Rites is a powerful and provocative new play exploring the deep-rooted cultural practice of Female Genital Mutilation (FGM). This ritual of enforced cutting has been performed for centuries and millions of girls worldwide, often as young as five years old, are still subjected to it. The reasons are complicated and myriad. It depends who you are what you've been taught. Some things are simple though: FGM is still happening across the world. FGM is happening in the UK, here and now. Rites is based on interviews and true stories from girls affected in Scotland and the rest of the UK, mothers who feel under pressure to continue the practice, and the experiences of midwives, lawyers, police officers, teachers and health workers trying to effect change in communities. Weaving together different perspectives into a multi-voiced production, the play explores the complexities, misconceptions and challenges involved in trying to change what is to many, a fundamental rite of passage.
Rites is a powerful and provocative new play exploring the deep-rooted cultural practice of Female Genital Mutilation (FGM). This ritual of enforced cutting has been performed for centuries and millions of girls worldwide, often as young as five years old, are still subjected to it. The reasons are complicated and myriad. It depends who you are what you've been taught. Some things are simple though: FGM is still happening across the world. FGM is happening in the UK, here and now. Rites is based on interviews and true stories from girls affected in Scotland and the rest of the UK, mothers who feel under pressure to continue the practice, and the experiences of midwives, lawyers, police officers, teachers and health workers trying to effect change in communities. Weaving together different perspectives into a multi-voiced production, the play explores the complexities, misconceptions and challenges involved in trying to change what is to many, a fundamental rite of passage.
Manchester has a reputation for being one of the UK’s loudest cities. From its smoggy inception as the first industrial city to its proud traditions of protest and activism, to blazing a trail in the British music scene, the city has always been defined by an inexorable sense of urgency and activity. No wonder, then, that it feels compelled to shout so loudly about its accomplishments. In stark contrast, The Book of Manchester is more concerned with dialling down that sometimes deafening hubris. As international investment pours into the city, reshaping its skyline, these stories ask: at what cost? From the pair of homeless friends intent on shattering the ‘Manctopia’ property dream, to the middle-aged fangirl feeling abandoned by both her husband and her city, we follow the struggles of ordinary residents navigating a city in dramatic flux – stories of thrilling quietude that might otherwise be lost amid the roar and clamour.
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