Winner of the 2010 Colorado Prize for Poetry. "It is the poet who, undistracted by the imbecile telegraphy of this moment, dares to sustain a sustaining sound I most esteem and most warmly embrace. Zach Savich has written a book both intimate and vast, both tender and acidly candid. And with his long poem, 'The Mountains Overhead,' he has entered that visionary company of poets who, by overturning Babel, lay the heavens at our feet." —Donald Revell "Sparse, spare, these lines nonetheless overflow with a sheer and brilliant imagination- 'The crows: hearing our voices through wires'; 'the horses hold themselves like torches'; 'the sun a dial tone . . .' The tension between minimalism of form and maximalism of concept and feeling gives this work a vivid, oddly crystalline, momentum. The central long poem unfolds one small leaf at a time, yet resists accumulation; instead it presents us again and again with the opportunity to immerse ourselves in the slightly uncanny: what would it be to sing instead of to say? This book gives us an intimation." —Cole Swensen
Merging the spirits of Don Quixote, Shakespearean fools, Theodore Roethke, Frank O’Hara, James Merrill, and the Marx Brothers, Zach Savich’s first book does more than showcase the innovative fluency of its roving forms and moods: these poetic hybrids are not hothouse blossoms but minotaurs. With ebullient intelligence and high-stakes insistence on the panic, lust, and suffering of the sensual world, Full Catastrophe Living uses the self as an instrument to investigate art, love, and the hardest honesty. In meditations, songs, slapstick sequences, sonnets, narratives, and tightly carved fragments, Savich explores the conflicts between romance and reality, between inventing a new world and staying true to this one. Relishing both traditional and experimental poetics, he takes refreshing, ecumenical risks to show the “strange grace / of bells that ring with a rag’s polishing.” Like a Fourth of July band conductor guiding planes to land, his poetic wit alters what’s real. This book will change the ways that readers think about poetry, language’s expressive capacity, and the robust world around us.
Winner of the 2010 Colorado Prize for Poetry. "It is the poet who, undistracted by the imbecile telegraphy of this moment, dares to sustain a sustaining sound I most esteem and most warmly embrace. Zach Savich has written a book both intimate and vast, both tender and acidly candid. And with his long poem, 'The Mountains Overhead,' he has entered that visionary company of poets who, by overturning Babel, lay the heavens at our feet." —Donald Revell "Sparse, spare, these lines nonetheless overflow with a sheer and brilliant imagination- 'The crows: hearing our voices through wires'; 'the horses hold themselves like torches'; 'the sun a dial tone . . .' The tension between minimalism of form and maximalism of concept and feeling gives this work a vivid, oddly crystalline, momentum. The central long poem unfolds one small leaf at a time, yet resists accumulation; instead it presents us again and again with the opportunity to immerse ourselves in the slightly uncanny: what would it be to sing instead of to say? This book gives us an intimation." —Cole Swensen
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