Originally published in Hebrew, Judeo-Arabic Literature in Tunisia, 1850–1950 will be welcomed by English-speaking scholars interested in the literature and culture of this period.
The central feature of this book is an innovative critical approach, which understands medieval Hebrew poetry not only by revealing its ties with Arabic poetry but also by determining the specific characteristics by which it stubbornly distinguished itself from Arabic poetry.
This volume deals with one of the most peculiar Jewish communities in the Diaspora, the Jews of Yemen. Their history began a long time before the advent in 622 AD of Islam. Their political and social highpoint came during the last generations of the Judaized Yemenite Kingdom of Himyar (c. 400-525). This book contains 16 studies, encompassing various aspects of Jewish existence in Yemen as a dhimmi (protected) religious minority under Islam: history, social and cultural relations with the Muslim environment, culture, literature and language. Yemenite Jewish traditions are highly esteemed in the modern spiritual and artistic life of the Jewish people both in the State of Israel and in the Diaspora. All the studies in this volume (except one written in collaboration with 'Offer Livneh) are the work of one of the leading scholars of Yemenite Jewry.
The book includes sixteen studies about medieval Hebrew poetry compared with Arabic poetry. It is well known that since the tenth century medieval Hebrew poets took Arabic poetry as the ultimate paradigm in terms of prosody, language purism and rhetorical devices and even in regard to poetical genres. However, the concept unifying all studies in this book is that a comparative examination must consider not only the identical elements in which Hebrew poetry borrowed from the Arabic one, but alos what is much more significant – what Hebrew poetry stubbornly set itself at a distance from Arabic poetry. The conclusive result of this sort of examination is that Hebrew poetry combined selectively borrowed Arabic poetical values with traditional ethical Jewish values to create a distinctive poetical school.
Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium. The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women’s cinema in Israel, displacement, and queer communities and identity. Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.
The central feature of this book is an innovative critical approach, which understands medieval Hebrew poetry not only by revealing its ties with Arabic poetry but also by determining the specific characteristics by which it stubbornly distinguished itself from Arabic poetry.
This volume deals with one of the most peculiar Jewish communities in the Diaspora, the Jews of Yemen. Their history began a long time before the advent in 622 AD of Islam. Their political and social highpoint came during the last generations of the Judaized Yemenite Kingdom of Himyar (c. 400-525). This book contains 16 studies, encompassing various aspects of Jewish existence in Yemen as a dhimmi (protected) religious minority under Islam: history, social and cultural relations with the Muslim environment, culture, literature and language. Yemenite Jewish traditions are highly esteemed in the modern spiritual and artistic life of the Jewish people both in the State of Israel and in the Diaspora. All the studies in this volume (except one written in collaboration with 'Offer Livneh) are the work of one of the leading scholars of Yemenite Jewry.
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