Zhao BanXian's Books

In the underworld, the heavens were set, and the gods and spirits were created to change their lives.What was the fear of days? carving knife of gold and silver, sculpting all things;

My house is made up of 32 generations of green hats, left behind a secret craftsmanship, opened the list of evildoers, led to Yinyang Road's free books, the city opened its mouth, there is no taboo, the dead rose up, see rich. Why did the dead girl have gold hidden in her belly? Wearing red clothes, how could her corpse speak human language when it had stiffened in the middle of the night? Three large seals and a piece of yellow paper; the body could not be broken. One by one, the undead truths hidden beneath the corpses would be unraveled from my hands. Wealth is in the sky, life and death cannot be decided by fate. What one sees is the skin, and what one cannot see is the soul.

Gu Qishao was dressed as an unpopular Princess Wu Cheng. Opening his eyes to take a look, what? Something happened? Her husband was still on his way back to strangle her? F * ck, can he just sit there and wait for death? He had to run! However, Gu Qishao had underestimated the determination of Prince Wu Cheng, Xiao Lie, to take care of her ... Run? Capture them back! Run again? Capture it back! You still dare to run? I will accompany you. The rivers and lakes are dangerous, all kinds of men are impossible to guard against! Meowed... The cruel and violent, the cold and dark... What do you mean by acting stupid?

Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. Volume Two is a continuation of the historical inquiry into Chinese theatre with focus shifted from Mulian storytelling to Mulian story-acting. Thus, this volume traces the historical trajectory of xiqu from Northern dramas to Southern dramas and from elite court theatre to mass regional theatre with pivotal forms and functions of Mulianxi examined, explicated and illustrated in association with the development of corresponding genres of xiqu. In so doing, every aspect of Mulianxi is considered not in the margins of xiqu but in and of itself. While this volume is primarily concerned with Mulianxi, references are also made to other forms of Chinese performing arts and temple theatre, Nuoxi in particular, as Mulianxi has been performed since the twelfth century as, or in company with, Nuoxi, to cleanse the community of evil spirits and epidemic diseases. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion and theatre.

In the underworld, the heavens were set, and the gods and spirits were created to change their lives.What was the fear of days? carving knife of gold and silver, sculpting all things;

Book's by Zhao BanXian

Master of Soul-Building

Master of Soul-Building

Post-mortem Examiner Esoterica

Post-mortem Examiner Esoterica

Prince, Kneel Down!

Prince, Kneel Down!

Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi

Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

Master of Soul-Building

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