Ally is happily married to Luke, but she and her sister Miranda couldn't be more different. While Ally has four children and a cosy home life, Miranda is child-free, married to a millionaire and lives in a show home that wouldn't be out of place in the pages of HOUSE & GARDEN. Ally gave up trying to compete years ago. But she is shocked when Miranda asks her if she'll help provide the one thing that is missing from her perfect life: a baby. Ally has every sympathy for Miranda's infertility problems, but can she really have a baby and hand it over to someone else? Especially if that someone else is Miranda.
Lorna has everything she's ever wanted. And then one day, her beloved husband Ed dies - leaving her widowed and pregnant at 29. Eighteen months later, Lorna misses Ed as much as ever, but knows she must get out and make a new life for herself and her kids. When her mum and dad suddenly find themselves desperate for somewhere to live, what could be more natural than for them to come and live with Lorna? It'll be a great opportunity for her to go back to her job as a midwife, while they get to know their grandchildren. But that's before the mishaps, the arguments over childcare, or the rows that break out when Lorna announces that she's met a hunky doctor and is ready to start dating again.
Eight years ago, when Hannah was a struggling single mum, Nick Steadman seemed like Mr Right and Prince Charming rolled into one. Kind, strong, reliable - and the perfect step-dad to Lottie - what did it matter if his taste in trousers was more M&S than D&G? OK, so their relationship's never been based on passion, but it has plenty of respect, friendship and trust. Trouble is, after eight years together they're beginning to realise that friendship isn't enough. The solution? An amicable divorce. Which would be just fine if it wasn't so hard to explain to nine-year-old Lottie. And if Hannah didn't find herself a teeny bit annoyed at Nick's ability to move on so quickly. Not that she isn't happy for him and his new lover. Of course she is. After all, they agreed they'd be mature, grown-up and rational about their separation. They may be divorced but they can still be friends. Can't they?
The double christening of her sisters' two kids gets Holly Bennett thinking. She would seriously love to have a baby one day, but for the first time in ages being adopted has become a stumbling block for her. Does she want to start a family of her own when she doesn't even know who she really is or where she's come from? With an on-off boyfriend who she's swiftly falling out of lust with, Holly decides to move back to her home town to be near her adoptive family. Who knows, it may be the change she needs to get her life back on track - and the place to be if she wants to begin tracing her roots. But these roots prove trickier to trace than Holly has expected. That is, until she hires her own oh-so-sexy private investigator to take charge...
When Claire inherits a house out of the blue, she thinks she's struck it rich! But while the word 'cottage' conjures images of romantic idylls and roses round the door, there's nothing remotely heavenly about Paradise Cottage.It's a tumble-down wreck in the middle of nowhere - more in need of a demolition expert than a decorator. Still, Claire's not one to shirk a challenge.Much to the amusement of her hunky new neighbour, Aidan, she decides to renovate the cottage herself.After all, problem-solving, trouble-shooting - it's what Claire does best.She's used to planning events for thousands of people.She can sort out one little cottage . . . Can't she?
Gina had fallen for Matt Hooley when they were both teenage rebels. Together, they were going to save the world - until their mothers put a stop to it, and made sure they never saw each other again. Now, fourteen years later, Gina still regards Matt as 'The One'. No one else has ever come close to measuring up. All of her other boyfriends have eventually stumbled at some hurdle or other, cursing 'Saint Matt' as they fell. Gina's always had a daydream that one day Matt would come back and carry her off on his obligatory white charger. But never once in her fantasies did he ever arrive complete with an ex-wife and three kids! Worse, her teenage rebel has become thoroughly respectable. Well groomed, wealthy, middle class - he could even pass for an accountant! How can her Mr Right have gone so wrong...?
Ally is happily married to Luke, but she and her sister Miranda couldn't be more different. While Ally has four children and a cosy home life, Miranda is child-free, married to a millionaire and lives in a show home that wouldn't be out of place in the pages of HOUSE & GARDEN. Ally gave up trying to compete years ago. But she is shocked when Miranda asks her if she'll help provide the one thing that is missing from her perfect life: a baby. Ally has every sympathy for Miranda's infertility problems, but can she really have a baby and hand it over to someone else? Especially if that someone else is Miranda.
First published in 1999. Although contemporary feminist criticism has mainly focused upon American women playwrights of the twentieth century-women, there is evidence that a feminist tradition rooted deep in the nationalistic and democratic impulses of the American nation existed more than a hundred years before these women started writing. It may come as a surprise to some readers that a significant but overlooked number of women playwrights vitally contributed to the development of early American drama. This study covers the period between 1775 and 1860, a time when American men and women struggled to define themselves and their place in response to the radical economic and institutional transformations which characterized that period. Based on the assumption that women's experience of the world differs from men's, the author tries to show that the plays of my study are sites of gender inscriptions as well as collective evidence that late-eighteenth and nineteenth-century men and women were affected differently by the economic, political, and social changes that were taking place in America at that time.
A Gift From Us To You! Fall in love all over again with this exclusive boxed set full of FREE romances from USA Today and New York Times bestselling Authors. With all the craziness and uncertainty in the world right now, we know things are difficult for a large number of folks and this is our small way of giving back! Download your copy today, sit back and enjoy and know that you’re all so appreciated! From USA Today Bestselling Author, Juliana Stone. THE THING ABOUT TROUBLE: Cam Booker learned the hard way that commitment and love aren’t for him. Fresh out of a relationship that nearly saw him go to jail, he’s focused on building a life and his business. But when he suddenly finds himself responsible for a motherless five-year-old, his world is turned upside down. What does he know about caring for a little girl? On top of that, his newest client, the notorious widow Banes is definitely the kind of trouble he doesn’t need. From USA Today Bestselling Author, Elena Aitken. ONLY FOR A MOMENT: She’s sworn off relationships. He’s ready to find ‘the one’. The last thing either of them expected was each other. As far as Jade Johnson is concerned, the only thing men have ever been good at is holding her back. But when work takes her to the small town of Cedar Springs to cast a hot new show, Jade comes face to face with a man who sets her world on fire and immediately challenges everything she’s ever believed. Mitch McCormick is finally ready to put his playboy ways behind him and settle down, but the type of women he’s been dating are definitely not the marrying type. Which is exactly why he needs a nice girl. An easy going, sweet, small town girl... The exact opposite of the feisty, sharp tongued talent agent he can’t get off his mind. Jade challenges him and excites him in a way he's never experienced. But Jade's made it clear that settling down isn't something she wants, not with him—not with anyone. But when Jade makes a discovery that will turn her life upside down, it’s not only her own heart she needs to protect. Because whether she likes it or not, everything is about to change. From USA Today Bestselling Author, Molly O’Keefe. WEDDING AT THE RIVERVIEW INN: An emotional tale of a magical inn, a wedding gone terribly wrong and a woman searching for a second chance. Alice has hit rock bottom. Once a Michelin-starred chef, she is now drowning in debt, working the line at a chain restaurant and drinking too much. The last person she ever expected to come knocking with a job offer and a fresh start is her ex-husband, Gabe. Gabe built The Riverview Inn with his dad and brother. Now, the grand lodge in the Catskill Mountains is nearly ready for the opening event—a society wedding for 500 guests. The only thing missing is a chef. That’s where Alice comes in. The deal Gabe offers Alice is too good to pass up: help him get through this wedding and he’ll get her out of debt. But nothing is simple at The Riverview and soon she’s dealing with a bridezilla, pink swans, a series of mysterious letters and a teenage delinquent. Through it all, one thing is clear—her feelings for Gabe burn as bright as they always have. When the wedding is over, will Alice walk away for good? Or will The Riverview work its magic on Alice and Gabe? From NEW York Times Bestselling Author Zoe York. LOVE ON A SUMMER NIGHT: Never say never. Especially not to a determined bad boy. Zander Minelli is exactly the wrong kind of man. He’s dark, dangerous, and knows far too much about sawed-off shotguns. Faith Davidson finds him irresistible. The widowed single mother knows she should dip her toe back in the dating pool with someone solid and dependable. Definitely no tattoos. But every time she looks up, the brooding soldier is watching her, and she can’t help but wonder what it would be like to let herself have a taste… Small town summer nights have never been hotter—and one transplanted city-girl’s heart has never been more fragile. From Bestselling Author Trish Loye. EDGE OF FURY: E.D.G.E. Security is a covert international organization that handles jobs most governments won’t. The operators are the elite of the elite, soldiers and spies, chosen for their skills and secrecy, and their ability to go beyond the edge. In the jungles of Colombia one spy meets another… Tell No One Quinn Sinclair has worked hard and sacrificed much to become one of the only female operatives with the British Special Reconnaissance Regiment. Undercover as a medic in the Colombian jungle, Quinn is single minded in her assignment until the night a rescue mission goes awry. Instead of saving an innocent hostage from a drug lord she finds herself treating a sexy, wounded soldier, a man likely working for the enemy. Her new task? Maintain her cover, keep an eye on the enemy and guard the secret she carries at all costs. It should be easy except this soldier has a way of seeing right through her, making her feel things she’s never felt before. Trust No One EDGE operator Marc Koven doesn’t trust easily, no spy does. When a mission goes wrong and he ends up wounded and in the hands of a fiery and beautiful medic, he’s immediately suspicious. Something about Quinn makes his blood boil. She’s a woman with secrets. Secrets he wants to unravel. But he won’t let her endanger his mission. He’s been taught to keep his enemies close and that’s exactly what he’s going to do. However, the closer he gets the more Quinn challenges him, tempting him to do something stupid like haul her up against him and kiss the secrets right out of her. Love No One Forced together for the sake of the mission, Quinn and Marc must face the dangers of the jungle, fight a vicious drug cartel, and tame their overwhelming desire for each other. To survive, they must learn to trust one another above all else or be swept over the edge of fury
Labour and the Wage: A Critical Perspective offers a new perspective on why labour law struggles to respond to problems such as low pay and under-inclusive employment. A Marxian-inspired ontological approach sheds new light on the role of labour law in a capitalist economy and on the limitations and potential of labour law when it comes to bringing about social change. It illustrates this through the lens of the wage. The book develops a legal genealogy that explores the shifting portfolio of concepts through which the wage has been conceptualized in legal discourse as capitalism has developed. This exploration spans from the Norman Conquest to the present day, and covers diverse issues such as the decasualization of the docks, sweated labour, the truck system, tax-credits, tips, and minimum wages. Labour and the Wage provides one of the most in-depth and comprehensive analyses of the wage to date, while, at the same time, shedding new light on the contradictory role, or function, of labour law in the context of capitalism.
Imprisonment became a badge of honor for many protestors during the civil rights movement. With the popularization of expressions such as "jail-no-bail" and "jail-in," civil rights activists sought to transform arrest and imprisonment from something to be feared to a platform for the cause. Beyond Dr. Martin Luther King Jr.'s "Letters from the Birmingham Jail," there has been little discussion on the incarceration experiences of civil rights activists. In her debut book, Zoe Colley does what no historian has done before by following civil rights activists inside the southern jails and prisons to explore their treatment and the different responses that civil rights organizations had to mass arrest and imprisonment. Colley focuses on the shift in philosophical and strategic responses of civil rights protestors from seeing jail as something to be avoided to seeing it as a way to further the cause. Imprisonment became a way to expose the evils of segregation, and highlighted to the rest of American society the injustice of southern racism. By drawing together the narratives of many individuals and organizations, Colley paints a clearer picture how the incarceration of civil rights activists helped shape the course of the movement. She places imprisonment at the forefront of civil rights history and shows how these new attitudes toward arrest continue to impact contemporary society and shape strategies for civil disobedience.
In Public Opinion: Democratic Ideals, Democratic Practice, Fourth Edition, Clawson and Oxley link the enduring normative questions of democratic theory to existing empirical research on public opinion. Organized around a series of questions—In a democratic society, what should be the relationship between citizens and their government? Are citizens’ opinions pliable? Are they knowledgeable, attentive, and informed?—the text explores the tension between ideals and their practice. Each chapter focuses on exemplary studies, explaining not only the conclusion of the research, but how it was conducted, so students gain a richer understanding of the research process and see methods applied in context.
Between the turn of the twentieth century and the Brown v. Board of Education decision in 1954, the way that American schools taught about "race" changed dramatically. This transformation was engineered by the nation's most prominent anthropologists, including Franz Boas, Ruth Benedict, and Margaret Mead, during World War II. Inspired by scientific racism in Nazi Germany, these activist scholars decided that the best way to fight racial prejudice was to teach what they saw as the truth about race in the institution that had the power to do the most good-American schools. Anthropologists created lesson plans, lectures, courses, and pamphlets designed to revise what they called "the 'race' concept" in American education. They believed that if teachers presented race in scientific and egalitarian terms, conveying human diversity as learned habits of culture rather than innate characteristics, American citizens would become less racist. Although nearly forgotten today, this educational reform movement represents an important component of early civil rights activism that emerged alongside the domestic and global tensions of wartime.Drawing on hundreds of first-hand accounts written by teachers nationwide, Zoe Burkholder traces the influence of this anthropological activism on the way that teachers understood, spoke, and taught about race. She explains how and why teachers readily understood certain theoretical concepts, such as the division of race into three main categories, while they struggled to make sense of more complex models of cultural diversity and structural inequality. As they translated theories into practice, teachers crafted an educational discourse on race that differed significantly from the definition of race produced by scientists at mid-century.Schoolteachers and their approach to race were put into the spotlight with the Brown v. Board of Education case, but the belief that racially integrated schools would eradicate racism in the next generation and eliminate the need for discussion of racial inequality long predated this. Discussions of race in the classroom were silenced during the early Cold War until a new generation of antiracist, "multicultural" educators emerged in the 1970s.
Nazi Germany’s Holocaust has become something of a benchmark for all other genocides. This instructive volume offers readers insight into the background of its mastermind, Adolf Hitler, and sets the stage for the appalling fates of so many minorities, including Jews, Catholics, Gypsies, homosexuals, and other allegedly “inferior” groups of people in Germany, who were tortured, held captive, and slaughtered. Readers will also learn about their lives before the terrors began and the curious and terrifying views of Hitler and his followers, which changed the lives of Jews and other minorities in Germany forever.
In Diplomacy in Postwar British Literature and Culture, Krzakowski shows how matters of international relations--refugee crises, tribunals, espionage, and diplomatic practice--have influenced the thematic and formal concerns of twentieth-century cultural production.
A study of animal sacrifice within Greek paganism, Judaism, and Christianity during the period of their interaction between about 100 BC and AD 200. After a vivid account of the realities of sacrifice in the Greek East and in the Jerusalem Temple (up to AD 70), Maria-Zoe Petropoulou explores the attitudes of early Christians towards this practice. Contrary to other studies in this area, she demonstrates that the process by which Christianity finally separated its own cultic code from the strong tradition of animal sacrifice was a slow and difficult one. Petropoulou places special emphasis on the fact that Christians gave completely new meanings to the term `sacrifice'. She also explores the question why, if animal sacrifice was of prime importance in the eastern Mediterranean at this time, Christians should ultimately have rejected it.
Mystery meets romance meets noir meets caper."—Kirkus Reviews Annabelle Starkey is a shrewd, sweet, and sexy Stephanie Plum without the Jersey girl attitude. She's a one-man kind of girl who loves hats and shoes. Annabelle also loves movies. But her own life doesn't match her favorite silver-screen scenarios. Then, one day she meets charming, slightly mysterious, and definitely magnetic Mickey Paxton and decides it's time to live one of those Cary Grant films. They fly to Las Vegas for a holiday and a test flight for romance. The script takes a surprising turn when they arrive in Sin City. Suddenly Annabelle and Mickey are on the run—from what? And why? Did Mickey lead Annabelle into this mess? Then a murder in Annabelle's San Francisco apartment sends the couple winging west to that city where, once again, criminals and cops pursue them. In two frenetic days of fast driving, fast talking, and fast thinking, Annabelle learns to trust her instincts. No matter what the danger, Annabelle's fresh and funny voice is her best weapon.
Deakin and Morris' Labour Law, a work cited as authoritative in the higher appellate courts of several jurisdictions, provides a comprehensive analysis of current British labour law which explains the role of different legal and extra-legal sources in its evolution, including collective bargaining, international labour standards, and human rights. The new edition, while following the broad pattern of previous ones, highlights important new developments in the content of the law, and in its wider social, economic and policy context. Thus the consequences of Brexit are considered along with the emerging effects of the Covid-19 crisis, the increasing digitisation of work, and the implications for policy of debates over the role of the law in constituting and regulating the labour market. The book examines in detail the law governing individual employment relations, with chapters covering the definition of the employment relationship; the sources and regulation of terms and conditions of employment; discipline and termination of employment; and equality of treatment. This is followed by an analysis of the elements of collective labour law, including the forms of collective organisation, freedom of association, employee representation, internal trade union government, and the law relating to industrial action. The seventh edition of Deakin and Morris' Labour Law is an essential text for students of law and of disciplines related to management and industrial relations, for barristers and solicitors working in the field of labour law, and for all those with a serious interest in the subject.
And we are watching the huge grey waves crashing and this is the moment when I say I have to tell you something. Claire and her wife Kit have moved from the confines of London to the wide open coasts of South Shields. To be nearer family, to be nearer the sea, to put down roots. To have a baby. Claire's new job at the local school is a step up, and she wants to make a real difference, but she soon discovers that she has as much to learn from her students as they have from her. A tender new play about gender, wild swimming, and how we define who we are.
This monograph proposes a new way of implementing interaction in logic. It also provides an elementary introduction to Constructive Type Theory (CTT). The authors equally emphasize basic ideas and finer technical details. In addition, many worked out exercises and examples will help readers to better understand the concepts under discussion. One of the chief ideas animating this study is that the dialogical understanding of definitional equality and its execution provide both a simple and a direct way of implementing the CTT approach within a game-theoretical conception of meaning. In addition, the importance of the play level over the strategy level is stressed, binding together the matter of execution with that of equality and the finitary perspective on games constituting meaning. According to this perspective the emergence of concepts are not only games of giving and asking for reasons (games involving Why-questions), they are also games that include moves establishing how it is that the reasons brought forward accomplish their explicative task. Thus, immanent reasoning games are dialogical games of Why and How.
With a world steeped in materialism, environmental destruction, and injustice, what can one individual possibly do to change it? While the present obstacles we face may seem overwhelming, author and humane educator Zoe Weil shows us that change doesn't have to start with an army. It starts with you. Through her straightforward approaches to living a MOGO, or "most good," life, she reveals that the true path to inner peace doesn't require a retreat from the world. Rather, she gives the reader powerful and practicable tools to face these global issues, and improve both our planet and our personal lives. Weil explores direct ways to become involved with the community, make better choices as consumers, and develop positive messages to live by, showing readers that their simple decisions really can change the world. Inspiring and remarkably inclusive of the interconnected challenges we face today, Most Good, Least Harm is the next step beyond "green" -- a radical new way to empower the individual and motivate positive change.
Oprah Winfrey is one of the most celebrated women in the world - she's also one of the most famous yo-yo dieters. "It has been the battle of my life," she has said, "... a battle I am still fighting every waking moment." Anyone who, like Oprah, has endured the vicious rollercoaster of losing, regaining and then putting on more weight knows that the advice we are being given doesn't work. So, what does? Dr Zoe Harcombe, PhD, experienced the misery of yo-yo dieting throughout her twenties and decided to use her scientific training to find a solution. She has spent the past 20 years studying diet, eating habits and the escalating obesity crisis and is now the go-to nutrition expert for some of the world's leading doctors. In The Diet Fix, Zoe reveals her 10-step plan for success. Using evidence-based analysis, she tells us how to lose weight without hunger, how to eat better rather than less and, most importantly, how to make it different this time.
This engaging book is a welcome guide to the most successful and loved ballets seen on the stage today. Dance writer and critic Zoe Anderson focuses on 140 ballets, a core international repertory that encompasses works from the ethereal world of romantic ballet to the edgy, muscular works of modern choreographers. She provides a wealth of facts and insights, including information familiar only to dance world insiders, and considers such recent works as Alexei Ramansky's Shostakovich Trilogy and Christopher Wheeldon's The Winter's Tale as well as older ballets once forgotten but now returned to the repertory, such as Sylvia. To enhance enjoyment of each ballet, Anderson also offers tips on what to look for during a performance. Each chapter introduces a period of ballet history and provides an overview of innovations and advancement in the art form. In the individual entries that follow, Anderson includes essential facts about each ballet’s themes, plot, composers, choreographers, dance style, and music. The author also addresses the circumstances of each ballet’s creation and its effect in the theater, and she recounts anecdotes that illuminate performance history and reception. Reliable, accessible, and fully up to date, this book will delight anyone who attends the ballet, participates in ballet, or simply loves ballet and wants to know much more about it.
Why do we think about some practices as work, and not others? Why do we classify certain capacities as economically valuable skills, and others as innate characteristics? What, moreover, is the role of law in shaping our answers to these questions?" These are just some of the queries explored by Zoe Adams's analysis of the legal construction, and regulation, of work. Spanning from the 14th century to the present day, The Legal Concept of Work explores how the role of law and legal concepts comes to consider some forms of human labour as work, and some forms of human labour as non-work. It examines why perceptions of these activities can change over time, and how legal constitution impacts the way in which work comes to be regulated, organised, and valued. As part of the analysis, the book presents a series of case studies, ranging from the publishing industry, academia, medicine, and retail, with a view of illustrating some of the regulatory challenges different types of work face, in the context of capitalism.
“Genre fiction series are the bread and butter of mid-list writers. For many they make the difference between a writing dream and a writing career.” Zoe York/Ainsley Booth, USA Today and New York Times bestselling author For the first time ever in print, Zoe York breaks down how she plans a series—something she has done ten times over. Romance Your Brand is an adaptation of an intensive four-week course, now available to authors everywhere. This book covers: • high-concept pitches • world-building • taglines and blurbs • building a cast of characters • writing the first book in a series • finding comparable series • covers • how to write towards future marketing • and why ALL OF THE ABOVE should be considered before you write a single word
Seeking Love in Modern Britain charts the emergence of the modern British single through an account of the dating industry that sprang up to serve men and women. It shows how – amid a period of unprecedented sexual and social change – 'the single' became a key unisex identity and lifestyle. From around 1970, a growing, cottage-style matchmaking industry in Britain was offering the romantically solo a choice between computer dating firms, such as Dateline or Compudate, introduction agencies and the lonely hearts pages of Private Eye, Time Out and others. Zoe Strimpel reveals how this rapidly expanding landscape of services was catering to a new breed of single people, and how – by the late 1990s – singleness had become the culturally mainstream, wholly expected part of the romantic life cycle that it is today. Refuting the widespread idea that the Internet invented modern dating, this book uses an eclectic and engaging range of first-person accounts and snapshots from the time to show that the story of contemporary romance, mediated courtship and singleness began in a time long before Tinder.
The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand’s premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon’s religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist’s body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy. More broadly, The Spirit of Colin McCahon outlines a model of analysis for the intersection of art and religion, and the place of images as rhetorical devices within Antipodean culture. The emerging field of religion and visual culture is important not only to students of New Zealand art history, but also to a growing field of appreciation for the communicative power of images. This book provides a helpful model for examining art and literature as social and religious tools, and advances the importance of visual rhetoric within studies of art and social expression.
As the last descendant of the history-changing Julius Caesar, Nero more than made a name for himself. But his rule of ancient Rome, which lasted from 54 to 68 CE, is a story that is not so straightforward. His shocking and outright brutal behavior certainly stands out, whether it was the murder of his mother, his enjoyment of performance art at a time when such public performances were highly unusual, or his general disregard for his role as ruler when it came to running his government. But much of Nero’s nasty reputation was not so straightforward as history might make it seem.
Meet Jess and Joe. They want to tell you their story. Joe is Norfolk born and bred and wears wellies. Jess holidays there with her au pair and is slightly too tubby for her summer dresses. They are miles apart even when they stand next to each other. This is a story of growing up, fitting in (or not), boys, girls, secrets, scotch eggs and maybe even love, but most of all, it's about friendship. Spanning several summer holidays, Jess and Joe Forever is an unusual coming of age tale that explores rural life and what it means to belong somewhere, if you can really belong anywhere. A layered and thoughtful play about finding your place in the world when you only know a small corner of it. This edition was published to coincide with House Theatre's production at the Traverse Theatre, Edinburgh in 2017.
The double christening of her sisters' two kids gets Holly Bennett thinking. She would seriously love to have a baby one day, but for the first time in ages being adopted has become a stumbling block for her. Does she want to start a family of her own when she doesn't even know who she really is or where she's come from? With an on-off boyfriend who she's swiftly falling out of lust with, Holly decides to move back to her home town to be near her adoptive family. Who knows, it may be the change she needs to get her life back on track - and the place to be if she wants to begin tracing her roots. But these roots prove trickier to trace than Holly has expected. That is, until she hires her own oh-so-sexy private investigator to take charge...
Markesinis and Deakin's Tort Law is an authoritative, analytical, and well-established textbook, now in its eighth edition. The authors provide a variety of comparative and economic perspectives on the law of tort and its likely development, placing the subject in its socio-economic context, giving students a deeper understanding of tort law.
A poignant breakout novel, for fans of J. Courtney Sullivan and Elin Hilderbrand, about a single mother who inherits a beautiful beach house with a caveat—she must take care of the ornery elderly woman who lives in it. For years, Maggie Sheets has been an invisible hand in the glittering homes of wealthy New York City clients, scrubbing, dusting, mopping, and doing all she can to keep her head above water as a single mother. Everything changes when a former employer dies leaving Maggie a staggering inheritance. A house in Sag Harbor. The catch? It comes with an inhabitant: The deceased’s eighty-two-year old mother Edith. Edith has Alzheimer’s—or so the doctors tell her—but she remembers exactly how her daughter Liza could light up a room, or bring dark clouds in her wake. And now Liza’s gone, by her own hand, and Edith has been left—like a chaise or strand of pearls—to a poorly dressed young woman with a toddler in tow. Maggie and Edith are both certain this arrangement will be an utter disaster. But as summer days wane, a tenuous bond forms, and Edith, who feels the urgency of her diagnosis, shares a secret that she’s held close for five decades, launching Maggie on a mission that might just lead them each to what they are looking for.
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