Murder and bad publicity stalk the inhabitants of Inglewood Turrets, the outrageous Victorian mansion where Lottie Cambric has recreated the best of the turn of the century for wealthy foreign culture-vultures. But when it becomes evident that this is a matter of highest state security the inimitable Mr. Campion takes a hand.
Written over a hundred years ago to draw attention to the problems of justice and poverty in France; Les Misérables has become a global phenomenon. Its message is seen as applicable to people throughout the world facing oppression and unfair justice. Yet it is the film and the musical that has achieved this global status – not the book itself. Millions of people have been left in tears by the story of Cosette, Fantine, Valjean and Javert as portrayed in the musical and film. When Colm Wilkinson (the first Jean Valjean) first sang Bring Him Home, there was an awed silence before someone commented that God had been booked to sing the song. Impressario Cameron Mackintosh said that the production was ‘A Dream beyond all Dreams’ and that ‘at the very core of the story is the survival of the human spirit and the music that drives that story. It’s probably the most successful adaptation of any book in the history of music.’ Outside France, far fewer people have read the book as compared to watching the musical adaptation. The amount of philosophy, social thought and politics pervading the book can be off putting – as can the sheer size of the novel. It is recognised as one of the longest novels ever written as it contains 365 chapters spanning more than 1,500 pages. Despite this, Les Miserables has had a significant literary impact, influencing writers like Charles Dickens and Fyodor Dostoevsky. It is this book that is the subject of countless Son et Lumiere productions every year; attracts millions of people into the theatre or cinema; and many more to visit the places and locations linked to the author and the film. None of the sites involved are far apart – it is an area confined to France, the Channel Islands, Belgium, Luxembourg and England. The film itself was shot almost entirely within southern England and involves some of the most stunning locations imaginable such as the Royal Hospital Greenwich, Chatham Historic Dockyard and Bath’s spectacular weir.
“Dive into the history and culture of juniper spirits in this fun and informative book . . . a must-read for marketers and gin lovers alike.” —The Spirits Business Gin is a global alcoholic drink that has polarised opinion like no other, and its history has been a roller coaster, alternating between being immensely popular and utterly unfashionable. The Weird and Wonderful Story of Gin explores the exciting, interesting, and downright curious aspects of the drink, with crime, murder, poisons, fires, dramatic accidents, artists, legends, and disasters all playing a part. These dark themes are also frequently used to promote brands and drinks. Did you know that the Filipinos are the world’s biggest gin drinkers? And even that Jack the Ripper, Al Capone, and the Krays all have their place in the history of gin? Not to mention Sir Winston Churchill, Noel Coward, Sir Arthur Conan Doyle and James Bond! “Gin was the original Dutch courage and mothers’ ruin and there is drama, disaster, crime and royal patronage in its story as its fortunes lurch from being hugely popular to deeply unfashionable—and back again.” —Great British Life
Set in Arizona in the 1960's, portrays the culture and mores that shaped its characters. Fresh from a failed first marriage, Ashlie is easy prey for the sophisticated and manipulative David. It is only after a passionate courtship and wedding that his ruthless ambition and vicious temper are revealed in a series of shocking events. Ashlie is forced to overcome deceit, betrayal and violence in her search for happiness.
Murder and bad publicity stalk the inhabitants of Inglewood Turrets, the outrageous Victorian mansion where Lottie Cambric has recreated the best of the turn of the century for wealthy foreign culture-vultures. But when it becomes evident that this is a matter of highest state security, the Albert Campion is forced to action.
Inglewood Turrets in the leafy outskirts of North London, a cross between St Pancreas Station and Holloway Gaol, is where the formidable Miss Charlotte Cambric recreates Victorian elegance for foreign culture-vultures. Vassily Kopeck, the half-Russian, half-Polish physicist and an 'attache of sorts', disappears after a visit to The Turrets and becomes a much-wanted man. Leading the hunt on one side is Russian 'diplomat' Moryak, on the other, L.C. Corkran of British Security, very ably assisted by Mr Albert Campion and - making his debut - Campion's son Rupert, determined to support his father in proving that knight errantry is not yet out-of-date...
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