Optimal Observation for Cyber-physical Systems" addresses the challenge, fundamental to the design of wireless sensor networks (WSNs), presented by the obligatory trade-off between precise estimates and system constraints. A unified theoretical framework, based on the well-established theory of optimal experimental design and providing consistent solutions to problems hitherto requiring a variety of approaches, is put forward to solve a large class of optimal observation problems. The Fisher information matrix plays a key role in this framework and makes it feasible to provide analytical solutions to some complex and important questions which could not be answered in the past. Readers with an applied background in WSN implementation will find all the understanding of the key theory of optimal experimental design they need within this book. The use of multiple examples to illustrate the theoretical parts of the book brings the subject into sharper focus than would an abstract theoretical disquisition.
The Dragon Bagua Zhang system of third-generation master Fu Zhen Song was one of the most powerful martial arts styles to emerge from 1920s China. Fu Zhen Song had a reputation as a skilled fighter and uncompromising teacher, and his Dragon Bagua style was renowned for its extensive catalog of whirling body movements and fighting techniques. In 1991 Lin Chao Zhen, Fu’s formal disciple, brought this mysterious martial art to the United States, where he practiced and taught until his death in 1997. Fu Zhen Song’s Dragon Bagua Zhang presents this challenging system in a step-by-step format, including palm forms, stepping patterns, and training methods. Originally written in Chinese by Lin Chao Zhen and translated by his son, Wei Ran Lin, this edition also features an extensive introductory section on the development of the Dragon Bagua form and the history of its lineage. The text is accompanied by 150 photographs of the late master Lin Chao Zhen demonstrating the form, as well as an illustrated two-person practice set that teaches the system’s applications for self-defense and sparring.
Nothing but the Now is a collection of seven stories, most of them about chance encounters in the world, the consequences of greed and temptation, the inescapable past, and moral dilemmas that seem to be tailored to each character’s flaws and foibles. The book explores the larger and more fundamental issues of life, death, love, and desire, and further interrogates the inter-relationships between the individual, the other, and the world. Each character in the stories must struggle to understand the meaning of his or her encounters and translate them into gains in their lives if they are to truly grow and arrive at themselves.
I'm just helping the dead fulfill their last wish. I didn't mean to kiss you ..." After she finished speaking, she lowered her head and pressed her lips onto his. Suddenly, he opened his eyes. "You delivered yourself to me." In the blink of an eye, before the high difficulty quest was delivered to his doorstep, he had arrogantly said to her, "If the quest is completed, I'll reward her with marrying him. If she can't, then I'll punish her to marry him!" Hm? Was there something wrong with this operation? Mao Jingjing was stupefied...
Strength! What he needs is strength!As long as he has strength, he can do what he wants to do! The biggest hope of the Lei family lies in his Lei Huo!No matter how hard the road ahead is, he must reach his goal!Jiuchongtian is his ultimate goal.Practice, sharpen, should rob, he bit his teeth, let others say: God, what kind of monster is he?Rebellious, rebellious, beautiful, he is ready to pick;It's just that he has strength. He can't stop what others want to do!Ray, proud of him! This land, will also change because of him!Oh, what else seems to be missing? Well, of course, there are many beauties on the way......
This research book is the first of its kind to conduct an interdisciplinary research on the recent and dramatic developments in China’s music industries with a particular focus on business models, copyright protection, and artist compensation. The monograph explores and discusses proper business models through which revenue can be generated and maintained in a changing copyright climate and transforming business environment. It also discusses how musicians can be fairly compensated in the online platform economy informed by social entrepreneurship. This book is distinctive in the sense that it explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world.
I'm just helping the dead fulfill their last wish. I didn't mean to kiss you ..." After she finished speaking, she lowered her head and pressed her lips onto his. Suddenly, he opened his eyes. "You delivered yourself to me." In the blink of an eye, before the high difficulty quest was delivered to his doorstep, he had arrogantly said to her, "If the quest is completed, I'll reward her with marrying him. If she can't, then I'll punish her to marry him!" Hm? Was there something wrong with this operation? Mao Jingjing was stupefied...
This monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today. Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success. In particular, this book deeply explores the mental health of musicians and "creative destruction" during the covid era, copyrights in music markets and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists. The monograph contributes empirical research to underexplored areas in the cultural economics of music, such as the proposed musical production function by Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid era. Readers will benefit from this easy-to-understand interdisciplinary exploration of the music industry with a focus on the United States and the political economy of music during the covid era. Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest. This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists. Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music.
In this volume, Professor He and his coworkers summarize polyethylene glycol (PEG)-promoted CO2 chemistry on the basis of understanding about phase behavior of PEG/CO2 system and reaction mechanism at molecular level. As PEG could be utilized as a green replacement for organic solvents, phase-transfer catalyst, surfactant, support in various reaction systems, significantly promoting catalytic activity and recovering expensive metal catalysts, particularly regarded as a CO2-philic material, the authors focus on special applications of PEG in CO2 capture and utilization, including PEG-functionalized catalysts for efficient transformation of CO2 and PEG-functionalized absorbents for efficient CO2 capture. Furthermore, they describe carbon capture and utilization strategy as an alternative approach to address the energy penalty problem in carbon capture and storage. Interestingly, the authors also discuss PEG radical chemistry in dense CO2 as rather creative and unusual use of PEG, presumably serves as a reaction medium and a radical initiator for radical chemistry.
I'm just helping the dead fulfill their last wish. I didn't mean to kiss you ..." After she finished speaking, she lowered her head and pressed her lips onto his. Suddenly, he opened his eyes. "You delivered yourself to me." In the blink of an eye, before the high difficulty quest was delivered to his doorstep, he had arrogantly said to her, "If the quest is completed, I'll reward her with marrying him. If she can't, then I'll punish her to marry him!" Hm? Was there something wrong with this operation? Mao Jingjing was stupefied...
Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature.
I'm just helping the dead fulfill their last wish. I didn't mean to kiss you ..." After she finished speaking, she lowered her head and pressed her lips onto his. Suddenly, he opened his eyes. "You delivered yourself to me." In the blink of an eye, before the high difficulty quest was delivered to his doorstep, he had arrogantly said to her, "If the quest is completed, I'll reward her with marrying him. If she can't, then I'll punish her to marry him!" Hm? Was there something wrong with this operation? Mao Jingjing was stupefied...
After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous "Fifth Generation" of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen—who was both their screenwriter and teacher—provides unique insights into the origins of the Fifth Generation’s creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films—One and Eight and Yellow Earth.
• Connects the philosophy of the I Ching with key recent advances in cosmology, such as the Big Bang theory, Roger Penrose's cyclic conformal cosmology, and his and Stuart Hameroff's cosmic quantum brain dynamics • Explains the Taoist cosmology of Heaven-Humanity Oneness in the context of Teilhard de Chardin’s evolutionism, Thomas Berry’s cosmogenetic trinity, and Brian Swimme’s 12 cosmological powers • Examines the holographic unity of Heaven, Earth, and Humankind at microcosmic, mesocosmic, and macrocosmic scales Is the universe inert and empty, or is it in some way responsive to consciousness? Breathing new life into a question that has perplexed philosophers since ancient times and scientists for the last century, physicist Zhen G. Ma, Ph.D., offers a quantitative “theory of everything” that beautifully integrates ancient I Ching philosophy, Eastern Taoism, modern cosmology, and the quantum brain dynamics of consciousness. Sharing insights from his years of research on space physics and black-hole spacetime—complemented by studies in quantum brain dynamics and cosmological powers with Brian Swimme at the California Institute of Integral Studies—Ma explains how his integrated theory draws primarily on two key paradigms in the philosophy of cosmology and consciousness: Swimme’s cosmic creation story of the universe as a green dragon and Roger Penrose and Stuart Hameroff’s cosmic consciousness. Extending these theories further, Ma shows how they harmonize not only with the ancient Eastern philosophy of the oneness of heaven and humanity, but also with a holographic cosmic principle that connects the quantum-plasma brain with the universe and earth with heaven. He then looks at this holographic unity in the cyclic process of birth, growth, decay, and death and shows how it resonates with Einstein-Friedmann’s cosmological dynamics and Hawking-Penrose’s quantum gravity model. Demonstrating a quantitative paradigm of everything, Ma shows how humanity is inextricably and holistically blended into the cosmic fabric of the universe.
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