Twice he was kidnapped by the same man who asked her to have children."Woman, hand over my child!""Are you sick? I don't even have a boyfriend, where did these kids come from? "What kind of awkwardness would a fake daughter get when she meets a real CEO?"I'm warning you, I don't agree to be your girlfriend!""You were my woman five years ago! Now, hand over the child you gave me! "A certain woman: "Pfft ..." Whoosh!
She was the haggard eldest miss of the Prime Minister's Estate. Her beauty was gorgeous, but she was a good-for-nothing. His death was greeted with a powerful soul. Beast taming, pill concocting, and male sex treatment were all very easy to deal with. He was the well-known retarded emperor of the West Yuan Kingdom. She was forced to marry him, but on her wedding night, she was almost eaten clean. It turned out that the wolf was pretending to be a sheep, because it had a black stomach. It had to be a pitiful appearance. She tried to resist, but she didn't know who would fall.
Ling Yan had a friendly face, without a trace of anger or joy. His deep eyes seemed to contain everything as he said softly, "The world is originally a place of chaos, who is higher, who is lower, where is it? "The Great Dao has emotions, but human nature is lacking. Be it gods or immortals, you are just people who have cultivated through cultivation techniques and have great strength. How can you be the only one looking down upon the world?" This book does not have too many complicated plot and obscure words, there is only the release of the calm, bringing everyone a comfortable, a leisure. In the book, there was the development and evolution of Earth after tens of millions of years, and also the Heavenly Dao of Cultivation. The book also contained the evolution and evolution of Earth after millions of years, and also the Heavenly Dao of Cultivation.
Fist academic study on modernity at the Shanghai Art College The Shanghai Art College was one of the most important art schools in Republican China. This is the first academic study written on the early history of the College. It makes a major contribution to the history of art education in China, Shanghai in particular. The book presents a new approach to how people understand the modernization of Chinese art, and the significance and consequences of modernity in the Shanghai art world of the period 1913-1937. The author proposes new theoretical models to explain the interactions between multiple levels of social structures and artists, with a special emphasis on the role of art education institutions in transforming artists, artworks and the development of artistic fields. Presenting unique historical images hereto hidden in the archives of the College, the book brings forward the distinctive modern characteristics of the early 20th-century Shanghai Art College.
Research on past knowledge, practices, personnel and institutions of Chinese health care has focussed on printed text for many decades. The Berlin collections of handwritten Chinese volumes on health and healing from the past 400 years provide a hitherto unprecedented access to a wide range of data. They extend the reach of medical historiography beyond the literature written by and for a small social elite to the reality of health care as practiced by private households, lay healers, pharmacists, professional doctors, magicians, itinerant healers and others. The nearly 900 volumes surveyed here for the first time demonstrate the heterogeneity of Chinese traditional healing. They evidence the continuation of millennia-old therapeutic approaches long discarded by the elite, and they show continuous adaptation to more recent trends.
This book mainly addresses the position, function, influence, and values of folk oral literature in the history of Chinese literature. Divided into 14 chapters, it systematically covers central aspects of folklore literature such as ballads, folk songs, Bianwen, Zajuci, Guzici, Zhugongdiao, Sanqu, Baojuan, Tanci, Zidishu, and so on from the Pre-Qin to the late Qing Dynasties, filling several gaps in literary history studies. It is a comprehensive literary work, and many of the materials cited here are rare and difficult to find. In addition, the book proposes some important theories, especially six highly generalized qualities of folk literature, namely that it is: popular, collective, oral, fresh, effusive, and innovative. With detailed, extensive materials, and quotations, the book represents the most systematic and comprehensive work to date on ancient Chinese folk literature. It is mutually complementary with Guowei Wang’s A Textual Research of the Traditional Chinese Opera in the Song and Yuan Dynasties and Xun Lu’s A Brief History of Chinese Fiction; all three works are regarded as the most essential classics for researching the history of Chinese literature.
The "Heavenly God", Li Fan, had lost his skills and returned to his birthplace, but had had an absurd night with the chairman of the Su Clan, Su Ning. In the end, the two of them had somehow walked together, causing trouble for the beautiful chairman, for the silly girl police, and even for the famous stars themselves.
Migrant Ecologies investigates the ways in which Zheng Xiaoqiong’s poetry exposes the entanglements of migrant ecologies embedded within local and global networks of capital and labor. The author contends that women migrant workers in particular, as portrayed in Zheng’s poems, are the visible manifestation of the interconnections between the so-called “factories of the world” and slum villages-in-the-city, between urban development and rural decline, and between the local environmental degradation and the global market. By adopting an ecological approach to Zheng’s poems about women migrant workers in China, the author explores what Donna Haraway calls “webbed ecologies” (49). The concept of “ecologies” serves to enhance not only the layered, complex interconnections underlying women migrant workers’ plight and environmental degradation in China, but also the emergence and transformation of migrant spaces, subjects, activism, and networks resulting in part from globalization.
This work is the result of more than a decade of research on the Chinese household and lineage in the southeastern province of Fujian during the Ming and Qing period (1368-1911). It offers new interpretations of the Chinese domestic cycle, the relationship between household and larger kinship groups, and the development of lineage society in south China. Using hundreds of previously unknown lineage genealogies, stone inscriptions, and land deeds, Zheng Zhenman provides a candid view of how individuals and families confronted the crucial issues of daily life: how to minimize taxes or military conscription; how to balance the ideological imperatives of ancestor worship with practical concerns; how to deal with the problems of dividing the household estate. His research leads to an exploration of issues such as the relation of state to society and the compatibility of Chinese culture and capitalism. This complete translation allows access to some of the most exciting new research being done in Chinese social history. Zheng's book draws on important materials largely unknown to Western scholars, comes to novel conclusions about society in late imperial China, and illustrates the importance of the non-Western perspective in studying the history of the world outside the West.
Winner of the 2022 Research Publication Book Award from the Association of Chinese Professors of Social Sciences in the United States. Based on ethnographic research with victims of intimate partner violence since 2014, this book brings to the forefront women's experiences of, negotiations about, and contestations against violence, and men's narratives about the reasons for their violence. Using an innovative methodology - online chat groups, it foregrounds the role of history, structural inequalities, and the cultural system of power hierarchy in situating and constructing intimate partner violence. Centering on men and women's narratives about violence, this book connects intimate partner violence with invisible structural violence – the historical, cultural, political, economic, and legal context that gives rise to and perpetuates violence against women. Through examining the ways in which women's lives are constrained by various forms of violence, hierarchy, and inequality, this book shows that violence against women is a structural issue that is historically produced and politically and culturally engaged.
“A fascinating story . . . worth the attention of every student of modern China.” —The Journal of Asian Studies China’s 1911 Revolution was a momentous political transformation. Its leaders, however, were not rebellious troublemakers on the periphery of imperial order. On the contrary, they were a powerful political and economic elite deeply entrenched in local society and well-respected both for their imperially sanctioned cultural credentials and for their mastery of new ideas. The revolution they spearheaded produced a new, democratic political culture that enshrined national sovereignty, constitutionalism, and the rights of the people as indisputable principles. Based upon previously untapped Qing and Republican sources, The Politics of Rights and the 1911 Revolution in China is a nuanced and colorful chronicle of the revolution as it occurred in local and regional areas. Xiaowei Zheng explores the ideas that motivated the revolution, the popularization of those ideas, and their animating impact on the Chinese people at large. The focus of the book is not on the success or failure of the revolution, but rather on the transformative effect that revolution has on people and what they learn from it.
This pocket-sized paperback is one of the thirty titles published for 2019 Hong Kong International Poetry Nights. The theme of IPHHK2019 is "Speech and Silence". From 19-24 November 2019, 30 invited poets from various countries gathered in Hong Kong to read their works based on the theme "eech and Silence." Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats. Poets include Ana Luisa Amaral (Portugal), Maxim Amelin (Russia), Renato Sandoval Bacigalupo (Peru) , Jen Bervin (USA), Ana Blandiana (Romania), Tamim Al-Barghouti (Palestine), Abbas Beydoun (Lebanon), Milosz Biedrzycki (Poland), Derek Chung (Hong Kong), Louise Dupr? (Canada), Forrest Gander (USA), Hwang Yu Won (South Korea), Maozi (PRC), Mathura (Estonia), Sergio Raimondi (Argentina), Ana Ristovi? (Serbia), K. Satchidanandan (India), Martin Solotruk (Slovakia), Ales Steger (Slovenia), Maria Stepanova (Russia), T?th Krisztina (Hungary), Ijeoma Umebinyuo (Nigeria), Anastassis Vistonitis (Greece), Jan Wagner (Germany), Ernest Wichner (Germany), Yang Chia-Hsien (Taiwan), Yasuhiro Yotsumoto (Japan), Yu Youyou (PRC), Zheng Xiaoqiong (PRC), and Zhou Yunpeng (PRC)..
Using survey data collected from 382 Chinese police officers training in a Chinese police university, this research is the first empirical study to describe Chinese police perceptions of subcultural topics, including the role of crime fighting and community service, cynicism, isolation, solidarity, receptivity to change and traditionalism. This book describes the research method adopted in this study and the findings together with comparisons with Western police cultural studies. In addition, it covers an extensive review of Chinese policing history and evolution of policing strategies, and a review of police subcultural themes and their potential determinants on the basis of Western studies, making it both beneficial and of interest for researchers and practitioners who would like to know more about contemporary policing in China. This book provides readers with insights into a little-investigated area of policing – the perceptions of Chinese frontline police. It also makes it easy to compare the similarities and differences between police perceptions in China and the West.
This book is a timely and solid portrait of modern China from the First Opium War to the Xi Jinping era. Unlike the handful of existing textbooks that only provide narratives, this textbook fashions a new and practical way to study modern China. Written exclusively for university students, A-level or high school teachers and students, it uses primary sources to tell the story of China and introduces them to existing scholarship and academic debate so they can conduct independent research for their essays and dissertations. This book will be required reading for students who embark on the study of Chinese history, politics, economics, diaspora, sociology, literature, cultural, urban and women’s studies. It would be essential reading to journalists, NGO workers, diplomats, government officials, businessmen and travellers.
In this incisive book, Minyu Zheng examines the various legal responses to unjustified threats of patent infringement. Employing a comparative, jurisdiction-based analysis, Zheng investigates whether the unjustified nature of such threats originates from the inaccuracy of the infringing accusation, or the inappropriateness of issuing threats. In particular, Zheng reveals how to resolve threats which are issued in an undue way but contain a correct allegation of patent infringement.
This book explores the revival of Chinese nationalism in the 1990s, and analyses the ways in which the West deals with this phenomenon. Yongnian Zheng discusses the complicated nature of China's new nationalism and presents the reader with a very different picture to that portrayed in Western readings of Chinese nationalism. He argues that China's new nationalism has been a reaction to changes in the country's international circumstances and can be regarded as a 'voice' over the existing unjustified international order. Zheng shows that the present Chinese leadership is pursuing strategies not to isolate China, but to integrate it into the international community. Based on the author's extensive research in China, the book provides a set of provocative arguments against prevailing Western attitudes to and perceptions of China's nationalism.
The author, Dr. Liu Zheng-cai, helps clarify what the specifically Daoist contributions to the practice of acupuncture actually are. Included in this book are numerous short biographies of Daoist physicians, detailed explanations on the clinical use of such chrono-acupuncture techniques as midday/midnight point selection and the magic turtle eight methods, moxibustion techniques for longevity and emergencies, and other secret Daoist acupuncture lore. 260 pages.
For Helen's family, the 1920s were turbulent but full of hope. A revolution overthrew the Qing Dynasty. China entered the "Golden Age of Capitalism." Helen's uncle founded a bank when he and Helen's father were in their thirties. They worked hard and expanded the business. After fifteen years, it became one of China's largest private banks... Helen and her siblings received a Western education in their teenage years. She met her love, George, while studying in the wartime college. George and his brothers pursued the idea of "industry saving China." They studied science and technology in the U.S. and returned to China... After 1949, they suffered abuse in various "movements." ... When Mao's Cultural Revolution began in 1966, Helen's children were in high school. They witnessed chaos and violence. The Communists sent them to remote farms... At first, the reforms in China inspired Helen's children. They went overseas in the 1980s and tried to do their part to change China. Yet China remained a country ruled by the Communists... Maggie Zheng is the third-generation member of the family described in this memoir. In 1991, she graduated from the UW-Madison with a PhD in science. Maggie was born in 1949. That was the same year the Communists took over mainland China. When she grew up, Maggie witnessed social changes in China. The Communists sent her to work on farms for nine years after high school. Maggie graduated from college after Mao died. Coming to the U.S. in the 1980s, she studied and worked here. Maggie went to Shanghai to set up a production facility for repairing gas turbine blades in 2004. She came back to the United States in 2019. Reviewed by Linda, a former Dartmouth College composition consultant (ABT) ... I believe yours is a very important book for young people in particular, as they need to read more stories like yours about families who actually lived history. ... I think your book should definitely gain readership and impress many... Reviewed by Jack, an Amazon reader Many books on China either read like a scroll of ideological bullet points or a hitchhiker's guide to scenic sights and hidden wonders. This book affords the reader no such luxury and immediately rolls into the life of a family that is easily relatable surviving China's most tumultuous years. ...as the author's family moves back and forth between China and the U.S. through the decades, the book became an excellent reflection of the cross-cultural experience, with observations that can only be made from a perspective that can house the contradictory roles of native and foreigner at the same time. This was particularly evident in the later chapters. Reviewed by Jitendra, a NetGalley reviewer Before reading this book, I never knew that China was once a capitalist state, which was eventually taken over by the Communists in 1949. In addition, what tactics the CCP (Chinese Communist Party) used - ... The book talks a lot about Shanghai. Shanghai was a city where people from various countries could freely come and do business before the 1940s. ... I also found that Shanghai accommodated around 25K JEWs who were persecuted in Europe, and, from Shanghai, they moved to Palestine, US and other safe places... Reviewed by Linda, a former Dartmouth College composition consultant (ABT) Reviewed by Linda, a former Dartmouth College composition consultant (ABT) ... I believe yours is a very important book for young people in particular, as they need to read more stories like yours about families who actually lived history. ... I think your book should definitely gain readership and impress many... Reviewed by Jack, an Amazon reader Many books on China either read like a scroll of ideological bullet points or a hitchhiker's guide to scenic sights and hidden wonders. This book affords the reader no such luxury and immediately rolls into the life of a family that is easily relatable surviving China's most tumultuous years. ...as the author's family moves back and forth between China and the U.S. through the decades, the book became an excellent reflection of the cross-cultural experience, with observations that can only be made from a perspective that can house the contradictory roles of native and foreigner at the same time. This was particularly evident in the later chapters. Reviewed by Jitendra, a NetGalley reviewer Before reading this book, I never knew that China was once a capitalist state, which was eventually taken over by the Communists in 1949. In addition, what tactics the CCP (Chinese Communist Party) used - ... The book talks a lot about Shanghai. Shanghai was a city where people from various countries could freely come and do business before the 1940s. ... I also found that Shanghai accommodated around 25K JEWs who were persecuted in Europe, and, from Shanghai, they moved to Palestine, US and other safe places...
Existing literature on the Chinese Revolution takes into account the influence of peasant society on Mao's ideas and policies but rarely discusses a reverse effect of comparable significance: namely, how peasant cadres were affected by the urban environment into which they moved. In this detailed examination of the cultural dimension of regime change in the early years of the Revolution, James Gao looks at how rural-based cadres changed and were changed by the urban culture that they were sent to dominate. He investigates how Communist cadres at the middle and lower levels left their familiar rural environment to take over the city of Hangzhou and how they consolidated political control, established economic stability, developed institutional reforms, and created political rituals to transform the urban culture. His book analyzes the interplay between revolutionary and nonrevolutionary culture with respect to the varying degrees with which they resisted and adapted to each other. It reveals the essential role of cultural identity in legitimizing the new regime and keeping its revolutionary ideal alive. Based on extensive research in regional and local archives in Zhejiang province
Framed by a century and a half of racialized Chinese American musical experiences, Claiming Diaspora explores the thriving contemporary musical culture of Asian/Chinese America. Ranging from traditional operas to modern instrumental music, from ethnic media networks to popular music, from Asian American jazz to the work of recent avant-garde composers, author Su Zheng reveals the rich and diverse musical activities among Chinese Americans and tells of the struggles of Chinese Americans to gain a foothold in the American cultural terrain. She not only tells their stories, but also examines the dynamics of the diasporic connections of this musical culture, revealing how Chinese American musical activities both reflect and contribute to local, national, and transnational cultural politics, and challenging us to take a fresh look at the increasingly plural and complex nature of American cultural identity.
This book documents the revival of local popular religion in Putian, Fujian. Volume 1 provides a historical introduction to 153 regional ritual alliances made up of 724 villages. Volume 2 surveys the population, lineages, temples, gods, and annual rituals of these villages.
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This third book in a three-volume series offers detailed biographical data on all identifiable authors, patients, witnesses of therapies, transmitters of recipes, and further persons mentioned in the Ben cao gang mu and provides bibliographical data on all textual sources resorted to and quoted by Li Shizhen and his collaborators.
Making ingenious use of a wide variety of sources, and old as well as modern technical resources, Kenneth Dean and Zheng Zhenman here set a new standard for an histoire totale for a coherently well-defined cultural region in China.At the same time it deals in-depth with the ongoing negotiation of modernity in Chinese village rituals. Over the past thirty years, local popular religion has been revived and re-invented in the villages of the irrigated alluvial plain of Putian, Fujian, China. Volume 1 provides a historical introduction to the formation of 153 regional ritual alliances made up of 724 villages. Early popular cults, Ming lineages, Qing multi-village alliances, late Qing spirit-medium associations, 20th century state attacks on local religion, and the role of Overseas Chinese and local communities in rebuilding the temple networks are discussed. Volume 2 surveys the current population, lineages, temples, gods, and annual rituals of these villages. Maps of each ritual alliance, the distribution of major cults and lineages, are included. Find information about a film related to the book here.
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