The essays of this collection explore how ideas about 'blood' in science and literature have supported, at various points in history and in various places in the circum-Atlantic world, fantasies of human embodiment and human difference that serve to naturalize existing hierarchies.
Zita Nunes argues that the prevailing narratives of identity formation throughout the Americas share a dependence on metaphors of incorporation and, often, of cannibalism. From the position of the incorporating body, the construction of a national and racial identity through a process of assimilation presupposes a remainder, a residue. Nunes addresses works by writers and artists who explore what is left behind in the formation of national identities and speak to the limits of the contemporary discourse of democracy. Cannibal Democracy tracks its central metaphor’s circulation through the work of writers such as Mrio de Andrade, W. E. B. Du Bois, and Toni Morrison and journalists of the black press, as well as work by visual artists including Magdalena Campos-Pons and Keith Piper, and reveals how exclusion-understood in terms of what is left out-can be fruitfully understood in terms of what is left over from a process of unification or incorporation. Nunes shows that while this remainder can be deferred into the future-lurking as a threat to the desired stability of the present-the residue haunts discourses of national unity, undermining the ideologies of democracy that claim to resolve issues of race. Zita Nunes is associate professor of English at the University of Maryland, College Park.
From the minute handsome medicine-show man Jake Darrow appears in her small Montana town of Coventry, Brenna McAuley has no doubts that he's a charlatan. Using scientific method and logic, Brenna sets out to disprove his outrageous claims. Coventry was Jake's last chance to raise money for an ailing friend, and he soon finds himself falling under the spell of the formidable Miss McAuley.
This book discusses Toni Morrison's Beloved and attempts to explain the healing process of black people in the United States from the pain of slavery. Using black feminist approach, the author discusses how the female characters deal with the past and live with it in the present, what love and motherhood mean to the female characters, and how much the past influences their lives. This approach is considered the most effective one to analyze Beloved related to three kinds of inseparable oppression: sexism, racism, and classism. Beloved delivers a universal message to all black people that even though they must live with the past of slavery, they should learn from it to face the future. Although the pain of slavery still remains in black people's memories, they have to move on. Beloved also makes the readers see that not all black people are victims and not all white people are oppressors.
Yolande of Aragon is one of the most intriguing of late medieval queens who contrived to be everywhere and nowhere, operating seamlessly from backstage and center stage. She is acknowledged as having been shrewd and intelligent - an éminence grise whose political and diplomatic agency secured the throne of France for her son-in-law, Charles VII.
The rush for gold in the Pacific Northwest at the turn of the century is nothing compared to the rush Aurelia feels when she meets a handsome stranger en route to Alaska to find her sister. But Clayton is also looking for Aurelia's sister--because she framed him in a bank robbery.
Kniha se zabývá srovnáním recepce autorů Beat Generation v USA a v Česku, a to ve dvou časových obdobích – v 50. a 60. letech 20. století a poté od 90. let až do současnosti. Zatímco samotné publikace Beat Generation autorů zůstaly nezměněné, kontexty těchto publikací byly zásadně odlišné: v USA byla díla autorů Beat Generation často redukována senzacechtivými kritiky na nevyzrálé vychvalování drog, sexu i násilí, v Československu naopak tito autoři získali přízeň čtenářů díky neobvyklosti svého literárního jazyka, kterou jejich próza a poezie představovaly na literárním trhu značně pokřiveném tezemi socialistického realismu. Tato studie tedy dokládá, jak mohou odlišné kontexty ovlivnit přístup čtenářů k literárnímu textu a jejich autorům, což ve výsledku pomáhá přeměnit daný text na odlišné umělecké dílo.
Katrina's new life in America was not paved with gold, but serving as a housemaid in a rich man's home was honest work. When Justin, her employer's son and the man of her dreams, proposed marriage, Katrina was overjoyed. But the road ahead through rugged Dakota Territory would test their young frontier spirits . . . and their love.
Using basic principles of good liturgy, this book helps Catholic communities facing the reality of meeting for worship without the eucharist to continue to prepare spiritually nourishing celebrations.
James Horton was capped out in a mediocre career with a hefty mortgage, two kids, unrelenting bills, and the limited prospect of earning more money. That’s all there was and all there would be until his death. He knew it. He accepted it. But winning the lottery instantly erased a future full of worry. It afforded him the rare luxury of placing his head on a pillow at night enjoying the stress free thoughts of an economically liberated man. At least it should have. So why did he find himself in jail with less money than he’s ever had? Why does he accuse the bank of stealing his money and how did his family life become so fragile? Set in the fall of 2008 amidst our country’s worst economic crisis since the Great Depression, James didn’t have much, had everything, and then had nothing. His haphazard journey explores our hard wired relationship with money and pushes one man to learn something about himself, something he never knew he had.
The rush for gold in the Pacific Northwest at the turn of the century is nothing compared to the rush Aurelia feels when she meets a handsome stranger en route to Alaska to find her sister. But Clayton is also looking for Aurelia's sister--because she framed him in a bank robbery.
Using basic principles of good liturgy, this book helps Catholic communities facing the reality of meeting for worship without the eucharist to continue to prepare spiritually nourishing celebrations.
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