The changes to U.S. immigration law that were instituted in 1965 have led to an influx of West African immigrants to New York, creating an enclave Harlem residents now call ''Little Africa.'' These immigrants are immediately recognizable as African in their wide-sleeved robes and tasseled hats, but most native-born members of the community are unaware of the crucial role Islam plays in immigrants' lives. Zain Abdullah takes us inside the lives of these new immigrants and shows how they deal with being a double minority in a country where both blacks and Muslims are stigmatized. Dealing with this dual identity, Abdullah discovers, is extraordinarily complex. Some longtime residents embrace these immigrants and see their arrival as an opportunity to reclaim their African heritage, while others see the immigrants as scornful invaders. In turn, African immigrants often take a particularly harsh view of their new neighbors, buying into the worst stereotypes about American-born blacks being lazy and incorrigible. And while there has long been a large Muslim presence in Harlem, and residents often see Islam as a force for social good, African-born Muslims see their Islamic identity disregarded by most of their neighbors. Abdullah weaves together the stories of these African Muslims to paint a fascinating portrait of a community's efforts to carve out space for itself in a new country.
Born in a Karachi slum, Sharif Barkati became obsessed with "American" ideas of love and freedom at a very young age. He began to dream of a public place in the city that did not follow the rules, where people would be free to say and do whatever they wanted under open skies, away from the conservative eyes of Pakistani society. With the help of his friend Afzal - and TJ, an extremely wealthy Pakistani-American - Sharif was able to realize his dream in the form of a colossal compound on the Karachi coast, full of bars, cafes, clubs, and the people of Karachi strolling about, hand in hand. They called it Little America. Now in prison, Sharif tells the story of his life in a letter to his favorite novelist, hoping that he will turn it into a literary masterpiece. At once a rollicking journey around the mind of a man desperate to be free, an allegory of the neocolonial endeavour, and an investigation of the desire to emulate the perceived superior while desperately trying to hold on to one's own cultural identity, Little America asks the question: What, really, is freedom, and what can be sacrificed in its name?
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