Finally, the brilliant pencil execution of ornament in his old age became a surrogate for the great architectural projects realized earlier." "David Van Zanten's essay on how Sullivan's ornament shaped the city is illuminated by archival views and new color photographs by architectural photographer Cervin Robinson."--BOOK JACKET.
Between a Rock and a Hard Place is set in The Netherlands during World War II. Jacob van Noorden is a military policeman with a wife and two children, and a third on the way, just assigned his first job as chief of a crew in a rural town, close to the German border. When the German army invades and moves through his town, Jacob and his crew have no defense. They can only watch the tanks rumble by without stopping. Jacob is forced to deal with the increasingly disastrous events of the Nazi regime' s occupation. He learns that in the end that every action he takes, no matter how well-intentioned, has enormous, long-lasting consequences to those around him.
Drawing the Future: Chicago Architecture on the International Stage, 1900–1925 is an illustrated catalog with companion essays for an exhibition of the same name at the Mary and Leigh Block Museum of Art at Northwestern University. Drawing the Future explores the creative ferment among Chicago architects in the early twentieth century, coinciding with similar visions around the world. The essays focus on the highlights of the exhibition. David Van Zanten profiles Walter Burley Griffin and Marion Mahony Griffin, Chicago architects who created an influential, prize-winning plan for Canberra, the new capital of Australia. Ashley Dunn looks at the two exhibits at the Musée des Arts Décoratifs in Paris, one devoted to the Griffins in 1914 and the other to the French architect Tony Garnier in 1925, demonstrating the impact of World War I on city planning and architecture. Leslie Coburn examines Chicago’s Neighborhood Center Competition of 1914–15, which sought to redress gaps in Daniel Burnham’s plan of 1909. The ambition and reach of Chicago architecture in this epoch would have lasting influence on cities of the future.
One of the best-designed architecture books to appear in recent memory . . ., handsomely illustrated with a fuller selection of historical views of Sullivan's work than can be found in any other book now in print, and supplemented by a fine new set of color photographs of Sullivan's most important surviving buildings." -Martin Filler, New York Review of Books
Finally, the brilliant pencil execution of ornament in his old age became a surrogate for the great architectural projects realized earlier." "David Van Zanten's essay on how Sullivan's ornament shaped the city is illuminated by archival views and new color photographs by architectural photographer Cervin Robinson."--BOOK JACKET.
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