Based on comparative ethnographic research in four countries and three continents, Butinage: The Art of Religious Mobility explores the notion of "religious butinage" as a conceptual framework intended to shed light on the dynamics of everyday religious practice. Derived from the French word butiner, which refers to the foraging activity of bees and other pollinating insects, this term is employed by the authors metaphorically to refer to the "to-ing and fro-ing" of believers between religious institutions. Focused on urban, predominantly Christian settings in Brazil, Kenya, Ghana, and Switzerland, Butinage examines commonalities and differences across the four case studies and identifies religious mobility as existing at the meeting points of religious-institutional rules and narratives, social norms, and individual agency and practice. Drawing on anglophone, francophone, and lusophone academic traditions, Butinage is dedicated to a dialogue between ethnographic findings and theoretical ideas, and explores how we may rethink common conceptions of religious normativity.
In Kenya's vibrant urban religious landscape, where Pentecostal and traditional churches of various orientations live side by side, religious identity tends to overflow a single institutional affiliation. While Kenya’s Christianity may offer modes of coping with the fragilities of urban life, it is subject to repeated crises and schisms, often fueled by rumors and accusations of hypocrisy. In order to understand the unfolding of Kenyans’ dynamic religious identities, and inspired by the omnipresent distinction between ‘religious membership’ and ‘church visits,’ Yonatan N. Gez considers the complementary relations between a center of religious affiliation and expansion towards secondary practices. Building on this basic distinction, the book develops a theoretical innovation in the form of the ‘religious repertoire’ model, which maps individuals’ religious identities in terms of three intertwined degrees of practice.
Based on comparative ethnographic research in four countries and three continents, Butinage: The Art of Religious Mobility explores the notion of "religious butinage" as a conceptual framework intended to shed light on the dynamics of everyday religious practice. Derived from the French word butiner, which refers to the foraging activity of bees and other pollinating insects, this term is employed by the authors metaphorically to refer to the "to-ing and fro-ing" of believers between religious institutions. Focused on urban, predominantly Christian settings in Brazil, Kenya, Ghana, and Switzerland, Butinage examines commonalities and differences across the four case studies and identifies religious mobility as existing at the meeting points of religious-institutional rules and narratives, social norms, and individual agency and practice. Drawing on anglophone, francophone, and lusophone academic traditions, Butinage is dedicated to a dialogue between ethnographic findings and theoretical ideas, and explores how we may rethink common conceptions of religious normativity.
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