Intercultural Phenomenology explores the nature of reality by engaging in a cross-cultural dialogue between two of the most influential philosophical traditions of the 20th century. Drawing on ideas from phenomenology, Japanese philosophy and Zen Buddhism, it follows the philosophers who changed their perception of the world by choosing to suspend judgement. Guided by this philosophical method known as the “epoché”, or suspension of judgment in ancient Greek, it is an introduction to the philosophy and practice of letting objects in the world speak for themselves. Inspired by Nishida Kitaro's insight that true reality is beyond the subject-object duality, the book uses a series of examples and exercises to explore the background to Husserl's idea of the phenomenological epoché, Hans-Georg Gadamer's emphasis on play in human understanding and the haiku poet Matsuo Basho's call for a new level of freedom. This practice-oriented approach moves beyond the traditional East-West divide. It connects various traditions, old and new, contemplative and theoretical, and explains why Japanese philosophy and phenomenology can enrich the quality of our lived experience.
Alpine permafrost exists at high altitude at lower latitudes, such as in the Swiss Alps. Accelerating climate change, including rising mean annual air temperature and extreme rainfall conditions in alpine regions induces permafrost degradation. The warming of permafrost causes accelerated creep of rock glaciers, due to increased unfrozen water content and higher deformability of the ice phase. Recently, the development of deepening depressions has been observed in several rock glaciers in Switzerland, and the changes in land surface characteristics and drainage systems may initiate slope instabilities in rock glaciers. The main aim of this thesis is to characterise the strength and stiffness of alpine frozen soil in rock glaciers. To this end, the geotechnical response, such as creep and failure of frozen soil was investigated through a triaxial stress path testing programme with novel measurement systems for detecting acoustic emissions and measuring volumetric change. In addition, the resistance to crack initiation and propagation was investigated through a beam bending test programme on rectangular artificially frozen soil specimens, using the acoustic emission measurement system. The evaluation of laboratory tests on artificially frozen soil specimens implied that the development of deep depressions in rock glaciers occurs through differential creep and thermal degradation, and that the rate of deformation has the potential to lead to instabilities in rock glaciers. A comparison of the simulation results with the experimental data demonstrated that the semi-coupled model was successful in simulating the most important aspects of the temperature-dependent stress-strain relationship for the frozen soil behaviour that was measured at the element scale. This thesis contributes to an understanding of the variations in geotechnical response of alpine permafrost, by investigating the behaviour of artificially frozen soil specimens experimentally and numerically with time and temperature under specific stress paths. However, further investigations are necessary to assess the long-term stability of rock glaciers affected by climate change.
National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
In this book, Yuko Kawai departs from the common conception of Japan as an ethnically homogenous nation. A Transnational Critique of Japaneseness: Cultural Nationalism, Racism, and Multiculturalism in Japan investigates the construction of Japaneseness from a transnational perspective, examining ways to make Japanese nationhood more inclusive. Kawai analyzes a variety of communicational practices during the first two decades of the twenty-first century while situating Japaneseness in its longer historical transformation from the late nineteenth century. Kawai focuses on governmental and popular ideas of Japaneseness in light of local, global, historical, and contemporary contexts as well as in relation to a diverse array of Others in both Asia and the West.
Intercultural Phenomenology explores the nature of reality by engaging in a cross-cultural dialogue between two of the most influential philosophical traditions of the 20th century. Drawing on ideas from phenomenology, Japanese philosophy and Zen Buddhism, it follows the philosophers who changed their perception of the world by choosing to suspend judgement. Guided by this philosophical method known as the “epoché”, or suspension of judgment in ancient Greek, it is an introduction to the philosophy and practice of letting objects in the world speak for themselves. Inspired by Nishida Kitaro's insight that true reality is beyond the subject-object duality, the book uses a series of examples and exercises to explore the background to Husserl's idea of the phenomenological epoché, Hans-Georg Gadamer's emphasis on play in human understanding and the haiku poet Matsuo Basho's call for a new level of freedom. This practice-oriented approach moves beyond the traditional East-West divide. It connects various traditions, old and new, contemplative and theoretical, and explains why Japanese philosophy and phenomenology can enrich the quality of our lived experience.
This book, by one of world’s most innovative business scholars and a pioneering philosopher of Edmund Husserl, creatively applies insights from neuroscience, philosophy of experience called “phenomenology” to highly successful and intuitive method of business management. Based on phenomenological insights, they argue that empathy and intuition are as central, if not more, to the success of business innovation or strategy as an objective and analytic approach to business thinking and practice. To clarify how intuition works and why it is so essential, this book delves into the mechanism of empathy and human consciousness and how to take advantage of it for business practice. By incorporating new understandings from neuroscience and AI research, they proposes an organizational structure and a way of strategizing to embrace human innovation in its full complexity to lead business scholars, managers, and entrepreneurs to their own success in business.
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