Not only did his family not fall behind to become a palace maid, but in order to survive, he had no choice but to become a princess by marriage. Lu Lun Tang didn't even have time to sigh at how ill-fated he was before he was forced to assassinate the Emperor. How was she going to be able to walk away from control and free herself? And in this deep palace, was there any true meaning? Empress Sun, Imperial Concubine Zhang, all sorts of beautiful concubines and concubines.
When I come to the city, I shall be the supreme being! Ancient martial arts descendant? Asura weapon king? A monstrous farmer? Cultivation genius? A peerless genius doctor? Master Miao Jiang... He had to lie down obediently in front of me!
Pollution Control and Resource Recovery: Sewage Sludge discusses several traditional and new environmentally friendly technologies for sewage sludge treatment and disposal. In addition, the book covers a range of new initiatives that are underway to promote and accelerate the development of related sciences and techniques. The book's authors builds a framework for developing various sustainable technologies for sewage sludge treatment and disposal, including advanced dewatering through chemical conditioning, solidification/stabilization, reuse for the development of construction and building materials, anaerobic bioenergy recovery, sanitary landfill, and odor control. - Explains environmentally friendly technologies for sewage sludge treatment and disposal, including advanced dewatering through chemical conditioning, solidification/stabilization, and anaerobic bioenergy recovery - Includes valuable guidelines for engineers to address sludge issues, such as sanitary landfill and odor control - Presents new developments and techniques that are on the horizon
As an intermediate model between conventional PKC and ID-PKC, CL-PKC can avoid the heavy overhead of certificate management in traditional PKC as well as the key escrow problem in ID-PKC altogether. Since the introduction of CL-PKC, many concrete constructions, security models, and applications have been proposed during the last decade. Differing from the other books on the market, this one provides rigorous treatment of CL-PKC. Definitions, precise assumptions, and rigorous proofs of security are provided in a manner that makes them easy to understand.
This book discusses the development of novel protective relaying algorithms using Mathematical Morphology, a nonlinear signal processing technique derived from set theory and geometry.
Since the early 1990s, while mainland China’s state-owned movie studios have struggled with financial and ideological constraints, an exciting alternative cinema has developed. Dubbed the “Urban Generation,” this new cinema is driven by young filmmakers who emerged in the shadow of the events at Tiananmen Square in 1989. What unites diverse directors under the “Urban Generation” rubric is their creative engagement with the wrenching economic and social transformations underway in China. Urban Generation filmmakers are vanguard interpreters of the confusion and anxiety triggered by the massive urbanization of contemporary China. This collection brings together some of the most recent original research on this emerging cinema and its relationship to Chinese society. The contributors analyze the historical and social conditions that gave rise to the Urban Generation, its aesthetic innovation, and its ambivalent relationship to China’s mainstream film industry and the international film market. Focusing attention on the Urban Generation’s sense of social urgency, its documentary impulses, and its representations of gender and sexuality, the contributors highlight the characters who populate this new urban cinema—ordinary and marginalized city dwellers including aimless bohemians, petty thieves, prostitutes, postal workers, taxi drivers, migrant workers—and the fact that these “floating urban subjects” are often portrayed by non-professional actors. Some essays concentrate on specific films (such as Shower and Suzhou River) or filmmakers (including Jia Zhangke and Zhang Yuan), while others survey broader concerns. Together the thirteen essays in this collection give a multifaceted account of a significant, ongoing cinematic and cultural phenomenon. Contributors. Chris Berry, Yomi Braester, Shuqin Cui, Linda Chiu-han Lai, Charles Leary, Sheldon H. Lu, Jason McGrath, Augusta Palmer, Bérénice Reynaud, Yaohua Shi, Yingjin Zhang, Zhang Zhen, Xueping Zhong
Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishment has discouraged comprehensive studies of the cultural phenomenon of early Chinese film, and this momentous chapter in China's history has remained largely unexamined. The first sustained historical study of the emergence of cinema in China, An Amorous History of the Silver Screen is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, An Amorous History of the Silver Screen reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China. The first volume in the new and groundbreaking series Cinema and Modernity, An Amorous History of the Silver Screen is an innovative—and well illustrated—look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.
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