A biography of Zhou Enlai, one of the most important and yet debatable political figures in the Chinese Communist Party. The authors give an in-depth analysis on the complex personality and controversial actions of Zhou, both as a person and a leader of the CCP.
Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.
First published in 1993. The Cultural Revolution (CR) was undoubtedly one of the most tumultuous and dramatic periods of China's modern history. It was marked by violence, factionalism and economic disruptions. The cataclysm it created had traumatic effects on the majority of the Chinese people, both in their private and professional lives. In this study, the author's emphasise the primordial role of Mao Zedong in instigating and prolonging the Cultural Revolution.
First published in 1998. In this study what is proposed here is first of all to examine the effect it had on the very functioning of the Chinese Ministry of Foreign Affairs, and how the turmoil of the Cultural Revolution, of which the country had become a victim, spilled over to this highly elitist and prestigious Ministry. In summary, it focuses on the chaos that engulfed the institution.
A biography of Zhou Enlai, one of the most important and yet debatable political figures in the Chinese Communist Party. The authors give an in-depth analysis on the complex personality and controversial actions of Zhou, both as a person and a leader of the CCP.
In Painting Architecture: Jiehua in Yuan China, 1271–1368, Leqi Yu has conducted comprehensive research on jiehua or ruled-line painting, a unique painting genre in fourteenth-century China. This genre relies on tools such as rulers to represent architectural details and structures accurately. Such technical consideration and mechanical perfection linked this painting category with the builder’s art, which led to Chinese elites’ belittlement and won Mongol patrons’ admiration. Yu suggests that painters in the Yuan dynasty made new efforts towards a unique modular system and an unsurpassable plain-drawing tradition. She argues that these two strategies made architectural paintings in the Yuan dynasty entirely different from their predecessors, as well as making the art form extremely difficult for subsequent painters to imitate. “Architecture has been a subject of Chinese painting for two millennia, but has remained elusive. Painting Architecture explains the reasons as well as why the thirteenth and fourteenth centuries are pivotal. The book also translates the vast writings on architectural painting, places the paintings in historical context, and assesses the relation between the paintings and actual buildings. The superior scholarship and original interpretation ensure that paintings of architecture will be part of future discourse about Chinese painting.” —Nancy Steinhardt, professor, University of Pennsylvania “Focusing on the development of jiehua in the fourteenth century when the Mongols ruled China, Yu’s book raises issues beyond the field of painting history, including architectural history, aesthetics, and social-historical studies. It is a long-awaited contribution to a rarely studied painting genre and an admirable accomplishment of multidisciplinary research on Chinese art.” —Qianshen Bai, associate professor emeritus, Boston University
First published in 1998. In this study what is proposed here is first of all to examine the effect it had on the very functioning of the Chinese Ministry of Foreign Affairs, and how the turmoil of the Cultural Revolution, of which the country had become a victim, spilled over to this highly elitist and prestigious Ministry. In summary, it focuses on the chaos that engulfed the institution.
Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.
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