Magnetism is one of the basic properties of matter. Mankind has trav elled a long road in discovering and utilizing magnetism, and in this respect the ancient Chinese people have made outstanding contribu tions. In the book 'Lu's Spring and Autumn', written near the end of the Warring States Period, i. e. in the third century B. C. , there is a statement on the "attraction of iron by lodestones". So at that time it was known that magnets can attract ferromagnetic material. At the be ginning ofthe first century A. D. , viz. in the early years ofthe East Hang Dynasty, the famous scholar Wang Chong wrote in his masterpiece 'Len Hen' that the handle of a magnetic dipper pointed to the south. It was thus discovered at the time that magnets can point to the poles of the geomagnetic field. At the beginning of the twelfth century, during the reign of Emperor Hui of the Sung Dynasty, in the two books written by Zhu Yo and Xu Jin, respectively, there are descriptions of the com pass used in navigation. This tells us that the application of compasses was rather widespread at that time. The distinguished scientist Sen Go (1031-1085) discovered the declination of the terrestrial magnetic field. This is four hundred and more years earlier than its discovery by Christopher Columbus in 1492 during his voyage across the Atlantic Ocean. Such facts as these manifest the important contributions of ancient China to global civilization.
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
This text presents a comprehensive account of the magnetic fields of various celestial bodies - the Sun, the Moon, planets, stars, the Milky Way, and galaxies, as well as the interplanetary, interstellar and intergalactic media. The original Chinese edition was published in Beijing in 1978. The present English edition has been enhanced and thoroughly rewritten. This monograph is characterized by its detail and may be used as a reference and textbook for scientific researchers and students of astronomy, space physics, geophysics and other related sciences.
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
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