National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
Alpine permafrost exists at high altitude at lower latitudes, such as in the Swiss Alps. Accelerating climate change, including rising mean annual air temperature and extreme rainfall conditions in alpine regions induces permafrost degradation. The warming of permafrost causes accelerated creep of rock glaciers, due to increased unfrozen water content and higher deformability of the ice phase. Recently, the development of deepening depressions has been observed in several rock glaciers in Switzerland, and the changes in land surface characteristics and drainage systems may initiate slope instabilities in rock glaciers. The main aim of this thesis is to characterise the strength and stiffness of alpine frozen soil in rock glaciers. To this end, the geotechnical response, such as creep and failure of frozen soil was investigated through a triaxial stress path testing programme with novel measurement systems for detecting acoustic emissions and measuring volumetric change. In addition, the resistance to crack initiation and propagation was investigated through a beam bending test programme on rectangular artificially frozen soil specimens, using the acoustic emission measurement system. The evaluation of laboratory tests on artificially frozen soil specimens implied that the development of deep depressions in rock glaciers occurs through differential creep and thermal degradation, and that the rate of deformation has the potential to lead to instabilities in rock glaciers. A comparison of the simulation results with the experimental data demonstrated that the semi-coupled model was successful in simulating the most important aspects of the temperature-dependent stress-strain relationship for the frozen soil behaviour that was measured at the element scale. This thesis contributes to an understanding of the variations in geotechnical response of alpine permafrost, by investigating the behaviour of artificially frozen soil specimens experimentally and numerically with time and temperature under specific stress paths. However, further investigations are necessary to assess the long-term stability of rock glaciers affected by climate change.
Published alongside The Japan Foundation, this collection features five creative and bold plays by some of Japan's most prolific writers of contemporary theatre. Translated into English for the first time, these texts explore a wide range of themes from dystopian ideas of the future to touching domestic tragedies. Brought together in one volume, introduced by the authors and The Japan Foundation, this collection offers English language readers an unprecedented look at some of Japan's finest works of contemporary drama by writers from across the country. The plays include: The Bacchae-Holstein Milk Cows by Satoko Ichihara (Translated by Aya Ogawa) This play takes themes of the ancient Greek tragedy Bacchae by Euripides to examine various aspects of contemporary society, from love and sex, man and woman, intermixture of different species, discrimination and abuse, to artificial insemination, criticism of anthropocentricism and more. It was the winner of the 64th Kishida Drama Award. One Night by Yuko Kuwabara (Translated by Mari Boyd) The setting is a small taxi company run out of the home of its owner in a country town. One night the mother, Koharu Inamura, decides to leave the home in order to protect her children from her husband's domestic violence, promising them that she will come back in 15 years. The play depicts the family's reunion after having to live with the burden of that one night's (hitoyo) incident and how they restarted their lives after it. Isn't Anyone Alive? by Shiro Maeda (Translated by Miwa Monden) This laid back, absurdist work examines death through a goofy lens. In the play, strange urban legends abound in a university hospital where young people die one after another, all with mobile phones in their hands. The Sun by Tomohiro Maekawa (Translated by Nozomi Abe) Depicts young people torn apart in a near future setting where humanity has split into two forms: Nox humans who can only go out at night, and Curios, the original type of humans that can live under the sun. Carcass by Takuya Yokoyama (Translated by Mari Boyd) This play takes its name from the Japanese word for dressed carcasses of beef and pork that have been halved along the backbone for meat . It deals with the dignity of being alive as seen through the lives of workers in the meat industry based on interviews and research. It won the Japan Playwrights Association's 15th New Playwright Award in 2009.
This book presents the most recent description of rubber reinforcement, focusing on the network-like structure formation of nanofiller in the rubber matrix under the presence of bound rubber. The resultant filler network is visualized by electron tomography applied to rubber. In the case of natural rubber, the self-reinforcement effect is uniquely functioning, and new template crystallization is suggested. Here, the crystallites are also believed to arrange themselves in a network-like manner. These results are of great use, particularly for engineers, in designing rubber reinforcement.
This book addresses the profound question of mental malaise in its many forms in contemporary Japanese society, focusing on three main areas: work, family and youth. The purpose is to provide an analytical, critical account of the social psychological state of the Japanese today, as well as to present possible measures that could contribute to positive outcomes. Following the boom and bust years of the Japanese economy in the 1980s and 1990s, Japanese society was faced with the burden of rapid change and adjustment resulting in a significant increase in psychological and personality disorders at a level unknown in the past. These include karo-jisatsu (suicide by overwork), sekkusu-resu (sexless marriage), kateinairikon (in house divorce) and hikikomori (complete social withdrawal). This study will be widely welcomed by sociologists, psychologists and mental health professionals interested in the interconnectedness of culture and social structure, personality and psychopathology, and the historical development of these issues. It also offers valuable insight into questions relating to cross-cultural understanding.
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