She came from an otherworldly Apricot Forest Family and was reborn into a young girl in the 21st century. She received the teachings of Shennong. From then on, a storm surged, stunning everyone in the world.
How do the Chinese design a space? What are the similarities and differences between spaces designed for palaces and cities? How were the extension of the Great Wall, the reopening of the Grand Canal and the building of Beijing interrelated? By closely examining the buildings of Imperial Beijing (1420-1911) this book seeks to answer these questions by exploring whether there is a generic approach to spatial disposition in the Chinese tradition. Chinese Spatial Strategiesconsiders spatial design on many levels and in different aspects including: *The geo-political design of a map of Asia *The layout of the city as a representation of imperial ideology *The city as a social realm of interrelations between the central authority and local urban society *The Forbidden City as an apparatus of power *A comparison between European visual compositions and the aesthetic composition of Beijing. Drawing upon recent work in social theory, the author provides a spatial and political analysis of the Forbidden City and a realistic account of Imperial Beijing. This book challenges the convention of formal description of Chinese cities and will appeal to all those with an interest in Chinese buildings and architecture.
“The definitive work on Chinese television . . . A pioneering picture of CCTV and its crucial role in the contemporary Chinese political economy” (Robert W. McChesney, author of Corporate Media and the Threat to Democracy). As China navigates the murky waters of a “third way” with liberal economic policies under a strict political regime, the surprising battleground for China’s future emerges in the country’s highest rated television network—China Central Television, or CCTV. With 16 internationally broadcast channels and over 1.2 billion viewers, CCTV is a powerhouse in conveying Chinese news and entertainment. The hybrid nature of the network has also transformed it into an unexpected site of discourse in a country that has little official space for negotiation. While CCTV programming is state sponsored—and censored—the popularity and profit of the station are determined by the people. And as the Chinese Communist Party seeks to exert its own voice on domestic and international affairs, the prospect of finding an amenable audience becomes increasingly paramount. Through a series of interviews with a fascinating cast of power players including a director of a special topic program that incited the 1989 student movement, current and past presidents of CCTV, and producers at the frontline of the network’s rapidly evolving role in Chinese culture, celebrated media analyst Ying Zhu unlocks a doorway to political power that has long been shrouded in mystery. “An indispensable guide to the Chinese media landscape.” —The New Inquiry “Up until Two Billion Eyes, the view of Chinese media has often been limited . . . Ying Zhu expands the periphery of our vision.” —Los Angeles Review of Books
This book disseminates and promotes the recent research progress and frontier development on AutoML and meta-learning as well as their applications on computer vision, natural language processing, multimedia and data mining related fields. These are exciting and fast-growing research directions in the general field of machine learning. The authors advocate novel, high-quality research findings, and innovative solutions to the challenging problems in AutoML and meta-learning. This topic is at the core of the scope of artificial intelligence, and is attractive to audience from both academia and industry. This book is highly accessible to the whole machine learning community, including: researchers, students and practitioners who are interested in AutoML, meta-learning, and their applications in multimedia, computer vision, natural language processing and data mining related tasks. The book is self-contained and designed for introductory and intermediate audiences. No special prerequisite knowledge is required to read this book.
Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.
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