Yip Chun is a Grandmaster of Wing Chun, and the eldest son of Yip Man - Bruce Lee's mentor. With the help of Danny Connor, Yip Chun explains the moves, the importance of the relationship between teacher and student, and the Confucian theory. Studentswill learn Chi Sau, Siu Lim Tao, Chum Kiu, and Biu Tze from the many illustrations that show the forms. 150 photographs.
Wing Chun is a Chinese martial art reputedly developed by a Buddhist nun in the 17th century. It is more widely known through the late Bruce Lee and his teacher, the late Yip Man. His son Ip Chun continues his teachings.
At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong’s modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip’s stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema. “Yip subjects critical clichés to rigorous examination, moving beyond generalized notions of martial arts cinema’s appeal and offering up informed scrutiny of every facet of the genre. He has the ability to encapsulate these films’ particularities with cogent examples and, at the same time, demonstrate a thorough familiarity with the historical context in which this endlessly fascinating genre arose.” —David Desser, professor emeritus, University of Illinois at Urbana-Champaign “Eschewing a reductive chronology, Yip offers a persuasive, detailed, and sophisticated excavation of martial arts cinema which is read through and in relation to rapid transformation of Hong Kong in the 1960s and 1970s. An exemplar of critical genre study, this book represents a significant contribution to the discipline.” —Yvonne Tasker, professor of film studies and dean of the Faculty of Arts and Humanities, University of East Anglia
A unique and enthralling style. . .flawless." --Baltimore Books Examiner In this mesmerizing new novel, Mingmei Yip draws readers deeper into the exotic world of 1930s Shanghai first explored in Skeleton Women, and into the lives of the unforgettable Camilla, Shadow, and Rainbow Chang. When Shadow, a gifted, ambitious magician, competed with the beautiful Camilla for the affections of organized crime leader Master Lung, she almost lost everything. Hiding out in Hong Kong, performing in a run-down circus, Shadow has no idea that Camilla, too, is on the run with her lover, Jinying--Lung's son. Yet while Camilla and Shadow were once enemies, now their only hope of freedom lies in joining forces to eliminate the ruthless Big Brother Wang. Despite the danger, Shadow, Camilla, and Jinying return to Shanghai. Camilla also has her own secret agenda--she has heard a rumor that her son is alive. And in a city teeming with spies and rivals--including the vengeful Rainbow Chang--each battles for a future in a country on the verge of monumental change.
The gripping story of a Chinese woman's journey through a criminal underworld of intrigue and opulence from the author of Peach Blossom Pavilion. Once upon a time in China, the most beautiful and gifted women were known as “skeleton women”—the ultimate femme fatales who could bring a man to his knees, or to his doom . . . When Camilla, a young orphan girl in Shanghai, is adopted and brought to live in luxury, it seems like a stroke of luck. But as Camilla grows to womanhood, she realizes that her “rescue” was part of gang leader Big Brother Wang's scheme. Camilla is trained in singing, dancing, knife-throwing and contortion—all to attract the attention of Wang's enemy, the ruthless Master Lung. Forced to become Master Lung's mistress, Camilla meets two intriguing women. One is a magician and rival for Master Lung's affections, while the other one dresses like a man and wields power through her incendiary gossip column. Both pose risks to Camilla's safety and status. But an even greater danger comes in the form of Master Lung's eldest son, who despises his father's violent lifestyle—but loves Camilla. Only by plotting to eliminate Lung can she make her escape, but the cost may be too high to pay . . . Praise for the novels of Mingmei Yip “A unique and enthralling style . . . flawless.” —Baltimore Books Examiner “Riveting . . . a rare peek into an exotic culture that is thrilling, captivating, and moving.” —Shobhan Bantwal, author of The Dowry Bride “A vivid account of the forgotten past.” —Chun Yu, author of Little Green
This book offers a critical analysis of the use of language in mission studies. Language and Christian missionary activity intersect in complicated ways to objectify the other in cross-cultural situations. Rethinking missiological language is both urgent and necessary to subvert narratives that continue to fetishize the other as cultural stereotypes. The project takes a step forward to reconceptualize otherness as gift, and such an affirmation should create a pathway for human flourishing and furthermore, open new avenues for missiological exploration to address issues arising from a world dominated by bigoted discourses, lies, and hate speech.
Besides looking at major outbreaks of diseases and how they were coped with, diseases such as malaria, smallpox, tuberculosis, plague, venereal disease, avian flu and SARS, this book also examines how the successive government regimes in Hong Kong took action to prevent diseases and control potential threats to health. It shows how policies impacted the various Chinese and non-Chinese groups, and how policies were often formulated as a result of negotiations between these different groups. By considering developments over a long historical period, the book contrasts the different approaches in the periods of colonial rule, Japanese occupation, post-war reconstruction, transition to decolonization, and Hong Kong as Special Administrative Region within the People’s Republic of China.
At the core of Martial Arts Cinema and Hong Kong Modernity: Aesthetics, Representation, Circulation is a fascinating paradox: the martial arts film, long regarded as a vehicle of Chinese cultural nationalism, can also be understood as a mass cultural expression of Hong Kong's modern urban-industrial society. This important and popular genre, Man-Fung Yip argues, articulates the experiential qualities, the competing social subjectivities and gender discourses, as well as the heightened circulation of capital, people, goods, information, and technologies in Hong Kong of the 1960s and 1970s. In addition to providing a novel conceptual framework for the study of Hong Kong martial arts cinema and shedding light on the nexus between social change and cultural/aesthetic form, this book offers perceptive analyses of individual films, including not only the canonical works of King Hu, Chang Cheh, and Bruce Lee, but also many lesser-known ones by Lau Kar-leung and Chor Yuen, among others, that have not been adequately discussed before. Thoroughly researched and lucidly written, Yip's stimulating study will ignite debates in new directions for both scholars and fans of Chinese-language martial arts cinema.
Derived from the renowned multi-volume International Encyclopaedia of Laws, this practical analysis of the law of property in Singapore deals with the issues related to rights and interests in all kinds of property and assets – immovable, movable, and personal property; how property rights are acquired; fiduciary mechanisms; and security considerations. Lawyers who handle transnational disputes and other matters concerning property will appreciate the explanation of specific terminology, application, and procedure. An introduction outlining the essential legal, cultural, and historical considerations affecting property is followed by a discussion of the various types of property. Further analysis describes how and to what extent legal subjects can have or obtain rights and interests in each type. The coverage includes tangible and intangible property, varying degrees of interest, and the various ways in which property is transferred, including the ramifications of appropriation, expropriation, and insolvency. Facts are presented in such a way that readers who are unfamiliar with specific terms and concepts in varying contexts will fully grasp their meaning and significance. The book includes ample references to doctrine and cases, as well as to relevant international treaties and conventions. Its succinct yet scholarly nature, as well as the practical quality of the information it provides, make this book a valuable time-saving tool for any practitioner faced with a property-related matter. Lawyers representing parties with interests in Singapore will welcome this very useful guide, and academics and researchers will appreciate its value in the study of comparative property law.
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