This book examines the transformations in form, genre, and content of contemporary Chinese print media. It describes and analyses the role of post-reform social stratification in the media, focusing particularly on how the changing practices and institutions of the industry correspond to and accelerate the emergence of a relatively affluent urban leisure-reading market. It argues that this reinvention of Chinese print media vis-à-vis the creation of a post-socialist taste (class) culture is an essential part of the cultural and affective transformations in contemporary Chinese society, and demonstrates how the reinvention of such taste culture effectively creates, through new kinds of reading materials and carefully demarcated target audiences, a middle-class civility that serves as the locus of the new niche media market.
This book provides a meticulously documented account of officially sanctioned cannibalism in the south-western province of Guangxi during the Cultural Revolution. Zheng Yi paints a disturbing picture of official compliance in the systematic killing and cannibalization of individuals.
A young man arrives in England in the 1930s, knowing few words of the English language. Yet, two years later he writes a successful English book on Chinese art, and within the following decade publishes more than a dozen others. This is the true story of Chiang Yee, a renowned writer, artist, and worldwide traveler, best known for the Silent Traveller series--stories of England, the United States, Ireland, France, Japan, and Australia--all written in his humorous, delightfully refreshing, and enlightening literary style. This biography is more than a recounting of extraordinary accomplishments. It also embraces the transatlantic life experience of Yee who traveled from China to England and then on to the United States, where he taught at Columbia University, to his return to China in 1975, after a forty-two year absence. Interwoven is the history of the communist revolution in China; the battle to save England during World War II; the United States during the McCarthy red scare era; and, eventually, thawing Sino-American relations in the 1970s. Da Zheng uncovers Yee's encounters with racial exclusion and immigration laws, displacement, exile, and the pain and losses he endured hidden behind a popular public image.
This volume presents a historical-textual study about transformations of the aesthetics of the sublime—the literary and aesthetic quality of greatness under duress —from early English Romanticism to the New Poetry Movement in twentieth-century China. Zheng sets up the former and the latter as distinct but historically analogous moments and argues that both the European Romantic reinvention of the sublime and its later Chinese transformation represent cultural movements built on the excessive and capacious nature of the sublime to counter their shared sense of historical crisis. The author further postulates through a critical analysis of Edmund Burke's Inquiry into the Origins of Our Ideas of the Sublime and Beautiful, William Wordsworth's Prelude, and Guo Moruo's experimental poem "Fenghuang Niepan" ("Nirvana of the Phoenix") and verse drama Qu Yuan that these aesthetic practices of modernity suggest a deliberate historical hyperbolization of literary agency. Such an agency is in turn constructed imaginatively and affectively as a means to redress different cultures' traumatic encounter with modernity. The volume will be of interest to scholars including graduate students of Romanticism, philosophy, history, English literature, Chinese literature, comparative literature, and (comparative) cultural studies.
Ling Yan had a friendly face, without a trace of anger or joy. His deep eyes seemed to contain everything as he said softly, "The world is originally a place of chaos, who is higher, who is lower, where is it? "The Great Dao has emotions, but human nature is lacking. Be it gods or immortals, you are just people who have cultivated through cultivation techniques and have great strength. How can you be the only one looking down upon the world?" This book does not have too many complicated plot and obscure words, there is only the release of the calm, bringing everyone a comfortable, a leisure. In the book, there was the development and evolution of Earth after tens of millions of years, and also the Heavenly Dao of Cultivation. The book also contained the evolution and evolution of Earth after millions of years, and also the Heavenly Dao of Cultivation.
Ling Yan had a friendly face, without a trace of anger or joy. His deep eyes seemed to contain everything as he said softly, "The world is originally a place of chaos, who is higher, who is lower, where is it? "The Great Dao has emotions, but human nature is lacking. Be it gods or immortals, you are just people who have cultivated through cultivation techniques and have great strength. How can you be the only one looking down upon the world?" This book does not have too many complicated plot and obscure words, there is only the release of the calm, bringing everyone a comfortable, a leisure. In the book, there was the development and evolution of Earth after tens of millions of years, and also the Heavenly Dao of Cultivation. The book also contained the evolution and evolution of Earth after millions of years, and also the Heavenly Dao of Cultivation.
Ling Yan had a friendly face, without a trace of anger or joy. His deep eyes seemed to contain everything as he said softly, "The world is originally a place of chaos, who is higher, who is lower, where is it? "The Great Dao has emotions, but human nature is lacking. Be it gods or immortals, you are just people who have cultivated through cultivation techniques and have great strength. How can you be the only one looking down upon the world?" This book does not have too many complicated plot and obscure words, there is only the release of the calm, bringing everyone a comfortable, a leisure. In the book, there was the development and evolution of Earth after tens of millions of years, and also the Heavenly Dao of Cultivation. The book also contained the evolution and evolution of Earth after millions of years, and also the Heavenly Dao of Cultivation.
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