*Nominated for the 2024 Eisner Awards for Best Publication for Kids* From rising star Zachary Sterling comes a humorous and heartwarming middle-grade graphic novel that celebrates food, family, and folklore. Can two kids save the world and work their family food truck? First-generation Filipino siblings JJ and Althea struggle to belong at school. JJ wants to fit in with the crowd, while Althea wants to be accepted as she is. To make matters worse, they have to help their parents run the family food truck by dressing up as a dancing pig and passing out samples. Ugh! And their mom is always pointing out lessons from Filipino folklore -- annoying tales they've heard again and again. But when witches, ogres, and other creatures from those same stories threaten their family, JJ and Althea realize that the folklore may be more real that they'd suspected. Can they embrace who they really are and save their family?
WHY WE LOVE IT: Our favorite princesses are getting a chance to take the main stage as they learn the importance of friendship and what it really means to wear a crown. WHY YOU'LL LOVE IT: It's a book about how Princesses can overcome their differences while at the same time kicking butt and taking names. WHAT IT'S ABOUT: Princess gatherings aren't always tea parties and doilies, there is a lot more to being a Princess that one might think. Danielle Corsetto (GIRLS WITH SLINGSHOTS) and Zack Sterling return with an adventure where some of our favorite princesses learn what it really takes to be a princess, while learning to respect each other for their unique outlooks on life.
AN ALL-NEW ADVENTURE TIME ORGINAL GRAPHIC NOVEL! Join Flame Princess, alongside Finn and Jake, as she leaves the Flame Kingdom and goes on her very first adventure! Written by acclaimed cartoonist Danielle Corsetto (GIRLS WITH SLINGSHOTS) and drawn by rising star Zack Sterling (BRAVEST WARRIORS, ADVENTURE TIME). A black and white edition appealing to fans of SCOTT PILGRIM and Japanese manga!
After six years and 75 issues, Finn, Jake, and your favorite characters from Cartoon Network's Adventure Time star in their final collection from the ongoing series. Together, they'll face off against Magic Man stealing the colors from Ooo and take on one of their most challenging quests of all: a royal wedding... And there's even a special adventure starring Fionna & Cake as they retrieve the punch for Prince Gumball's semi-annual Punch Parade! Featuring a tour-de-force of creators from across Adventure Time history?including writers Ryan North (The Unbeatable Squirrel Girl), Mariko Tamaki (This One Summer), and Christopher Hastings (The Unbelievable Gwenpool), along with artists Shelli Paroline & Braden Lamb (Making Scents), Ian McGinty (Invader Zim), and Zachary Sterling (Bee & Puppycat)?this final journey through Ooo is a must-have for every fan.
Princess Bubblegum must start her yearly journey to the outer kingdoms, with the help of Peppermint Butler she goes to see how her distant friends are doing and to rejuvenate the crystals that keep their kingdoms alive. Of course with time things constantly change and Princess Bubblegum is going to discover that a lot has changed since her last journey and this might be one problem she won't be able to fix.
Finn and Jake find themselves in the middle of a secret war when they inaverdantly take out Peppermint Butler's secret agent Candy Bar! There is something going on with the King of Ooo and the weird bears that he's hanging out with and it's up to Finn and Jake to get to the bottom of the King's dastardly plot! ...if only they weren't being accused of treason in the process.
How many items around your house feature bent wood? It doesn't take expensive machinery or exotic hand tools - just apply the proven methods and techniques in this guide to your favourite projects.
As Metro stretches to Tysons Corner and beyond, this paperback edition features a new preface from the author. Drivers in the nation's capital face a host of hazards: high-speed traffic circles, presidential motorcades, jaywalking tourists, and bewildering signs that send unsuspecting motorists from the Lincoln Memorial into suburban Virginia in less than two minutes. And parking? Don't bet on it unless you're in the fast lane of the Capital Beltway during rush hour. Little wonder, then, that so many residents and visitors rely on the Washington Metro, the 106-mile rapid transit system that serves the District of Columbia and its inner suburbs. In the first comprehensive history of the Metro, Zachary M. Schrag tells the story of the Great Society Subway from its earliest rumblings to the present day, from Arlington to College Park, Eisenhower to Marion Barry. Unlike the pre–World War II rail systems of New York, Chicago, and Philadelphia, the Metro was built at a time when most American families already owned cars, and when most American cities had dedicated themselves to freeways, not subways. Why did the nation's capital take a different path? What were the consequences of that decision? Using extensive archival research as well as oral history, Schrag argues that the Metro can be understood only in the political context from which it was born: the Great Society liberalism of the Kennedy, Johnson, and Nixon administrations. The Metro emerged from a period when Americans believed in public investments suited to the grandeur and dignity of the world's richest nation. The Metro was built not merely to move commuters, but in the words of Lyndon Johnson, to create "a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community." Schrag scrutinizes the project from its earliest days, including general planning, routes, station architecture, funding decisions, land-use impacts, and the behavior of Metro riders. The story of the Great Society Subway sheds light on the development of metropolitan Washington, postwar urban policy, and the promises and limits of rail transit in American cities.
A sweeping history of the legendary private investment firm Brown Brothers Harriman, exploring its central role in the story of American wealth and its rise to global power Conspiracy theories have always swirled around Brown Brothers Harriman, and not without reason. Throughout the nineteenth century, when America was convulsed by a devastating financial panic essentially every twenty years, Brown Brothers quietly went from strength to strength, propping up the U.S. financial system at crucial moments and catalyzing successive booms, from the cotton trade and the steamship to the railroad, while largely managing to avoid the unwelcome attention that plagued some of its competitors. By the turn of the twentieth century, Brown Brothers was unquestionably at the heart of what was meant by an American Establishment. As America's reach extended beyond its shores, Brown Brothers worked hand in glove with the State Department, notably in Nicaragua in the early twentieth century, where the firm essentially took over the country's economy. To the Brown family, the virtue of their dealings was a given; their form of muscular Protestantism, forged on the playing fields of Groton and Yale, was the acme of civilization, and it was their duty to import that civilization to the world. When, during the Great Depression, Brown Brothers ensured their strength by merging with Averell Harriman's investment bank to form Brown Brothers Harriman, the die was cast for the role the firm would play on the global stage during World War II and thereafter, as its partners served at the highest levels of government to shape the international system that defines the world to this day. In Inside Money, acclaimed historian, commentator, and former financial executive Zachary Karabell offers the first full and frank look inside this institution against the backdrop of American history. Blessed with complete access to the company's archives, as well as a thrilling understanding of the larger forces at play, Karabell has created an X-ray of American power--financial, political, cultural--as it has evolved from the early 1800s to the present. Today, unlike many of its competitors, Brown Brothers Harriman remains a private partnership and a beacon of sustainable capitalism, having forgone the heady speculative upsides of the past thirty years but also having avoided any role in the devastating downsides. The firm is no longer in the command capsule of the American economy, but, arguably, that is to its credit. If its partners cleaved to any one adage over the generations, it is that a relentless pursuit of more can destroy more than it creates.
The second volume in the life of literary giant Saul Bellow, vividly capturing a personal life that was always tumultuous and career that never ceased being triumphant. Bellow, at forty-nine, is at the pinnacle of American letters--rich, famous, critically acclaimed. The expected trajectory is one of decline: volume 1, rise; volume 2, fall. Bellow never fell, producing in the latter half of his life some of his greatest fiction (Mr. Sammler's Planet, Humboldt's Gift), winning two more National Book Awards, a Pulitzer Prize, and the Nobel Prize. At eighty, he wrote his last story; at eighty-five, he wrote Ravelstein. In this volume, his life away from the desk, including his love life, is if anything more dramatic than in the first. In the public sphere, he is embroiled in controversy over foreign affairs, race, religion, education, social policy, the state of culture, the fate of the novel. In this stunning second volume, Zachary Leader shows that Bellow's heroic energy and will were present to the very end of his life. His immense achievement and its cost, to himself and others, continue to be worth the examination of this vivid work of literary scholarship.
The period from the late seventeenth to the early nineteenth century—the so-called long eighteenth century of English history—was a time of profound global change, marked by the expansion of intercontinental empires, long-distance trade, and human enslavement. It was also the moment when medicines, previously produced locally and in small batches, became global products. As greater numbers of British subjects struggled to survive overseas, more medicines than ever were manufactured and exported to help them. Most historical accounts, however, obscure the medicine trade’s dependence on slave labor, plantation agriculture, and colonial warfare. In Merchants of Medicines, Zachary Dorner follows the earliest industrial pharmaceuticals from their manufacture in the United Kingdom, across trade routes, and to the edges of empire, telling a story of what medicines were, what they did, and what they meant. He brings to life business, medical, and government records to evoke a vibrant early modern world of London laboratories, Caribbean estates, South Asian factories, New England timber camps, and ships at sea. In these settings, medicines were produced, distributed, and consumed in new ways to help confront challenges of distance, labor, and authority in colonial territories. Merchants of Medicines offers a new history of economic and medical development across early America, Britain, and South Asia, revealing the unsettlingly close ties among medicine, finance, warfare, and slavery that changed people’s expectations of their health and their bodies.
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