Old Indian Legends (1901) is a collection of traditional stories from Yankton Dakota writer Zitkála-Šá. Published while Zitkála-Šá was just beginning her career as an artist and activist, Old Indian Legends collects fourteen traditional legends and stories passed down through Sioux oral tradition. Intending to keep the stories or her people alive, Zitkála-Šá popularized and protected these cultural treasures for generations to come. In “Iktomi and the Ducks,” spider-trickster spirit Iktomi befriends a group of ducks by playing them music to dance to. Gaining their trust, he sends them into a dancing frenzy causing them to break their necks, after which he takes them to his teepee to cook a meal. When a tree branch snaps outside, distracting Iktomi, a pack of wolves moves in for a feast of their own. In “Iktomi’s Blanket,” a starving Iktomi prays to Inyan for a blessing of food. Stumbling across a deer carcass, he believes his prayers have been answered and prepares a fire to roast the deer meat over. Feeling a chill, however, he goes to his teepee for a blanket, leaving the fire unattended. Throughout her collection, Zitkála-Šá faithfully and respectfully retells the stories of her people. Old Indian Legends is a charming compilation from one of the leading American Indian writers of her generation, a committed activist and true voice for change who saw through her own eyes the lives and experiences of countless others. With a beautifully designed cover and professionally typeset manuscript, this edition of Zitkála-Šá’s Old Indian Legends is a classic of American Indian literature reimagined for modern readers.
A thought-provoking collection of searing prose from a Sioux woman that covers race, identity, assimilation, and perceptions of Native American culture Zitkala-Sa wrestled with the conflicting influences of American Indian and white culture throughout her life. Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.
Zitkala-?a (Red Bird) (1876?1938), also known as Gertrude Simmons Bonnin, was one of the best-known and most influential Native Americans of the twentieth century. Born on the Yankton Sioux Reservation, she remained true to her indigenous heritage as a student at the Boston Conservatory and a teacher at the Carlisle Indian School, as an activist in turn attacking the Carlisle School, as an artist celebrating Native stories and myths, and as an active member of the Society of American Indians in Washington DC. All these currents of Zitkala-?a?s rich life come together in this book, which presents her previously unpublished stories, rare poems, and the libretto ofThe Sun Dance Opera.
American Indian Stories is a collection of childhood stories, allegorical fictions and essays written by Sioux writer and activist Zitkala-Sa.American Indian Stories details the hardships encountered by Zitkala-Sa and other Native Americans in the missionary and manual labour schools designed to "civilize" them. The autobiographical details contrast her early life on the Yankton Indian Reservation and her time as a student at White's Manual Labour Institute and Earlham College.The collection includes legends and stories from Sioux oral tradition, along with an essay titled America's Indian Problem, which advocates rights for Native Americans and calls for a greater understanding of Native American cultures. American Indian Stories offers a unique view into a society that is often overlooked though that society still persists to this day.
Gertrude Simmons Bonnin (1876-1938), better known by her pen name, Zitkala-Sa, was a Native American writer, editor, musician, teacher and political activist. She was born and raised on the Yankton Sioux Reservation in South Dakota by her mother. Zitkala-Sa lived a traditional lifestyle until the age of eight when she left her reservation to attend Whites Manual Labor Institute, a Quaker mission school in Indiana. She went on to study for a time at Earlham College in Indiana and the New England Conservatory of Music in Boston. A considerable talent, Bonnin co-composed the first American Indian grand opera, The Sun Dance in 1913. After working as a teacher at Carlisle Indian Industrial School, she began publishing short stories and autobiographical vignettes. Her autobiographical writings were serialized in Atlantic Monthly and, later, published in a collection called American Indian Stories in 1921. Her first book, Old Indian Legends (1901), is a collection of folktales that she gathered during her visits home to the Yankton Reservation. Her other works include Stories of Iktomi and Other Legends of the Dakotas (1901) and Oklahoma s Poor Rich Indians (1924).
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Two essential collections by a noted Sioux author: American Indian Stories assembles short stories as well as autobiographical and political essays, and Old Indian Legends features tales from the oral tradition.
Early in the century a magnificent Sioux woman named Zitkala-Sa published these legends that she learned during her childhood on the Yankton Reservation. Her eastern education developed a writing talent that was put to good use in recording from oral tradition the exploits of Iktomi the trickster, Eya the glutton, the Dragon Fly, the Blood Clot boy, and other magical and mysterious figures, human and animal, known to the Sioux. Until her death in 1938, Zitkala-Sa stood between two cultures as preserver and translator.
Oral traditions and myths have long been an integral part of Native American cosmology. Not only have they been - and continue to be - an essential part of handing down Native American customs, norms, beliefs, and cultural histories, but they also form a communal mythic discourse. This discourse is not a "fixed text," but rather a dynamic process of interactive relations that are developed over generations of experience, and passed from relation to relation and generation to generation. In this sense, the traditional structures of mythic discourse serve an integrative function: to form a coherent basis for communal identity in terms of a shared set of fundamental ideas and beliefs expressed in multiple forms. The oral traditions and myths recorded in this book are part of the communal mythic discourse of the Lakota Sioux people. Originally collected and recorded at the close of the nineteenth century by two Native language speakers - Marie L. McLaughlin and Zitkala Sa - these oral traditions provide some of the least distorted or colonially disrupted examples of the Lakota Sioux communal mythic discourse. Containing over 40 oral traditions, Lakota Sioux Legends and Myths brings together into a single volume these remarkable myths and legends. Edited and with a forward by Peter N. Jones, Ph.D., Lakota Sioux Legends and Myths is a welcome and refreshing addition to the literature. Once again the beauty, depth, and knowledge contained within the Lakota Sioux oral traditions can speak for themselves.
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