An |sraeli Ambassador's account of the longest and most tense period in Israeli-Soviet diplomatic relations, from their renewal in 1953 to their severance in 1967. His work analyses the era from the month preceding Stalin's death to the weeks following the Six Day War - one of severance, resumption and then severance again- along two parallel processes.
Yosef Govrin was the Israeli Ambassador to Romania in the twilight of the communist era. Govrin describes Israeli-Romanian relations as he observed them from 1985 to 1989 after which the leader of Romania was deposed.
This book explores the federal ideas in the Zionist political thought in two different periods: the British mandate (1920-1948), and the years 1967-1992 in the State of Israel. The central issue in this research is to show the search for the establishment of some bi-national Jewish-Arab coexistence in Mandatory Palestine and later in the State of Israel.
Yosef Govrin was the Israeli Ambassador to Romania in the twilight of the communist era. Govrin describes Israeli-Romanian relations as he observed them from 1985 to 1989 after which the leader of Romania was deposed.
A guide for Jewish families on how to incorporate Jewish traditions into their lives including bedtime and morning rituals, the meaning of the holidays, and advice on communicating codes of behavior to children.
Publication of Yosef Yerushalmi's Zakhor in 1982 inspired a generation of scholarly inquiry into historical images and myths, the construction of the Jewish past, and the making and meaning of collective memory. Here, eminent scholars in their respective fields extend the lines of his seminal study into topics that range from medieval rabbinics, homiletics, kabbalah, and Hasidism to antisemitism, Zionism, and the making of modern Jewish identity. Essays are clustered around four central themes: historical consciousness and the construction of memory; the relationship between time and history in Jewish thought; the demise of traditional forms of collective memory; and the writing of Jewish history in modern times.
Noble Laureate S. Y. Agnon brings together what has always been at the heart of Jewish religious consciousness: the Sinai event, the Revelation--as both memory and continuously renewed experience.
Dr. Ben destroys the myth of a "white Jewish race" and the bigotry that has denied the existence of an African Jewish culture. He establishes the legitimacy of contemporary Black Jewish culture in Africa and the diaspora and predates its origin before ancient Nile Valley civilizations.
In a masterful and unique manner, Dr. Ben uses Black Man of the Nile to challenge and expose "Europeanized" African history. Order Black Man of the Nile here.
A landmark study on the original first century Jewish-Christian belief. Must reading for anyone who wants to prove what the true original apostolic faith was, for themselves.
The last decade has marked the growing visibility and worldwide interest in Israeli cinema. Films such as Walk on Water, Or, My Treasure, Beaufort and Waltz with Bashir have been commercially and critically successful both in Europe and the United States and have won a number of prestigious international awards. This book examines for the first time the new ideological and aesthetic trends in contemporary Israeli cinema. More specifically, it critically explores the complex and crucial role of Israeli cinema in remembering and restaging traumas and losses that were denied entry into the shared national past. One of the most striking phenomena in contemporary Israeli cinema is the number and scope of films dealing with past traumatic events – events that were repressed or insufficiently mourned, such as the memory of the Holocaust, traumas from wars and terrorist attacks, and the losses entailed by the experience of immigration. Current Israeli cinema exposes and highlights a radical discontinuity between history and memory. Traumatic events from Israeli society’s past are represented as the private memory of distinct social groups – soldiers, immigrants, women, queers – and not as collective memory, as a lived and practiced tradition that conditions Israeli society. This detachment from national collective memory pulls the films into a world marked by a persistent blurring of the historical context and by private and subjective impressions – a timeless world of dreams, hallucinations and myths. These groups feel duty-bound to remember the past, recasting repressed memories through the cinema in order to return and to give meaning to their identity.
From his first book, From Spanish Court to Italian Ghetto, to his well-known volume on Jewish memory, Zakhor, to his treatment of Sigmund Freud in Freud's Moses, Yosef Hayim Yerushalmi (1932-2009) earned recognition as perhaps the greatest Jewish historian of his day, whose scholarship blended vast erudition, unfettered creativity, and lyrical beauty. This volume charts his intellectual trajectory by bringing together a mix of classic and lesser-known essays from the whole of his career. The essays in this collection, representative of the range of his writing, acquaint the reader with his research on early modern Spanish Jewry and the experience of crypto-Jews, varied reflections on Jewish history and memory, and Yerushalmi-s enduring interest in the political history of the Jews. Also included are a number of little-known autobiographical recollections, as well as his only published work of fiction.
Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium. The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women’s cinema in Israel, displacement, and queer communities and identity. Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.