Fifty lessons examining both structural patterns and morphological features characteristic of Mandarin Chinese. The book describes cultural idiosyncrasies in language use as well as gives discoursal strategies for forming sustained conversations.
This book constitutes the refereed proceedings of the 5th International Workshop on Digital Watermarking Secure Data Management, IWDW 2006, held in Jeju Island, Korea in November 2006. The 34 revised full papers presented together with 3 invited lectures cover both theoretical and practical issues in digital watermarking.
The latest edition provides a comprehensive foundation for image and video compression. It covers HEVC/H.265 and future video coding activities, in addition to Internet Video Coding. The book features updated chapters and content, along with several new chapters and sections. It adheres to the current international standards, including the JPEG standard.
This book constitutes the refereed proceedings of the 5th International Workshop on Digital Watermarking Secure Data Management, IWDW 2006, held in Jeju Island, Korea in November 2006. The 34 revised full papers presented together with 3 invited lectures cover both theoretical and practical issues in digital watermarking.
This book illustrates the six elements of Confucius' teachings: Philosophy of Life Ethics, Philosophy of Education, Philosophy of Creation, Political Philosophy, Philosophy of Providence and Philosophy of Peace. It explains the value and significance of Confucius' teachings and also focuses on the modernization of the teachings. It ascertains that "to understand Confucius is to understand China, the Chinese people, Chinese history and Chinese culture.
A comprehensive and authoritative study of Chinese architecture from Neolithic times to the late-19th century. Six of China's greatest architectural historians have joined with a leading Western scholar to write this text, a collaborative history of Chinese architecture.
The pampered princess became his lowest concubine!" You killed my wife! You owe me this! " The man sneered, shaming her like a crazed demon ... In order to avenge his wife, he actually killed her royal brother and destroyed her country. And now, he still wanted her love?! What a joke! "Hahaha ..." The woman laughed heartily while tears streamed down her face. "My dear concubine, you've already fallen in love with me, haven't you?" The man smiled complacently. Love? Do you mean this? " The woman stabbed the dagger towards her chest, while blood flowed out from the man's body ...
The Guodian manuscripts are a cache of literary and philosophical texts from the fourth century BCE, discovered in a Warring States–period tomb in China’s Hubei Province. Through detailed decipherment and textual analysis, Kuan-yun Huang investigates the historical and philosophical contexts of these texts and convincingly proposes their association with Zisi, the grandson of Confucius. Huang not only offers an in-depth portrait of this famous scion from excavated texts and transmitted literary records, but also reveals the connection of the Guodian texts with early intellectual tradition in China, including the teachings of Xunzi, Mencius, Confucius, and the legendary Laozi, as well as the effort of rewriting that transformed Zisi’s original teachings into a conformist line of thinking, which defined and constituted the Confucian tradition of a later time. ------------- In Kuan-yun Huang’s The Lost Texts of Confucius’ Grandson, the shadowy figure of Zisi comes to life as an antinomian thinker whose works fill the lacuna between Confucius and Mencius. What is most compelling about this book is its insistence that in scholarship we must respect the interpretive context. The new putative Zisi materials have to be read in such a way that they are correlated with and situated clearly within what Huang calls “the literary record.” Huang’s synoptic understanding of the literature allows for much “abduction” in his presentation, a kind of academic sleuthing in his best efforts to connect the dots. While an exciting read for those scholars who know the texts and specialize in ancient philosophical literature, at the same time, the story it tells will be of interest to all scholars who work in the field of Chinese studies. —Roger T. Ames Humanities Chair Professor, Peking University Huang carefully explicates what the newly discovered manuscripts teach us about fate, moral cultivation, familial love and obligation, and service in government, as well as other concepts that were originally meant to provide social order in the Warring States kingdoms during the time of Zisi and the generations of thinkers subsequent to him. Through close textual analysis and with each explanation of these ideas, Huang shows that we must shake ourselves loose from earlier assumptions about their significance and embrace what the recently recovered sources tell us. —Jeffrey Riegel Professor Emeritus, University of California, Berkeley The Guodian corpus has transformed our understanding of early Chinese thought. Huang does a masterful job of situating these texts in their historical and philosophical context, relying on the most current scholarly literature as well as insights gained from more recent discoveries, all in a very accessible style. Highly recommended. —Edward Slingerland Professor of Philosophy, University of British Columbia
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
In Engendering the Woman Question, Zhang Yun examines the early Chinese women’s periodical press as a mixed-gender public space to explore men’s and women’s gender-specific approaches to a series of prominent topics central to the Chinese “woman question.”
An internationally recognized authority on Chinese history and a leading innovator in its telling, Cho-yun Hsu constructs an original portrait of Chinese culture. Unlike most historians, Hsu resists centering his narrative on China's political evolution, focusing instead on the country's cultural sphere and its encounters with successive waves of globalization. Beginning long before China's written history and extending through the twentieth century, Hsu follows the content and expansion of Chinese culture, describing the daily lives of commoners, their spiritual beliefs and practices, the changing character of their social and popular thought, and their advances in material culture and technology. In addition to listing the achievements of emperors, generals, ministers, and sages, Hsu builds detailed accounts of these events and their everyday implications. Dynastic change, the rise and fall of national ambitions, and the growth and decline of institutional systems take on new significance through Hsu's careful research, which captures the multiple strands that gave rise to China's pluralistic society. Paying particular attention to influential relationships occurring outside of Chinese cultural boundaries, he demonstrates the impact of foreign influences on Chinese culture and identity and identifies similarities between China's cultural developments and those of other nations.
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