“Mr. Yerushalmi’s previous writings . . . established him as one of the Jewish community’s most important historians. His latest book should establish him as one of its most important critics. Zakhor is historical thinking of a very high order - mature speculation based on massive scholarship.” - New York Times Book Review
From his first book, From Spanish Court to Italian Ghetto, to his well-known volume on Jewish memory, Zakhor, to his treatment of Sigmund Freud in Freud's Moses, Yosef Hayim Yerushalmi (1932-2009) earned recognition as perhaps the greatest Jewish historian of his day, whose scholarship blended vast erudition, unfettered creativity, and lyrical beauty. This volume charts his intellectual trajectory by bringing together a mix of classic and lesser-known essays from the whole of his career. The essays in this collection, representative of the range of his writing, acquaint the reader with his research on early modern Spanish Jewry and the experience of crypto-Jews, varied reflections on Jewish history and memory, and Yerushalmi-s enduring interest in the political history of the Jews. Also included are a number of little-known autobiographical recollections, as well as his only published work of fiction.
Publication of Yosef Yerushalmi's Zakhor in 1982 inspired a generation of scholarly inquiry into historical images and myths, the construction of the Jewish past, and the making and meaning of collective memory. Here, eminent scholars in their respective fields extend the lines of his seminal study into topics that range from medieval rabbinics, homiletics, kabbalah, and Hasidism to antisemitism, Zionism, and the making of modern Jewish identity. Essays are clustered around four central themes: historical consciousness and the construction of memory; the relationship between time and history in Jewish thought; the demise of traditional forms of collective memory; and the writing of Jewish history in modern times.
The deeply personal reflections of a giant of Jewish history. Scholar Yosef Hayim Yerushalmi (1932-2009) possessed a stunning range of erudition in all eras of Jewish history, as well as in world history, classical literature, and European culture. What Yerushalmi also brought to his craft was a brilliant literary style, honed by his own voracious reading from early youth and his formative undergraduate studies. This series of interviews paints a revealing portrait of this giant of history, bringing together exceptional material on Yerushalmi's personal and intellectual journeys that not only attests to the astonishing breakthrough of the issues of Jewish history into "general history," but also offers profound insight into Jewish being in today's world.
Jews in exile have often struggled for the protection of the highest governmental power, whether king, emperor, caliph, or pope, because they learned early that their safety could not be entrusted to the goodwill of their gentile neighbors or the local authorities. Alexandrian Jews in the Hellenistic period relied on Imperial Rome instead of their native Alexandria, and Jews in medieval Europe sought ties with the Carolingian emperors, circumventing all inferior feudal relationships. In all such cases of vertical alliances Jews have both gained and lost. In this landmark study, Yosef Hayim Yerushalmi presents the Lisbon Massacre as one chapter in the history of alliances between Jews and the powers that have ruled over them. Through an exploration of Jewish attitudes and their consequences at this important juncture in Jewish history, he uncovers the "myth of the royal alliance" in the thought of Ibn Verga and others. He offers a fresh review of available data on the course of the pogrom and relates it to the Shebet Yehudah. Two appendices include the German account of the massacre, based on three printed editions (two of them previously unknown), and the major documentary sources, giving historians access to key primary materials as well as Yerushalmi's analysis. Even the modern era did not fundamentally change these dynamics. Hannah Arendt emphasized the extent to which Jews have allied themselves to the modern nation-state and have become vulnerable when other groups oppose that nation-state. Modern Jews have frequently clung to an uncritical faith in the state's protection, even when that faith bears no correspondence to reality.
Moses and Monotheism, Freud's last major book and the only one specifically devoted to a Jewish theme, has proved to be one of the most controversial and enigmatic works in the Freudian canon. Among other things, Freud claims in the book that Moses was an Egyptian, that he derived the notion of monotheism from Egyptian concepts, and that after he introduced monotheism to the Jews he was killed by them. Since these historical and ethnographic assumptions have been generally rejected by biblical scholars, anthropologists, and historians of religion, the book has increasingly been approached psychoanalytically, as a psychological document of Freud's inner life--of his allegedly unresolved Oedipal complex and ambivalence over his Jewish identity. In Freud's Moses a distinguished historian of the Jews brings a new perspective to this puzzling work. Yosef Hayim Yerushalmi argues that while attempts to psychoanalyze Freud's text may be potentially fruitful, they must be preceded by a genuine effort to understand what Freud consciously wanted to convey to his readers. Using both historical and philological analysis, Yerushalmi offers new insights into Freud's intentions in writing Moses and Monotheism. He presents the work as Freud's psychoanalytic history of the Jews, Judaism, and the Jewish psyche--his attempt, under the shadow of Nazism, to discover what has made the Jews what they are. In the process Yerushalmi's eloquent and sensitive exploration of Freud's last work provides a reappraisal of Freud's feelings toward anti-Semitism and the gentile world, his ambivalence about psychoanalysis as a "Jewish" science, his relationship to his father, and above all a new appreciation of the depth and intensity of Freud's identity as a "godless Jew.
Publication of Yosef Yerushalmi's Zakhor in 1982 inspired a generation of scholarly inquiry into historical images and myths, the construction of the Jewish past, and the making and meaning of collective memory. Here, eminent scholars in their respective fields extend the lines of his seminal study into topics that range from medieval rabbinics, homiletics, kabbalah, and Hasidism to antisemitism, Zionism, and the making of modern Jewish identity. Essays are clustered around four central themes: historical consciousness and the construction of memory; the relationship between time and history in Jewish thought; the demise of traditional forms of collective memory; and the writing of Jewish history in modern times.
“Mr. Yerushalmi’s previous writings . . . established him as one of the Jewish community’s most important historians. His latest book should establish him as one of its most important critics. Zakhor is historical thinking of a very high order - mature speculation based on massive scholarship.” - New York Times Book Review
Moses and Monotheism, Freud's last major book and the only one specifically devoted to a Jewish theme, has proved to be one of the most controversial and enigmatic works in the Freudian canon. Among other things, Freud claims in the book that Moses was an Egyptian, that he derived the notion of monotheism from Egyptian concepts, and that after he introduced monotheism to the Jews he was killed by them. Since these historical and ethnographic assumptions have been generally rejected by biblical scholars, anthropologists, and historians of religion, the book has increasingly been approached psychoanalytically, as a psychological document of Freud's inner life--of his allegedly unresolved Oedipal complex and ambivalence over his Jewish identity. In Freud's Moses a distinguished historian of the Jews brings a new perspective to this puzzling work. Yosef Hayim Yerushalmi argues that while attempts to psychoanalyze Freud's text may be potentially fruitful, they must be preceded by a genuine effort to understand what Freud consciously wanted to convey to his readers. Using both historical and philological analysis, Yerushalmi offers new insights into Freud's intentions in writing Moses and Monotheism. He presents the work as Freud's psychoanalytic history of the Jews, Judaism, and the Jewish psyche--his attempt, under the shadow of Nazism, to discover what has made the Jews what they are. In the process Yerushalmi's eloquent and sensitive exploration of Freud's last work provides a reappraisal of Freud's feelings toward anti-Semitism and the gentile world, his ambivalence about psychoanalysis as a "Jewish" science, his relationship to his father, and above all a new appreciation of the depth and intensity of Freud's identity as a "godless Jew.
Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium. The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women’s cinema in Israel, displacement, and queer communities and identity. Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.
Jews in exile have often struggled for the protection of the highest governmental power, whether king, emperor, caliph, or pope, because they learned early that their safety could not be entrusted to the goodwill of their gentile neighbors or the local authorities. Alexandrian Jews in the Hellenistic period relied on Imperial Rome instead of their native Alexandria, and Jews in medieval Europe sought ties with the Carolingian emperors, circumventing all inferior feudal relationships. In all such cases of vertical alliances Jews have both gained and lost. In this landmark study, Yosef Hayim Yerushalmi presents the Lisbon Massacre as one chapter in the history of alliances between Jews and the powers that have ruled over them. Through an exploration of Jewish attitudes and their consequences at this important juncture in Jewish history, he uncovers the "myth of the royal alliance" in the thought of Ibn Verga and others. He offers a fresh review of available data on the course of the pogrom and relates it to the Shebet Yehudah. Two appendices include the German account of the massacre, based on three printed editions (two of them previously unknown), and the major documentary sources, giving historians access to key primary materials as well as Yerushalmi's analysis. Even the modern era did not fundamentally change these dynamics. Hannah Arendt emphasized the extent to which Jews have allied themselves to the modern nation-state and have become vulnerable when other groups oppose that nation-state. Modern Jews have frequently clung to an uncritical faith in the state's protection, even when that faith bears no correspondence to reality.
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