zoltan Szabo include Painting Nature's Hidden Treasures, Painting Little Landscapes, and Zoltan Szabo Paints Landscapes. Readers interested in related titles from Zoltan Szabo will also want to see: Creative Watercolor Techniques (ISBN: 9781626541368), Painting Little Landscapes (ISBN: 9781626549173), Painting Nature's Hidden Treasures (ISBN: 9781626549180), Zoltan Szabo Paints Landscapes: Advanced Techniques in Watercolor (ISBN: 9781626549005).
In this inspiring companion to the acclaimed Zoltan Szabo Paints Landscapes, one of the most brilliant watercolorists of the 20th century shows how to paint nature close-ups in 40 full-color step-by-step demonstrations. Szabo begins by explaining how to select and record your subject in on-the-spot sketches and photos-and how to redesign, simplify, dramatize, and transform this raw material into a vivid personal statement. He also demonstrates how to paint seven different categories of close-ups-preceded by a fascinating collection of painting tips about each subject. Szabo begins by showing you how to paint the magical effects of light and shadow on snow, rocks, and other natural forms. Searching the forest for inspiration, he demonstrates how to paint a variety of subjects, including sunlit leaves and cobwebs on a tree trunk. Exploring the patterns of water, Szabo even discovers hidden beauty in a puddle on a muddy road. Szabo, famous for his winter paintings, reveals how he paints footprints in a snowy field, icicles, and frosty trees. When focusing on the beauty of wildflowers, Szabo uses subjects ranging from a single thistle in the wind to a cluster of blossoms in a meadow. The artist shows how to discover what he calls nature's abstractions, like the shape of a dead leaf caught among the branches or a spiderweb against the sky. He leads you around the house to find unexpected beauty in a wasp nest or a fallen feather on a pebbly path. And he shows you how to extract multiple paintings from a single subject by painting a series of variations on one handsome theme. "Painting close-ups will not only give you a whole new range of subjects," Szabo claims, "but will add a new dimension to your work as you explore the hidden treasure of nature." Painting Nature's Hidden Treasures can bolster the technique of every watercolorist. Zoltan Szabo was born in Hungary in 1928 and studied at the National Academy of Industrial Art in Budapest. He emigrated to Canada in 1949, and made a name for himself as one of Canada's foremost landscape painters. In addition to teaching workshops and seminars on watercolor painting, Szabo has exhibited his work in London, Canada, and the United States. Zoltan Szabo's paintings are found in public and private collections worldwide, including those of the prime ministers of Canada and Jamaica and in the National Gallery of Hungary. Other books by Zoltan Szabo include Landscape Painting in Watercolor, Painting Little Landscapes, and Zoltan Szabo Paints Landscapes. Readers interested in related titles from Zoltan Szabo will also want to see: Creative Watercolor Techniques (ISBN: 9781626541368), Landscape Painting in Watercolor (ISBN: 9781626549012), Painting Little Landscapes (ISBN: 9781626549173), Zoltan Szabo Paints Landscapes: Advanced Techniques in Watercolor (ISBN: 9781626549005).
The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó analyses some of the films made by Academy Award winner Hungarian filmmaker István Szabó to establish an interpretative matrix disclosing the root of haunting effects in the visual and the narrative levels of the diegeses. By combining two distinct—and often incongruous—lines of psychoanalytic thought (by Nicolas Abraham and Jacques Lacan), Zoltán Dragon argues that these films are fuelled by the work of a phantom on all levels, hiding the secrets of the family history of the characters and producing uncanny visual scenarios to make the act of hiding even more effective. The book brings the reader into the realm of the “phantom text” generating the film texts and crypt screens of the oeuvre, and investigates the causes of undiscussible and painful secrets that propel some pivotal characters to reappear in subsequent films, apparently driven by a compulsion to continue their narration, failing to finish their stories—even when they appear to be successful. The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó introduces a visual reinterpretation of Abraham’s phantom theory that opens up possibilities for an alternative way of studying film. I first saw this work in the form of a full and detailed draft. I was impressed by the boldness of the ideas, the attempt to integrate and work with different theoretical positions and the quite extraordinary reading of the films of István Szabó. There was clearly a powerful and creative and original intelligence at work. A further draft accomplished one important thing that had been missing from the first one – the direct analysis of the visual material and its contribution to the overall narrative and theoretical framework. The work employs a psychoanalytic framework with some key concepts such as ‘the phantom’ drawn from the work of Torok and Abraham. This theory is fairly well known but it has not, to my knowledge, been used in any extensive way in the analysis of film texts before. Zoltan also makes reference to Freud and uses some Lacanian ideas in his analysis at the level of the visual. These multiple theoretical references are not inconsistent; they are finely judged and are most productive. Theory is never used as a grid to be imposed on the material. There is a fine balance between theory and textual analysis that is hard to achieve, but it is successful here. I think that the position that Zoltan Dragon has forged for himself and from which he writes, is a highly original and interesting one. He has been most successful in developing his framework in relation to Szabó’s oeuvre which he knows in the greatest detail. His readings of that oeuvre are rich and powerful and will provoke considerable debate in the world of film studies and also of psychoanalytical studies. Parveen Adams, Core Teaching Faculty, London Consortium
Why do some privatisations apparently fail to produce expected positive results? Economic theory tells us that privatisation should improve efficiency, but this book, originally published in 1998, suggests that political bargaining in the process of privatisation works against the results we expect to achieve. To gain a better understanding of what privatisation is really about, power at a firm level needs to be understood. Privatisation is a gradually unfolding, evolutionary process, often with defective corporate governance. Politicking can take priority over performance, with the result that efficiency is ignored and profitability is affected. This is a comprehensive book on privatisation which focuses on micro-level behavioural issues and it uses exceptionally rich case evidence to illustrate that privatisation is more about politics than performance.
The fifty years or so preceding the watershed of 1848–49 witnessed the emergence of liberal nationalism in Hungary, along with a transmutation of conservatism which appeared then as a party and an ideological system in the political arena. The specific features of the conservatism, combining the protection of the status quo with some reform measures, its strategic vision, conceptual system, argumentation, assessment criteria and values require an in depth exploration and analysis. Different conservative groups were in the background or in opposition from 1848 to 1918, while in the period between the two World Wars, they constituted the overwhelming majority of ruling parties. During the one-party system, from 1949 to 1989, the liberals and conservatives—like all other political groups—were illegal, a status from which they could later emerge upon the change of the political system. The inheritance of the autocratic system frozen up and undigested by the one-party state was thawed after the peaceful regime change, the constitutional revolution and its discrete components began to be reactivated, including the enemy images of earlier discourses. "Liberal" and "conservative" had become state-party stigmas in line with fascist, reactionary, rightist, and bourgeois. In reaction to that, at first conservative then liberal, intellectual fashions and renascences unfolded in the 1980s. The attempts by liberal and conservative advocates to find predecessors did not favor an objective approach.The first step toward objectivity is establishing distance from the different kinds of enemy images and their political idioms. This is a pressing need because, although several pioneering works have appeared on different variants of the Hungarian liberalisms and conservatisms, there are no serious unbiased syntheses. This work is urgent because the political poles of the constitutional revolution and the ensuing period have up till now been described in terms of different conspiracy theories.
This book covers hydrogen effects in catalysis in the broadest sense, from surface science to industrial applications. It draws the attention of the catalysis community to the importance of the phenomena of hydrogen effects both in the science and technology of catalysis.
The emphasis throughout the text is to provide clear and practical step-by-step guidance to the many knot and suturing techniques in the surgeon's armamentarium Each stage of the various knots and procedures described is illustrated by clear, three colour line drawings and accompanied by definitive text.
Beginning with his employment by a Hungarian family as piano tutor in 1879, Mahler's contacts with Hungary spanned a full quarter of a century. They included the most significant period of some three years when he directed the Royal Hungarian Opera, exercising artistic control over a major institution for the first time, and ended with his guiding from afar of an early and astonishing performance of the complete Third Symphony in Budapest in 1905. Published accounts (especially of his work between 1888 and 1891) are variously anecdotal, inaccurate or incomplete. This work, then, is the first comprehensive examination of Mahler's connections with Hungary, based on primary sources (many published in English here for the first time) and documented secondary evidence. While Chapter III, devoted to Mahler's three seasons as director, is the focus and bulk of the book, Chapters II and IV provide a socio-cultural setting for the period, essential to an understanding of his lot as opera director. The framing chapters concern Mahler's road to Budapest on the one hand, and his Hungarian contacts after 1891 on the other. With its rich offering of documents and many illustrations, this book presents a scholarly, yet highly readable and fascinating account of an important part of Mahler's life and career.
How do we make sense of our experience? In order to understand how we construct meaning, the varied and complex relationships among language, mind, and culture need to be understood. While cognitive linguists typically study the cognitive aspects of language, and linguistic anthropologists typically study language and culture, Language, Mind, and Culture is the first book to combine all three and provide an account of meaning-making in language and culture by examining the many cognitive operations in this process. In addition to providing a comprehensive theory of how we can account for meaning making, Language, Mind, and Culture is a textbook for anyone interested in the fascinating issues surrounding the relationship between language, mind, and culture. Further, the book is also a "practical" introduction: most of the chapters include exercises that help the student understand the theoretical issues. No prior knowledge of linguistics is assumed, and the material is accessible and useful to students in a variety of other disciplines, such as anthropology, English, sociology, philosophy, psychology, communication, rhetoric, and others. Language, Mind, and Culture helps us make sense of not only linguistic meaning but also of some of the important personal and social issues we encounter in our lives as members of particular cultures and as human beings.
In a single volume, Monosaccharide Sugars critically summarizes the applied and potentially useful strategies for the synthesis and degradation of monosaccharides by chain-elongation, degradation, and epimerization. These methodologies permit the synthesis of rare or unnatural monosaccharides that are frequently employed as chiral building blocks in natural products synthesis, as well as for producing sugar derivatives labeled with radioactive isotopes. Representative and well-established experimental procedures are provided to illustrate the potential of the synthetic transformation.Degradation of carbohydrates also represents an invaluable tool for the structural elucidation of certain natural products, suchas glycosides, antibiotics, and polysaccharides. When describing the individual methods, unique supplementary collections of the prepared sugar derivatives are shown in tabular form. This compendium will eliminate tedious literature searches for those engaged in research and teaching on the chemistry and biochemistry of saccharides and other natural products, and also for those working on the medicinal and metabolic investigation of related substances of biological importance. - Illustrates the practical potential of well-established experimental procedures in synthetic transformations - Provides supplementary collections of prepared sugar derivatives in tabular form - Summarizes in a single volume the methods of obtaining carbohydrate-derived compounds
Combining up-to-date scholarship with clear and accessible language and helpful exercises, Metaphor: A Practical Introduction is an invaluable resource for all readers interested in metaphor. This second edition includes two new chapters--on 'metaphors in discourse' and 'metaphor and emotion' --along with new exercises, responses to criticism and recent developments in the field, and revised student exercises, tables, and figures.
Chemical synthesis of oligosaccharides is important to organic chemistry because of the critical biological functions of carbohydrates. Unfortunately, no handbook has been published on the subject...until now. Volume 1: Disaccharides presents synthetic carbohydrate chemistry, lists the syntheses, and shows the route of each synthesis. Volume 2: Trisaccharides presents schematic figures and references. This series includes all oligosaccharides synthesized between 1960 and 1986. This allows oligosaccharides prepared in their free form to be presented, as well as those produced in protected form. The series contains data regarding glycosylation reaction, namely reaction conditions (solvent, promoter, temperature), the aglycon and the glycosyl donor used, and the structure and physical data of the isolated product. For disaccharides, the names of the reactants and the products are revealed, while with trisaccharides and higher oligomers, schematic figures provide a quick and easy way to access information concerning the entire process. These volumes will provide an important reference source for biochemists, biologists, and organic chemists.
This book explores the pros and cons of the death penalty and the history of capital punishment. In this context, it puts a special emphasis on the situation in Hungary, where, amongst its neighbors, in recent years the demand for the reestablishment of the death penalty has received the strongest political support from many pro-government politicians. Toth presents tendencies toward abolition of the death penalty and analyzes the arguments by which the death penalty can, in principle, be criticized or even defended. The book presents the main issues of the death penalty, arguments of both abolitionists and retentionists, and reviews the modern history of this sanction. It does not seek to convince the reader of the correctness or wrongness of the death penalty, but it presents both sides of the argument and their standpoints, and leaves the reader to decide. It encourages informed debate and discussion.
A History of Modern Immunology: A Path Toward Understanding describes, analyzes, and conceptualizes several seminal events and discoveries in immunology in the last third of the 20th century, the era when most questions about the biology of the immune system were raised and also found their answers. Written by an eyewitness to this history, the book gives insight into personal aspects of the important figures in the discipline, and its data driven emphasis on understanding will benefit both young and experienced scientists. This book provides a concise introduction to topics including immunological specificity, antibody diversity, monoclonal antibodies, major histocompatibility complex, antigen presentation, T cell biology, immunological tolerance, and autoimmune disease. This broad background of the discipline of immunology is a valuable companion for students of immunology, research and clinical immunologists, and research managers in the pharmaceutical and biotechnology industries. - Contains the history of major breakthroughs in immunology featured with authenticity and insider details - Gives an insight into personal aspects of the players in the history of immunology - Enables the reader to recognize and select data of heuristic value which elucidate important facets of the immune system - Provides good examples and guidelines for the recognition and selection of what is important for the exploration of the immune system - Gives clear separation of descriptive and interpretive parts, allowing the reader to distinguish between facts and analysis provided by the author
This book makes watercolour painting simple, straightforward and fun: 43 mini-demonstrations teach a wide range of useful watercolour techniques. 13 step-by-step demonstrations show these techniques applied to landscapes, flowers and other subjects. Page after page of proven approaches for painting clouds, trees, rocks, grass, snow, reflections and more. These are tried-and-true methods that Zoltan perfected over 65 years of painting. Now you can put them to work in your paintings immediately!
Teaches the 70 painting techniques of one of the most revered watercolour teachers of all time, the late Zoltan Szabo. This title uses basic supplies to achieve a variety of special effects in landscape painting such as wispy clouds, falling snow, jagged rocks, trees and surf.|This title teaches the 70 favourite painting techniques of one of the most revered watercolour teachers of all time, the late Zoltan Szabo. It uses basic supplies to achieve a variety of special effects in landscape painting such as wispy clouds, falling snow, jagged rocks, trees and surf. Readers will also learn the characteristics of different kinds of watercolour pigments and how they behave on paper. It features 43 mini demonstrations to show how to achieve the techniques, and 13 full step demonstrations to show how to apply them.|Introduction; My favourite tools; 1 Qualities of watercolour pigments; 2 The rules of reflection; 3 Composition and design; 4 Basic techniques at a glance; 5 Watercolour techniques for painting; 6 Painting demonstrations; Index.|Zoltan Szabo was a highly renowned artist and watercolour instructor who taught workshops throughout the US. He was among the first watercolour teachers to do so, and one of the first and most successful authors of watercolour instruction books. His work can be viewed at www.zoltanszabo.com
The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó analyses some of the films made by Academy Award winner Hungarian filmmaker István Szabó to establish an interpretative matrix disclosing the root of haunting effects in the visual and the narrative levels of the diegeses. By combining two distinct—and often incongruous—lines of psychoanalytic thought (by Nicolas Abraham and Jacques Lacan), Zoltán Dragon argues that these films are fuelled by the work of a phantom on all levels, hiding the secrets of the family history of the characters and producing uncanny visual scenarios to make the act of hiding even more effective. The book brings the reader into the realm of the “phantom text” generating the film texts and crypt screens of the oeuvre, and investigates the causes of undiscussible and painful secrets that propel some pivotal characters to reappear in subsequent films, apparently driven by a compulsion to continue their narration, failing to finish their stories—even when they appear to be successful. The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó introduces a visual reinterpretation of Abraham’s phantom theory that opens up possibilities for an alternative way of studying film. I first saw this work in the form of a full and detailed draft. I was impressed by the boldness of the ideas, the attempt to integrate and work with different theoretical positions and the quite extraordinary reading of the films of István Szabó. There was clearly a powerful and creative and original intelligence at work. A further draft accomplished one important thing that had been missing from the first one – the direct analysis of the visual material and its contribution to the overall narrative and theoretical framework. The work employs a psychoanalytic framework with some key concepts such as ‘the phantom’ drawn from the work of Torok and Abraham. This theory is fairly well known but it has not, to my knowledge, been used in any extensive way in the analysis of film texts before. Zoltan also makes reference to Freud and uses some Lacanian ideas in his analysis at the level of the visual. These multiple theoretical references are not inconsistent; they are finely judged and are most productive. Theory is never used as a grid to be imposed on the material. There is a fine balance between theory and textual analysis that is hard to achieve, but it is successful here. I think that the position that Zoltan Dragon has forged for himself and from which he writes, is a highly original and interesting one. He has been most successful in developing his framework in relation to Szabó’s oeuvre which he knows in the greatest detail. His readings of that oeuvre are rich and powerful and will provoke considerable debate in the world of film studies and also of psychoanalytical studies. Parveen Adams, Core Teaching Faculty, London Consortium
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