Janice Lewis, seventeen, and beginning a university course in Sydney, finds a friend in Hisako, a Japanese fellow student. However, when Hisako meets Ben Lewis, Janice's dad, old hatreds bubble to the surface. What is the secret Ben has carried since the end of the Second World War--a secret which has the potential to destroy more than one family relationship? Told against the historical background of the Cowra Breakout in 1944, Tomodachi is an exciting, fast-moving Australian historical novel for older teens.
Alfred James Glennon, AM (1920-2005) established the Healing Ministry at St Andrews Cathedral in Sydney, Australia in 1960. He led the Wednesday night healing service at the cathedral until his retirement in 1988. HEALING IS A WAY OF LIFE is an edited compilation of a selection of Canon Glennon's weekly sermons, the purpose of which is to preserve his practical, biblical teaching on the subject of Christian healing. After his retirement, Canon Glennon spoke at conferences and seminars in New Zealand, the United Kingdom and the USA. Canon Glennon said: 'Let your problems enable you to trust, not in yourself but in God, and make it a way of life. It is simple. It is straightforward. You will have to persevere, but it will work for you in the same way as I have found it worked for me and for many, many others.
The Female Body and the Law provides an original and incisive reexamination of the dynamics of sexual equality. Eisenstein contends that sexual inequality is fostered both by the law and by the insistence that men and women are biologically different. Through a fascinating discussion of a series of issues including affirmative action, AIDS, Baby M, pornography, and abortion, Eisenstein shows how the law operates as a political language that establishes and curtails choices and actions. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
In this book, Zillah Eisenstein continues her unforgiving indictment of neoliberal imperial politics. She charts its most recent militarist and masculinist configurations through discussions of the Afghan and Iraq wars, violations at Guantánamo and Abu Ghraib, the 2004 US Presidential election, and Hurricane Katrina. She warns that women’s rights rhetoric is being manipulated, particularly by Condoleezza Rice and other women in the Bush administration, as a ploy for global dominance and a misogynistic capture of democratic discourse. However, Eisenstein also believes that the plural and diverse lives of women will lay the basis for an assault on these fascistic elements. This new politics will both confound and clarify feminisms, and reconfigure democracy across the globe.
The New York Times devotes the cover of its magazine to America's declining interest in politics and its obsession with money, finance, and the markets. Bill Gates builds a $50 million mansion while food pantries and homeless shelters overflow with the desperate. The explosive expansion of media and cyber conglomerates creates dreamworlds while the ecology of our actual world is jeopardized. Public space and public democracy withers, as is evidenced by the fact that the closest facsimile of a town square is the local Barnes and Noble. New geographies of power are defined by sex scandals, plant closings, cyberporn, sweatshop labor, information webs, and stock market schizophrenia. Global capitalism and its cyberrelations use this chaos to construct modern forms of sexual and racial exploitation. Into this world steps Zillah Eisenstein, with a book of profound despair and yet also great hope, informed by her trademark sharp analysis and her unrelenting passion for a more humane world. Exposing the purported democratic effect of new media for the global mirage it is, Eisenstein shows how transnational capital and its patriarchal obsessions threaten us all, while at the same time creating possibilities for a new democratic society.
Letters from all over England and abroad had to be brought and replies or orders sent. Decisions and movements were often affected by the threat of plague." "Firmly based on contemporary sources and complemented by a wealth of illustrative material, this new study will be immensely valuable to students and scholars and yet its accessible style will appeal to the amateur and local historian and to those with a general interest in the Elizabethan period."--Jacket.
In Against Empire, Zillah Eisenstein extends her critique of neoliberal globalization and its capture of democratic possibilities. Faced with an aggressive American empire hostage to ideological extremism and violently promoting the narrowest of its interests around the globe, Eisenstein urgently looks to a global anti-war movement to counter U.S. power. Looking beyond the distortions of mainstream history, Eisenstein detects the silencing of racialized, sex/gendered and classed ways of seeing. Against Empire insists that 'the' so-called West is as much fiction as reality, while the sexualized black slave trade emerges as an early form of globalization. 'The' West and western feminisms do not monopolize authorship; there is a need for plural understandings of feminisms as other-than-western. Black America, India, the Islamic world and Africa envision unique conceptions of what it is to be fully, 'polyversally', human. Professor Eisenstein offers a rich picture of women's activism across the globe today. If there is to be hope of a more peaceful, more just and happier world, it lies, she believes, in the understandings and activism of women today.
In this provocative volume, Zillah Eisenstein uncovers the hidden sexual and racial politics of the past decade. Beginning where she left off in her award-winning book The Female Body and the Law, Eisenstein takes the reader on a feminist-inspired road trip, traveling from the thicket of recent abortion decisions to the revolutions of 1989 to the murky chambers of the Anita Hill/Clarence Thomas hearings. Along the way, she enunciates a wholly original conception of individual privacy and sexual rights. Eisenstein brings a range of topics to her discussion: the L.A. riots, crack babies, Murphy Brown, political correctness, the 1992 presidential election, the Gulf War. She seeks to redirect our thinking about democracy away from universal conceptions that mask racial and gender oppression to the specific realities of women and people of color. A respect for multiple differences—as represented in the needs of women of color and their bodies—is, she says, essential to inclusive universal rights. Reproductive freedoms and sexual equality, not abstract notions of civil liberties, provide the wellsprings of a meaningful democratic life. Using this perspective to evaluate the Eastern European revolutions of 1989, Eisenstein finds that the separation between their ideals and the reality of the market system illustrates the failings of democratic theory, especially for women. Eisenstein's controversial arguments will provoke a rethinking of what race and gender mean today.
Eisenstein tracks developments such as racialized ethnic and gender conflict; the new male democracies of eastern Europe; the new Democrats of the Clinton era - exploring the `politics of hate'. In HATREDS, Zillah Eisenstein charts the plural politics of the twenty-first century, which she defines as having begun with the fall of communism and the gulf war. Exploring the politics of hate on both global and local levels, Eisenstein tracks developments such as racialized ethnic and gender conflict, the new male democracies of eastern Europe and the new Democrats of the Clinton era, the sexual exploitation of the west and the sexual violence of nationalisms, and the importance of western feminisms' promissory standpoint of freedom to women in the third world.
WINNER OF THE EDWARD STANFORD CHILDREN'S TRAVEL BOOK OF THE YEAR 2022 A SUNDAY TIMES CHILDREN'S BOOK OF THE WEEK Dive beneath the waves with this spell-binding adventure of friendship, forgiveness and bravery, set on the shores of Papua New Guinea, perfect for fans of Katherine Rundell and Eva Ibbotson. "I want to be able to call the sharks. Teach me the magic and show me the ways." Blue Wing is desperate to become a shark caller, but instead she must befriend infuriating newcomer Maple, who arrives unexpectedly on Blue Wing's island. At first, the girls are too angry to share their secrets and become friends. But when the tide breathes the promise of treasure, they must journey together to the bottom of the ocean to brave the deadliest shark of them all... "The most incredible story...tender and wise, with themes of friendship, love, grief, revenge and acceptance." Michelle Harrison "Magnificent and beautiful." Sophie Anderson
A new understanding of humanity and feminism from the starting point of breast health is the ultimate goal of Zillah Eisenstein's political memoir of her family's experience with breast cancer. The well-known feminist author argues that politics always needs the personal, and that the personal is never enough on its own. Her return to the personal side of the political combines the two for a radicalized way of seeing, viewing, and knowing.The author strives to bring together a critique of environmental damage and the health of women's bodies, gain perspective on the role race plays as a factor in breast cancers and in political agendas, link prevention and treatment, and connect individual support and political change.Eisenstein was sixteen when her forty-five-year-old mother successfully battled breast cancer. Her two sisters, Sarah and Giah, were in their twenties when they were diagnosed, but neither of them survived. She received her own diagnosis when she was forty. Despite her family history, however, Eisenstein rejects the simple argument that genes are simply determining, rather than liable to influence by external factors. She also questions the dominance of the theory that breast cancer is caused by high lifetime exposure to estrogen. Instead, she views breast cancer as an environmental disease, best understood in terms of ecological, racial, economic, and sexual influences on individual women. She uses the term "manmade" to indicate not only industrial carcinogens and other cultural causes, but also the male-dominated and -defined scientific practices of research and treatment.In response, Manmade Breast Cancers offers a retelling of the meaning of breast cancer and a discussion of universal feminist issues about the body. The author says she writes "to discover a more just globe which will treasure the health of all of our bodies." The emotional depth and intellectual breadth of her argument adds new dimensions to how we understand breast cancer.
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