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Architectural Invention in Renaissance Rome

Artists, Humanists, and the Planning of Raphael's Villa Madama

By: Yvonne Elet

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Architectural Invention in Renaissance Rome

Artists, Humanists, and the Planning of Raphael's Villa Madama

By: Yvonne Elet

Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

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Page Count

382

Publisher

Cambridge University Press

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ISBN 10

1108216110

ISBN 13

9781108216111

Architectural Invention in Renaissance Rome

Artists, Humanists, and the Planning of Raphael's Villa Madama

By: Yvonne Elet

Write a review Read reviews Take a Quiz Solve Book Puzzle

Architectural Invention in Renaissance Rome

Artists, Humanists, and the Planning of Raphael's Villa Madama

By: Yvonne Elet

Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.

Average ratings

N/A

5

0%

4

0%

3

0%

2

0%

1

0%

Solve jigsaw puzzle

Age

Page Count

382

Publisher

Cambridge University Press

Published Date

ISBN 10

1108216110

ISBN 13

9781108216111