How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there.
No zuo no die!" The Gu family's fourth young miss had made a fool of herself to seek her own death, but she changed Gu Hua Jing's miserable fate in a single stroke! As a second generation tycoon official, he must not disappoint the wishes of the heavens. His purpose was to live a carefree life, and to stay away from disputes was the best rule! But why was she always surrounded by peach blossoms? The spirits of heaven and earth, the rotten peach blossoms, quickly leave!
No zuo no die!" The Gu family's fourth young miss had made a fool of herself to seek her own death, but she changed Gu Hua Jing's miserable fate in a single stroke! As a second generation tycoon official, he must not disappoint the wishes of the heavens. His purpose was to live a carefree life, and to stay away from disputes was the best rule! But why was she always surrounded by peach blossoms? The spirits of heaven and earth, the rotten peach blossoms, quickly leave!
After being injured by an accident, the grandson of a medical student had gained the ability to communicate with the ancient divine doctors! Faced with the decline of traditional Chinese medicine, Sun Sinian, Hua Tuo, Zhang Zhongjing, and Bian Que all fought over the ancient doctors to teach their grandson the Divine level medical skills! It was not my intention to treat the pure school beauty, to protect the female star's skin, to treat the police flower, or to see the beauty CEO fall ill. " Sun Xuan helplessly said, "I just want to revitalize Chinese medicine!
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