Through the story of a portrait of a woman in a silk dress, historian Zara Anishanslin embarks on a fascinating journey, exploring and refining debates about the cultural history of the eighteenth-century British Atlantic world. While most scholarship on commodities focuses either on labor and production or on consumption and use, Anishanslin unifies both, examining the worlds of four identifiable people who produced, wore, and represented this object: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter. Blending macro and micro history with nuanced gender analysis, Anishanslin shows how making, buying, and using goods in the British Atlantic created an object-based community that tied its inhabitants together, while also allowing for different views of the Empire. Investigating a range of subjects including self-fashioning, identity, natural history, politics, and trade, Anishanslin makes major contributions both to the study of material culture and to our ongoing conversation about how to write history.
Rough Trade - Emma Allan When Clare Markham has an extension added to her house, she finds herself increasingly - and mutually - attracted to the hard, muscled body and sheer physicality of builder Gary Newby... Inspiration - Stephanie Ash Struggling painter Clare is bored with her boyfriend and tempted by the charming Steve. So when his wife asks her to paint Steve's portrait, Clare fnds herself indulging in some passionate studies of both her model and her client... Velvet Touch - Zara Devereux Bored graduate Karen Heywood starts a new job in a stately home and discovers a haven of sensual pleasures. Only one part of the house remains forbidden to her - the private apartment of Blackwood Towers' mysterious owner...
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