In the face of the naked struggle between life and death, human dignity and conscience can often take a backseat. The Third Person: And Other Stories asks probing but important questions about human existence. In one story, two prisoners escape into the desert. In danger and desperate for survival, they become unscrupulous. However, they must also face their consciences. Because of guilt, a juvenile offender abandons his flight and gives up the struggle of the flesh in this world, but in doing so, he obtains the salvation of his soul. The hand on the deathbed is from The Third Person, signifying the symbol of conscience and salvation. This powerful story is about suffering and dreams, depravity, and ultimately, transcendence.
In the face of the naked struggle between life and death, human dignity and conscience can often take a backseat. The Third Person: And Other Stories asks probing but important questions about human existence. In one story, two prisoners escape into the desert. In danger and desperate for survival, they become unscrupulous. However, they must also face their consciences. Because of guilt, a juvenile offender abandons his flight and gives up the struggle of the flesh in this world, but in doing so, he obtains the salvation of his soul. The hand on the deathbed is from The Third Person, signifying the symbol of conscience and salvation. This powerful story is about suffering and dreams, depravity, and ultimately, transcendence.
This book introduces an innovative and high-efficiency technology for mechanical energy harvesting. The book covers the history and development of triboelectric nanogenerators, basic structures, working principles, performance characterization, and potential applications. It is divided into three parts: Part A illustrates the fundamental working modes of triboelectric nanogenerators with their prototype structures and theoretical analysis; Part B and Part C introduce two categories of applications, namely self-powered systems and self-powered active sensors. The book will be an ideal guide to scientists and engineers beginning to study triboelectric nanogenerators or wishing to deepen their knowledge of the field. Readers will be able to place the technical details about this technology in context, and acquire the necessary skills to reproduce the experimental setups for fabrication and measurement.
Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chinese culture. Mainstream Culture Refocused opens with an examination of television as a narrative motif in three contemporary Chinese art-house films. Zhong then turns her attention to dianshiju’s most important subgenres. "Emperor dramas" highlight the link between popular culture’s obsession with emperors and modern Chinese intellectuals’ preoccupation with issues of history and tradition and how they relate to modernity. In her exploration of the "anti-corruption" subgenre, Zhong considers three representative dramas, exploring their diverse plots and emphases. "Youth dramas’" rich array of representations reveal the numerous social, economic, cultural, and ideological issues surrounding the notion of youth and its changing meanings. The chapter on the "family-marriage" subgenre analyzes the ways in which women’s emotions are represented in relation to their desire for "happiness." Song lyrics from music composed for television dramas are considered as "popular poetics." Their sentiments range between nostalgia and uncertainty, mirroring the social contradictions of the reform era. The Epilogue returns to the relationship between intellectuals and the production of mainstream cultural meaning in the context of China’s post-revolutionary social, economic, and cultural transformation. Provocative and insightful, Mainstream Culture Refocused will appeal to scholars and students in studies of modern China generally and of contemporary Chinese media and popular culture specifically.
After practicing a set of Tengyun swordsmanship, Li Feng frowned slightly and said, "The first article of Tengyun swordsmanship is close to success, only a little bit short. Unfortunately, grandpa hasn't come back yet. He will be very happy if he sees the progress of my swordsmanship
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