This book combines the experience and achievements in engineering practice of the China Academy of Space Technology, Xi’an, with a focus on the field of high-power multipactor over recent decades. It introduces the main concepts, theories, methods and latest technologies of multipactor simulation, at both the theoretical level and as a process of engineering, while providing a comprehensive introduction to the outstanding progress made in the research technology of multipactor numerical simulation in China. At the same time, a three-dimensional numerical simulation method of multipactor for typical high-power microwave components of spacecraft is introduced. This book is an essential volume for engineers in the field of high-power microwave technology. It can also be used as a reference for researchers in related fields, or as a teaching reference book for graduate students majoring in Astronautics at colleges and universities.
Le Zixi fell into the era of the sky, Song and Wei dynasties." When the Song and Wei dynasties fought with the Hu countries, the soldiers, seeing that Le Zixi was dressed differently, took her into the tent of the Third Prince Yao Yu who had just been wounded by a sword.After a round of questioning, Yao was ready to treat Zi Xi as a spy for Hu Guo. With her own experience, Le Zixi could tell that the sword in Yao's hands was poisonous, so she offered to help him treat it.After comparing the opinions of the accompanying Li Imperial Physician and Le Zixi, Yao Yu decided to leave Le Zixi behind to treat him and the soldiers who were also hit by the arrows. After the arrow poison was dispelled, Le Zixi was left in the Base Camp prison, feeling apprehensive. In the battle between the two countries, Song Wei had won greatly. "On the way back to the city, Yao and Li discussed with each other about leaving and staying with Le Zixi.
This book is the Magnum Opus dedicated to Mr Chi Yun Chang, a prominent historian as well as the founder of Chinese Culture University. This book illustrates the six elements of Confucius' teachings: Philosophy of Life Ethics, Philosophy of Education, Philosophy of Creation, Political Philosophy, Philosophy of Providence and Philosophy of Peace.The book explains the value and significance of Confucius' teachings and also focuses on the modernization of the teachings. It ascertains that “to understand Confucius is to understand China, the Chinese people, Chinese history and Chinese culture”. This book will be of interest to anyone who is interested in Confucius' teachings and its modern interpretations.
This book explores international practice in landscape architecture, focusing on the provision of services from Australia to China during China’s contemporary urbanization and Australian landscape architects’ approaches to place. Landscape architectural practice requires planners and designers to have a deep understanding of local culture, site characteristics, craftsmanship and even project procedures that are often intangible. How to acquire the above local knowledge has become a major challenge for international teams. Through the survey of the practice of Australian landscape practices in China and the case study of Li Lake planning and design project, this book reveals the process and difficulties of landscape planning and design as a transnational practice, as well as its special value as a way of cross-cultural fertilization. This book is intended for students, practitioners and researchers in the fields of landscape architecture, architecture and urban planning.
This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”
She was tricked into entering the Devil's Cave, but unexpectedly got to know the mysterious Demon Lord. After being reborn into a new life, she had broken off all family ties and embarked on the road to greatness ... However, the road was full of thorns and thistles. There was still Lord Demon Lord causing trouble everywhere."Honored Devil Lord, when did you develop such deep feelings for me?"The Demon Lord smiled sinisterly, "Marry me and I'll tell you.
The medical examiner, Qin Zhen, was killed. Before he died, he entrusted his young and beautiful wife to me. Thus, taking good care of the top-grade mistress became my mission.Mistress, your kung fu is really good!
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
Shao-yun Yang challenges assumptions that the cultural and socioeconomic watershed of the Tang-Song transition (800–1127 CE) was marked by a xenophobic or nationalist hardening of ethnocultural boundaries in response to growing foreign threats. In that period, reinterpretations of Chineseness and its supposed antithesis, “barbarism,” were not straightforward products of political change but had their own developmental logic based in two interrelated intellectual shifts among the literati elite: the emergence of Confucian ideological and intellectual orthodoxy and the rise of neo-Confucian (daoxue) philosophy. New discourses emphasized the fluidity of the Chinese-barbarian dichotomy, subverting the centrality of cultural or ritual practices to Chinese identity and redefining the essence of Chinese civilization and its purported superiority. The key issues at stake concerned the acceptability of intellectual pluralism in a Chinese society and the importance of Confucian moral values to the integrity and continuity of the Chinese state. Through close reading of the contexts and changing geopolitical realities in which new interpretations of identity emerged, this intellectual history engages with ongoing debates over relevance of the concepts of culture, nation, and ethnicity to premodern China.
This book articulates a contextual pneumatology from a perspective of the Eastern idea of ch'i (ki in Korean). Rather than understanding the Spirit from a Westernized philosophical perspective, this book utilizes East Asian categories rooted in the I Ching and Asian religions in dialogue with such prominent Western theologians as Barth, Pannenberg, Moltmann and Harvey Cox. The result is an exciting interaction between the Bible, traditions of the West, and experiences of the Spirit rooted in East Asia. Yun argues that the formal dimension of the Spirit (sangjeok) is present and active in all cultures and religions while the material dimension of the Spirit (muljeok) is categorically revealed and embodied through the life of Jesus Christ, the event of Pentecost, and Charisms given to the church. In making his case, he mediates a creative balance between countercultural and exclusivist models on the one hand, and pluralistic and anthropocentric models on the other.
Since Christianity was re-introduced to China in the early nineteenth century, Chinese Christianity has undergone a holistic “transfiguration” which both truthfully restores ante-Nicene Christianity and successfully adapts to the cultural contexts of Chinese and other societies. The theoretical and theological diversity of this book is consistent with that of traditional Chinese religious writings as well as that of the ante-Nicene fathers but may be deemed un-theoretical, un-academic, or un-theological by those theologians who received Western theological training, as that tends to be too hegemonic, emotionless, and archaic in the eyes of lay believers.
It has been adapted into comic:Empress' ConquestShe was a queen of the dynasty. Because of power struggles, she became the emperor's most hated person. The emperor threw her into the cold hell, took away her beloved daughter, and abolished her queen's title. All this cruelty made her dead in hatred.After rebirth with hatred, she decided to use her life to revenge, let the emperor pay for what he had done. But in this life, after having many contests, he fell in love with her. He said that he should stay with her anyway...☆About the Author☆Xiao Yun, an author of online novels, has a turbulent and exciting plot for her work Empress' Conquest. It is a novel with a good plot and style.
An internationally recognized authority on Chinese history and a leading innovator in its telling, Cho-yun Hsu constructs an original portrait of Chinese culture. Unlike most historians, Hsu resists centering his narrative on China's political evolution, focusing instead on the country's cultural sphere and its encounters with successive waves of globalization. Beginning long before China's written history and extending through the twentieth century, Hsu follows the content and expansion of Chinese culture, describing the daily lives of commoners, their spiritual beliefs and practices, the changing character of their social and popular thought, and their advances in material culture and technology. In addition to listing the achievements of emperors, generals, ministers, and sages, Hsu builds detailed accounts of these events and their everyday implications. Dynastic change, the rise and fall of national ambitions, and the growth and decline of institutional systems take on new significance through Hsu's careful research, which captures the multiple strands that gave rise to China's pluralistic society. Paying particular attention to influential relationships occurring outside of Chinese cultural boundaries, he demonstrates the impact of foreign influences on Chinese culture and identity and identifies similarities between China's cultural developments and those of other nations.
This book presents twelve of the author’s selected essays on subjects related to contemporary Chinese thought and examines other significant works on the history of Chinese philosophy. By combing the basic political discourse on Confucianism, it highlights the significance of Confucian Socialism in the present day and explains the author’s reflections on the philosophy and modernization of Chinese thought. This book is a valuable resource for experts and scholars as well as for general readers who have an understanding of contemporary Chinese philosophy, offering deep insights into current Chinese thought and Confucian modernization.
Computational Intelligence Assisted Design framework mobilises computational resources, makes use of multiple Computational Intelligence (CI) algorithms and reduces computational costs. This book provides examples of real-world applications of technology. Case studies have been used to show the integration of services, cloud, big data technology and space missions. It focuses on computational modelling of biological and natural intelligent systems, encompassing swarm intelligence, fuzzy systems, artificial neutral networks, artificial immune systems and evolutionary computation. This book provides readers with wide-scale information on CI paradigms and algorithms, inviting readers to implement and problem solve real-world, complex problems within the CI development framework. This implementation framework will enable readers to tackle new problems without difficulty through a few tested MATLAB source codes
This book introduces the concepts and models of robust representation learning, and provides a set of solutions to deal with real-world data analytics tasks, such as clustering, classification, time series modeling, outlier detection, collaborative filtering, community detection, etc. Three types of robust feature representations are developed, which extend the understanding of graph, subspace, and dictionary. Leveraging the theory of low-rank and sparse modeling, the authors develop robust feature representations under various learning paradigms, including unsupervised learning, supervised learning, semi-supervised learning, multi-view learning, transfer learning, and deep learning. Robust Representations for Data Analytics covers a wide range of applications in the research fields of big data, human-centered computing, pattern recognition, digital marketing, web mining, and computer vision.
When the prince was born, he was in his home. The child lives and the mother dies. It was for DiShang. His father had never liked him since he was young, and when he heard that a sect in the east was recruiting disciples, he sent him on his way ...
Throughout the War of Resistance against Japan (1931–1945), the Chinese Nationalist government punished collaborators with harsh measures, labeling the enemies from within hanjian (literally, “traitors to the Han Chinese”). Trials of hanjian gained momentum during the postwar years, escalating the power struggle between Nationalists and Communists. Yun Xia examines the leaders of collaborationist regimes, who were perceived as threats to national security and public order, and other subgroups of hanjian—including economic, cultural, female, and Taiwanese hanjian. Built on previously unexamined code, edicts, and government correspondence, as well as accusation letters, petitions, newspapers, and popular literature, Down with Traitors reveals how the hanjian were punished in both legal and extralegal ways and how the anti-hanjian campaigns captured the national crisis, political struggle, roaring nationalism, and social tension of China’s eventful decades from the 1930s through the 1950s.
The pampered princess became his lowest concubine!" You killed my wife! You owe me this! " The man sneered, shaming her like a crazed demon ... In order to avenge his wife, he actually killed her royal brother and destroyed her country. And now, he still wanted her love?! What a joke! "Hahaha ..." The woman laughed heartily while tears streamed down her face. "My dear concubine, you've already fallen in love with me, haven't you?" The man smiled complacently. Love? Do you mean this? " The woman stabbed the dagger towards her chest, while blood flowed out from the man's body ...
Su mu, who was framed because her father didn't want to mix with others, escaped by chance, but she had no skills. She could only survive from the cases she witnessed and heard from childhood. She wanted to stay away from this place of right and wrong. She didn't expect that the deeper she was trapped in a series of unsolved cases, the people she should have kept away from unconsciously had a fatal attraction. If the cost of overturning the case is the rest A child, then I will.
Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture, The Coolie Speaks offers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a "coolie narrative" that forms a counterpart to the "slave narrative." The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom. Yun argues that the testimonies from this case suggest radical critiques of the "contract" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.
No matter if it was bones or rotten meat, as long as Fang Mo was here, no one could escape.A pair of delicate hands, a Exquisite Heart.The world was vast and the world was vast, and there was nothing to be missed.Who was the one who stained the bones with blood and abandoned the corpse to leave the wilderness?The corpse could speak, Fang Mo was confident.
Mosaic Space and Mosaic Auteurs constructs a model of mosaic, which extends our focus beyond narrative strategy, to approach the trend of diverse multi-strand films across genres, nations and filmmaking contexts since the late 1980s. Different from investigation of this recurring global phenomenon from perspectives of spectator engagement, narratology, cognitive understanding and socio-political messages, proposed by film scholars, the model of mosaic helps establish the intertwining relationship between narrative, aesthetics, transnational production, and distribution modes – and in the framework of contextualised geopolitical spaces. As the transnational auteurs in question draw talents, resources, and subject matters from a wide range of geopolitical spaces along their border-crossing journeys, their films juxtapose diverse spatial configurations. In fact, "mosaic" is a spatial metaphor which puts emphasis on the visual image of spaces and links space, narrative, and authorship into a multidimensional model of spatial compilation. It is a mosaic which gathers, groups, juxtaposes, and re-arranges spaces, offering a reading of mosaic beyond an exclusive focus on narrative – its nuances are examined in detail in different mosaics of Alejandro González Iñárritu, Atom Egoyan, Hou Hsiao-hsien, and Michael Haneke.
He traveled through ancient and modern societies with space transmigration system, relying on his excellent business ability, he not only gained a lot of wealth but also won the favor of beautiful women. He inadvertently obtained a space-time key, then he could open a door to change time and space as he wishes. He opened a door when living in the modern world, then he would come to the cottage where pirates gathered in ancient times. Open a door in ancient times and then he would return to the familiar modern city. As he kept opening the door to cross, he began to connect the two worlds closely. The ancient gold and silver jewelry was continuously brought to the modern-day by him, and modern glass and plastic became the strange treasures chased by the ancient powers. Since working as a space transmigration businessman, he found that making money was so simple. There are so many people in the modern world who admire his talent and many girls in ancient society vying to be his wife. Isn't life fantastic? ☆About the Author☆ Yun Shisan, an excellent online novelist, has rich creative experience and excellent writing ability. His novel is loved by most readers for its outstanding storyline.
As a ceo he became depressed easily because of his love affairs he showed no interest in his work and drank himself into alcohol she is his subordinate but also has a crush on her in order to help her from the self-anesthesia to wake up she paid a lot of his feelings can the two finally get together and can cinderella marry into a rich family
In Engendering the Woman Question, Zhang Yun examines the early Chinese women’s periodical press as a mixed-gender public space to explore men’s and women’s gender-specific approaches to a series of prominent topics central to the Chinese “woman question.”
A piece of jade that could topple the world, setting off chaos. The empress dowager's motive for pampering her was unclear, and the emperor's goal for protecting her in every possible way was unclear. Then she would return the favor with an eye, and a tooth for a tooth. She was also the descendant of an illustrious medical family. Furthermore, she had an unknown identity in the dark. Why would she be afraid of their schemes? Her nominal uncle said, "The child is mine. Come with me." The world's most beautiful prince said, "Although the child isn't this king's, this king treats him as if he were his own." However... "Didn't you say the child was yours? And the result? The child has nothing to do with you, and you.
NOTE: This book contains information about technologies that have been superseded and it is retained for historical purposes only. IBM CICS Transaction Server (CICS TS) has supported the deployment of Java applications since the 1990's. In CICS TS V1.3 (1999), IBM introduced the 'Pooled JVM' style of JVM infrastructure within CICS TS. This infrastructure was designed to be similar in nature to that which a CICS application developer for a language such as COBOL would be used to. It brought the benefits of the new Java language to CICS TS, without a dramatic change to the way CICS users thought of core concepts such as re-entrancy and isolation. As enterprise usage of Java evolved it began to make more and more use of multi-threaded environments where isolation was not a desired characteristic. Additionally, technologies such as OSGi (Open Service Gateway Initiative) evolved to overcome some of the original disadvantages of applying Java to an enterprise environment. As such, the limitations of the 'Pooled JVM' approach began to outweigh the benefits. In CICS TS V4.1 (2009), IBM introduced the new 'JVM server' infrastructure in CICS TS as a replacement to the 'Pooled JVM' approach. This 'JVM server' infrastructure provides a much more standard Java environment that makes the writing and porting of Java applications for CICS TS much simpler. In CICS TS V5.1 (2012), support for the old 'Pooled JVM' infrastructure was removed. While there is a relatively simple migration path from 'Pooled JVM' to 'JVM server', applications should no longer be written to the 'Pooled JVM' infrastructure. There are a number of more recent IBM Redbooks publications covering the replacement 'JVM server' technology, including: IBM CICS and the JVM server: Developing and Deploying Java Applications, SG24-8038 A Software Architect's guide to New Java Workloads in IBM CICS Transaction Server, SG24-8225
China's transition from a planned economy to a market economy has succeeded in producing more than a decade of phenomenal growth. Whilst similar reforms in countries of Central and Eastern Europe and the former Soviet Union have seen an initial downturn in production, usually with a significant rise in unemployment, the success of the approach taken by China has been remarkable. However, China embarked upon the process, without a well-designed blueprint at the outset. The resulting piecemeal, partial, incremental, and often experimental approach has proved complicated to implement - requiring a complex melding of politics and economics, internal and foreign affairs, government and market. How the difficult task of balancing the diverse array of often competing concerns has been achieved is the subject of this book, which examines the dismantling of the centrally planned system and the mechanism of institutional change in Chinese transition.
Han Yuyan was born into an ordinary family, but her life had become unusual because of the appearance of a man who could change her future. In order to keep Han Yuyan by his side, Muqing did not hesitate to use all kinds of methods, even to make her remember him. What could have happened between her and him?
My name is Wu Xiangxiang, and I'm dressing the dead at the funeral home. Ever since I became a part of this profession, I've always run into a ghost. Furthermore, getting married for no reason at all, getting carried away by the dark devils all night long ... He didn't know whether to laugh or cry as he mocked, "Ever since I entered the funeral home, I've been favored by the Ghost King. The harem has three thousand beauties, and the Ghost King only dotes on me." I advised the Ghost King that it must rain ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ He pampered me, pampered me, and made me cry ...
handsome you and i are both people who have fallen to the ends of the earth why don't you dispel this medicine if you feel like you're at a disadvantage then i'll use my strength su bei was drugged by his half-sister as he was escaping he coincidentally bumped into fu yunxian who was also tricked it was rumored that the current patriarch of the fu family was decisive in his killing he was cold-blooded and ruthless his 27 years old sexual life was zero but only he himself knew that five years ago his chastity had been stolen by a little cat five years later su bei brought the two children back to the su family and meticulously planned out how to destroy the su family what did this handsome man who looked so familiar have to do with this every time he had done something bad not only would he be able to help her end her life he would even shamelessly request for adoption and be responsible for it he was clearly a wolf that ate people without spitting out their bones yet he kept pretending to be a little white rabbit in front of his son dabao mommy daddy is so pitiful just take him in erbao mhmm take him in in the future we will have three men at home
Functioning as both a dense manual, a detailed roadmap, and an edifying tale of spiritual maturity, this third installment in Wang Yun's best-selling series brings you rare and authentic Daoism, straight from the culture that gave birth to it. With clear instruction and dozens of illustrated and filmed exercises, you can begin or strengthen your spiritual practice, boost your immune system, and find deep peace of mind, all right from the comfort of your home. Lofty Daoist philosophy and its practical applications are made easy to grasp and apply through Wang Yun's effort to translate the old teachings on how to apply the mindset and skills of Daoist meditation, alchemy and qigong to all affairs of life. To this end, Returning from Qingcheng Mountain spins a blend of rare tales from Daoist lore, straightforward explanations of ways to shape the body and mind, and inspiring stories from Wang Yun's own practice path. To 'remain natural in all things' is the tenet that pervades every page, an eternal invitation toward being at ease, no matter the circumstances. By doing so, one returns to the world out there and handles mundane matters with poise and efficiency, transforming all the challenges and joys and relationships of daily life into a practice, a meditation, and a chance to grow and develop one's spirit, and by token, the body.
... The Chinese/English bilingual texts allow both novice and advanced Chinese language learners to sharpen their language skills while enjoying the stories ..."--Cover back.
Foreword by Ezra F. Vogel, Director of the East Asia Research Center. Introduction. Includes sources, studies of modern Chinese literature, studies and translations of individual authors, and unidentified authors. Some titles shown in Chinese characters. Three appendices. Index.
A comprehensive and authoritative study of Chinese architecture from Neolithic times to the late-19th century. Six of China's greatest architectural historians have joined with a leading Western scholar to write this text, a collaborative history of Chinese architecture.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.