There were powerful cultivators here, and their strengths ruled over everything. Countries, sects, and other great powers ruled over a region, but this was only the corner of the Three Realms. Above this world, there were even Divine level experts running rampant through the heavens and the earth. And he would be able to see the trash Ye Feng, who was unable to awaken his Martial Veins, fuse with the various heavenly martial arts and rise all the way up to the top. He would be the supreme existence of ten thousand realms!
The impoverished boss, Ike, was an unlucky guy. When he just arrived at the new unit, he found out that his female boss was a peerless beauty that he had provoked. What's more, he inadvertently discovered her boss's top secret.
He was the most mysterious sharp knife in China, as well as the most fearsome 'dragon' in the world. He avenged his brother's death by killing the biggest drug lord of the Grey border, but he was sent to a military court and lost to the flowery city. However, dragons would always soar to the nine heavens, dominating the winds and the clouds! When he returned, everyone lowered their heads!
Dragons entering the sea, tigers returning to the mountain! Before the Dragon Soul Soldier King even returned to the city, he actually borrowed money from his beautiful wife for lack of money ...
After graduation, I became a little doctor in the village. I accidentally touched Second Sister-in-law when I was drunk that day. She told me to go to her house at night to give her an injection ...
Wang Yi knew the ferocity of the zombies as he returned from the point of contact and the foundation of the castle. In order to survive in this apocalyptic world, Wang Yi led his wife and subordinates all the way north. In order to survive in this apocalyptic world, Wang Yicheng's technology melted down ten thousand steel and built an apocalyptic fortress to defend against zombies! Terror was not equal to fear, a strong enemy was not fated to lose. Everything had to start from the point of life. In this world, survival was victory!
Life is like a play, young master Qing Yi. What was distinct in black and white was the chess game; what was indistinct was the human heart. Chess is difficult to decide, step by step, one wrong move, all lost. He was gentle and refined, drunk and free from worldly strife; he wore an open and upright robe, his reputation as a man of the world was just like smoke passing through his eyes; he lowered his eyebrows and gave a slight smile. He was playful, dashing, and elegant; he had a fan in his hand; it was common for people to fight openly or secretly, and they would look down on him with their heads held high. It was originally a different life, yet it became a straight line that led to a completely different end point. Was he going to be reborn from the flames? When the chessboard was no longer black and white, when every single chess piece was imbued with the hearts of the people, vividly displaying the word "chess", the chessboard would no longer be a chessboard, but a formidable game. Close]
Originally, it was a divine doctor's holy hands, but unexpectedly, the soul wearing silly girl's body became a happy mother. Therefore, she brought Little Treasure to roam the world, fighting dregs of parents, fighting heart of the lotus, fighting joy endless. Five years ago, she was kidnapped and someone saved her. She was wearing a mask, but her skin was whiter than hers. Her skin was smoother than hers, but she didn't know what was going on. "Beautiful mother, the person who owes you money has left ..." Five years later, he suddenly disappeared and she finally escaped from the golden silk cage. It was just that she had just fought against her father and stepmother, yet he had appeared and shamelessly claimed to be her man. From then on, the path of swindling Little Treasure began. "Father, try applying the medicine...
No zuo no die!" The Gu family's fourth young miss had made a fool of herself to seek her own death, but she changed Gu Hua Jing's miserable fate in a single stroke! As a second generation tycoon official, he must not disappoint the wishes of the heavens. His purpose was to live a carefree life, and to stay away from disputes was the best rule! But why was she always surrounded by peach blossoms? The spirits of heaven and earth, the rotten peach blossoms, quickly leave!
How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there.
Jiang Feng, who was a generation of god-killers, could be in charge of all over the world, but he was conceived by his female beautiful confidant, which led him to death. Eight thousand years later, he returned with a long-lost ancient scripture. Relying on this ancient scripture, his training progressed rapidly, and he vowed that in this life, he must reach the peak.☆About the Author☆Yi Hujiu, a well-known online novelist. He has authored many works and has a wealth of creative experience. His novels are mainly based on fantasy subjects, and have attracted a large number of fans for his excellent imagination and beautiful vivid language.
As the second volume of a two-volume set on Chinese narratology, this title investigates the quintessential characteristics of the Chinese narrative style, with a focus on image and perspective. The first chapter introduces two opposing concepts of perspective: “focalization” and “blind spot,” to connect “perspective” with traditional aesthetics, highlighting the mutual relation of the nonexistent and the existent. The author believes that both the narrator and perspective are central to the narrative forms and strategies adopted by Chinese writers and that study of the narrator and perspective is integral to understanding the cultural, aesthetic, and philosophical connotations of the narrative text and the spiritual world of the author. Drawing on perceptual phenomenology, the chapter on image broadens the extant knowledge of “image” and points out that image narration is unique to Chinese narratology and central to Chinese aesthetics. The final chapter illustrating the achievements of influential critics of classical Chinese novels, proving that these critics have contributed to the canonization of the genuine masterpieces of Chinese narrative literature. The book is a must-read for scholars and students interested in narrative theory, Chinese culture and literature, and dialogue between Chinese and Western narratological studies.
Ye Liuyun, he was China's strongest blade, and also the nightmare of all the major underground powers! To protect his comrade and sister, he resolutely chose to return to the city! Because of a marriage contract, she became the fiancee's "contract boyfriend"! One after another, peerless beauties began to appear. Would the Three Thousand Waters only give them a ladle, or would they not reject any one of them? The various powers were all secretly plotting and scheming, how should he deal with them? Look at him swimming in the flowers!
This innovative book uses the lens of cultural history to examine the development of medicine in Qing dynasty China. Focusing on the specialty of "medicine for women"(fuke), Yi-Li Wu explores the material and ideological issues associated with childbearing in the late imperial period. She draws on a rich array of medical writings that circulated in seventeenth- to nineteenth-century China to analyze the points of convergence and contention that shaped people's views of women's reproductive diseases. These points of contention touched on fundamental issues: How different were women's bodies from men's? What drugs were best for promoting conception and preventing miscarriage? Was childbirth inherently dangerous? And who was best qualified to judge? Wu shows that late imperial medicine approached these questions with a new, positive perspective.
The blood sword killing Ling Yun angrily, just for the sake of the undefeatable youth! Mingyu, the king of an electric race, had returned home after being surprised by his mother's death. He was overcome by grief and indignation, but by chance, he found himself in the hands of a good-for-nothing prince who had lived in the Cold Palace with his mufei for many years ... In the face of the bullying of the crowd and the marriage annulment with love, the past king of the martial way had risen once more. He had comprehended the divine path of yin and yang and seized the strongest source of power ...
Buddha said: "The Eight Tribes of Heaven Dragon, Man and Man, all see the Dragon Lady become Buddha." As for the gods, the dragons, the yakshas, the kanda, the asura, the garuda, and the mandara. After the Dragon and Heaven, the most tragic one was Carrolo, because he was Yue Fei's embodiment. Carrolo was a kind of giant bird with all kinds of solemn and precious colors on its wings. Legend has it that Yue Fei was the reincarnation of the Golden Winged Roc, and Jia Luo was the reincarnation of the Golden Winged Roc. When its life ended, the dragons vomited poison and were no longer able to eat. As a result, Garuda flew up and down seven times before finally dying on top of the Vajra Mountain. The complicated plot, ups and downs, locked in a clumsy work, all of this is in the "Heavenly Dragon's Eight Postscript." [Previous Chapter] [Table of Contents] [Next Chapter] Close]
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