The multi-talented Zoe Kazan gives us this very funny take on an unconventional romance. Trudy writes young adult fiction, and Max is a novelist of celebrity status. Trudy is married, Max doesn’t believe in love: Their attraction is anything but convenient. On rare occasions, you meet someone and everything clicks. But is love a choice? Or does it just happen?
THE STORY: Allie Bateman's wedding is Sunday. When Dinah, her precocious younger sister, returns to their parents' home for the festivities, she brings more than anyone expected: a new boyfriend, whose hidden history resurrects passions and painful
THE STORY: On a warm June afternoon in the Berkshires, siblings Adam, Teddy and Sophia prepare their family's summer house for a party and anxiously await the arrival of their father, celebrated author and publisher Solomon Weber. Not only is today
The multi-talented Zoe Kazan gives us this very funny take on an unconventional romance. Trudy writes young adult fiction, and Max is a novelist of celebrity status. Trudy is married, Max doesn’t believe in love: Their attraction is anything but convenient. On rare occasions, you meet someone and everything clicks. But is love a choice? Or does it just happen?
Generations ago, humans retreated deep underground after an environmental disaster ruined the world above. Nature is now simulated through brain-implanted chips, and fertility is regulated to keep the surviving population in balance. Anna and Oliver want to have a baby, and their options are running out.
THE STORY: On a warm June afternoon in the Berkshires, siblings Adam, Teddy and Sophia prepare their family's summer house for a party and anxiously await the arrival of their father, celebrated author and publisher Solomon Weber. Not only is today
THE STORY: Allie Bateman's wedding is Sunday. When Dinah, her precocious younger sister, returns to their parents' home for the festivities, she brings more than anyone expected: a new boyfriend, whose hidden history resurrects passions and painful
Generations ago, humans retreated deep underground after an environmental disaster ruined the world above. Nature is now simulated through brain-implanted chips, and fertility is regulated to keep the surviving population in balance. Anna and Oliver want to have a baby, and their options are running out.
This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of film cycles. By foregrounding patterns of distribution, spaces of exhibition, and modes of consumption as key components of the form and mechanics of cycles, this book develops a methodology for defining cycles based on an analysis of the industry and trade discourse. Applying her unique framework to six case studies of different cycles, Zoe Wallin blends a wide range of historical sources to analyze the many cultural, social, political, aesthetic, and industrial contexts relevant to these films. This book makes an important contribution to the literature in the area of film historiography, and will be of interest to any scholars of film studies, history and media studies.
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