A Canadian teenager travels to China to explore her ancestry and search for her birth mother in a dramatic and moving YA novel. Throwaway Daughter tells the story of Grace Dong-mei Parker, whose biggest concern is how to distill her adoption from China into the neat blanks of her personal history assignment. Aside from the unwelcome reminders of difference, Grace loves passing for the typical Canadian teen — until the day she witnesses the Tiananmen massacre on the news. Horrified, she sets out to explore her Chinese ancestry, only to discover that she was one of the thousands of infant girls abandoned in China since the introduction of the one-child policy, strictly enforced by the Communist government. But Grace was one of the lucky ones, adopted as a baby by a loving Canadian couple. With the encouragement of her adoptive parents, she studies Chinese and travels back to China in search of her birth mother. She manages to locate the village where she was born, but at first no one is willing to help her. However, Grace never gives up and, finally, she is reunited with her birth mother, discovering through this emotional bond the truth of what happened to her almost twenty years before.
She was the proudest assassinator of the twenty-first century while she was killed by her senior brother unintentionally, and run across the time to the Jiu You Continent.The first thing she did upon opening eyes was climbing out of the pit. Because of her cowardice, cunning and foolishness, she had been bullied when she was little. Falling into the pit this time was because the Emperor granted her to marry Prince Xiang, which aroused the hostility from her fourth sister.However, at this moment, an aloof and arrogant man looked at her with disdain ...Unexpectedly, not long after, this aloof man said, "Once we have our own child, I will take up the world for you!"☆About the Author☆Er Ye is an online novelist. He started writing from 2017. Currently, there are two novels of his The Cold Prince Dotes On His Wild Wife and One Inch Affection with One Inch Ash.
He wasn't one of the Five Elements, but rather, someone who had transcended the Three Realms. Chen Daqing's generation's Heavenly Master had turned into a zombie, surviving for a thousand years without being destroyed. "Mm. My greatest wish is to be killed. I've already bought a coffin, a mahogany coffin. Very beautiful!
Motion pictures were first introduced to China in 1896 and today China has become a major player in the film industry. However, the story of how Chinese cinema became what it is today is an exceptionally turbulent one. It encompasses incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. The Historical Dictionary of Chinese Cinema covers the history of Chinese cinema from its very beginning in 1896 to the present. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section contains several hundred cross-referenced dictionary entries on films, directors, and historical figures. This book is an excellent access point for anyone interested in Chinese cinema and for scholars interested in investigating ideas for future research.
I am an antique dealer, earning money from the living and earning money from the dead. In the past few years of roaming the world, he had seen all kinds of bizarre things...
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
During the Cultural Revolution over 14 million Chinese high school graduates were sent from the cities to live and work in the countryside. They were known as zhiqing – ‘educated youth’. They fell in love, married, had children. In the late 1970s the policy changed and they were allowed to return, but not their families. Many jumped at the opportunity, leaving spouses and children behind. Ten years later the children, now teenagers, began to turn up in the cities, looking for their parents. Educated Youth follows five such children, who have travelled across China from a province in the south west to Shanghai in the east, only to discover that their mothers and fathers have remarried, and have new families, in which there is no room for them. Their reappearance brings out the worst in the parents – their duplicity, greed and self-interest – and the best too, as they struggle to come to terms with their sense of love and duty.
The prince's engagements have ended in failure for 17 times. Until this time, he had a crush on the young master from a rich family. They got the cheap family gift and wolverine Ritual, as well as dispute for mang times. All of that seems like symbolizing their marriage is about to be a failure. However, their relationship is getting stronger along with dealing with these conflicts. ☆About the Author☆ Ye Yiluo is a famous online novelist. She has written plenty of novels. As a writer in the top 5 rankings, she gets a lot of fans. Her works have been well-received for their delicate description and interesting storylines.
On an autumn morning in 1793, Lord Macartney waited to be ushered into the imperial summer retreat to take part in the celebration of the Qianlong Emperor's 82nd birthday. It was a long day; the celebration drama, Ascendant Peace in the Four Seas, lasted five hours. There were many scenes of fish, turtles and other sea creatures, and Macartney guessed it must have had something to do with the marriage between the ocean and land. He could not have been more wrong…" For the Qing court, entertaining foreign visitors was only one of the numerous ritual and political purposes dramas served. Delving into a rich collection of firsthand materials, the author meticulously excavates and combs historical data including court records, eunuchs' memoirs, pictorial archives of opera costumes, and period news. She investigates the development of imperial drama and its influence on the Peking Opera, as well as the function and system of imperial organizations responsible for drama. Also discussed are the complex roles of the actors on and off stage, and the broader issues of cultural and political influence intertwined with the performances themselves. The book thus presents us not only an art history of Peking Opera, but also a vivid scrollpainting of the socialcultural life both in and beyond the Forbidden City.
Five hundred years ago, the most outstanding disciple under the Grand Yi Sect, Zhong Ming, was killed by the Chou Clan's leader, Ouyang Duan, while he was cultivating in seclusion. At this critical moment, Zhong Ming forced out his three souls. Thus, after his three souls had wandered around the world for hundreds of years, in the end, on a pitch-black night, they possessed a body that belonged to Zhong Wentao, who was born on the same day as the son of the next year. From then on, Zhong Wentao was no longer the diaosi Zhong Wentao. He was a genius doctor with superb medical skills. His path of life had skyrocketed. He would beat up the second generation, pick up beauties, take revenge for his blood feud, and become famous throughout the world ...
On the day of Tanghai Yue's wedding, her husband had died, leaving behind her four moaning brother-in-law. As a qualified widower, she decided to provoke her family.
An unconventional love story that tracks the beautifully complicated arc of a marriage from youth to old age, this tender novel is a profound mediation on the mysteries—and bullheadedness—of love.
If love could be betrayed, then it was only because the love was not deep enough! When revenge comes, do you have to change your original plan? His former lover was now his enemy! How can you talk about our country under heaven when you're bathing in blood ... Inside and outside the palace walls, my heart leaves you a blank space. [If you are familiar with the art, I will do it myself ...]
She was a 21st century music college genius, because a zither transmigrated, became the Shang Shu Mansion's unfavoured eldest miss.In search of the zither, she was very careful with the wolf. She had been caught up in a plot to seize power from the court and was unable to escape.In the eyes of the crowd, she was a b * tch who had been seduced to a higher position by a palace maid. However, in his eyes, she was his favorite, the treasure in his palm.Everyone said that he was possessed, which was why he was so fond of a lowly girl like her and didn't go offline. But she hoped that he would be able to stay away from her and not involve her in a conspiracy to peacefully search for the zither.One day, someone passionately confessed to her and threatened to take her out of the palace to live a carefree life. She nodded like she was pounding garlic.Thus, a certain man could not sit still and questioned him after the storm."Do you still dare to leave the palace with others?"Like a frightened bird, she shook her head like a rattle.
Refining corpses to tame demons, sacrificing one's life for the fire, the flower girl Grass Demon, the remnants of the Mountains and Seas, the people of the Li Clan Nine Strange .... Behind the ordinary human world, there was an even more mysterious lost world! The hatred between the witchers and the demons that could not be eradicated for generations still lasts in this world today. In order to pursue his ancestry, the youth Chu Chi was involved in the search, roaming the cities and countryside, facing the countless demons and devils, with no place to escape.
The students who came to the United States in the early twentieth century to become modern Chinese by studying at American universities played pivotal roles in Chinese intellectual, economic, and diplomatic life upon their return to China. These former students exemplified key aspects of Chinese "modernity," introducing new social customs, new kinds of interpersonal relationships, new ways of associating in groups, and a new way of life in general. Although there have been books about a few especially well-known persons among them, this is the first book in either English or Chinese to study the group as a whole. The collapse of the traditional examination system and the need to earn a living outside the bureaucracy meant that although this was not the first generation of Chinese to break with traditional ways of thinking, these students were the first generation of Chinese to live differently. Based on student publications, memoirs, and other writings found in this country and in China, the author describes their multifaceted experience of life in a foreign, modern environment, involving student associations, professional activities, racial discrimination, new forms of recreation and cultural expression, and, in the case of women students, the unique challenges they faced as females in two changing societies.
One of the best ways to understand history is through eye-witness accounts. Ting-Xing Ye’s riveting first book, A Leaf in the Bitter Wind, is a memoir of growing up in Maoist China. It was an astonishing coming of age through the turbulent years of the Cultural Revolution (1966 - 1974). In the wave of revolutionary fervour, peasants neglected their crops, exacerbating the widespread hunger. While Ting-Xing was a young girl in Shanghai, her father’s rubber factory was expropriated by the state, and he was demoted to a labourer. A botched operation left him paralyzed from the waist down, and his health deteriorated rapidly since a capitalist’s well-being was not a priority. He died soon after, and then Ting-Xing watched her mother’s struggle with poverty end in stomach cancer. By the time she was thirteen, Ting-Xing Ye was an orphan, entrusted with her brothers and sisters to her Great-Aunt, and on welfare. Still, the Red Guards punished the children for being born into the capitalist class. Schools were being closed; suicide was rampant; factories were abandoned for ideology; distrust of friends and neighbours flourished. Ting-Xing was sent to work on a distant northern prison farm at sixteen, and survived six years of backbreaking labour and severe conditions. She was mentally tortured for weeks until she agreed to sign a false statement accusing friends of anti-state activities. Somehow finding the time to teach herself English, often by listening to the radio, she finally made it to Beijing University in 1974 as the Revolution was on the wane — though the acquisition of knowledge was still frowned upon as a bourgeois desire and study was discouraged. Readers have been stunned and moved by this simply narrated personal account of a 1984-style ideology-gone-mad, where any behaviour deemed to be bourgeois was persecuted with the ferocity and illogic of a witch trial, and where a change in politics could switch right to wrong in a moment. The story of both a nation and an individual, the book spans a heady 35 years of Ye’s life in China, until her eventual defection to Canada in 1987 — and the wonderful beginning of a romance with Canadian author William Bell. The book was published in 1997. The 1990s saw the publication of several memoirs by Chinese now settled in North America. Ye’s was not the first, yet earned a distinguished place as one of the most powerful, and the only such memoir written from Canada. It is the inspiring story of a woman refusing to “drift with the stream” and fighting her way through an impossible, unjust system. This compelling, heart-wrenching story has been published in Germany, Japan, the US, UK and Australia, where it went straight to #1 on the bestseller list and has been reprinted several times; Dutch, French and Turkish editions will appear in 2001.
The Spirit House was an antique shop that had transformed into a dead person for their wedding. The arrival of a dangerous stranger had inadvertently brought the owner of the Spirit Hall, Shuo Qianxue, with him into a marriage and his future troubles.
there were ghosts in the cave dead people in the dorm strange events in the library and so on from that day on my life underwent a tremendous change i was just an ordinary university student but i was disturbed by the sudden occurrence of a supernatural event the love from his previous life would continue in this life would he be able to fulfill the wishes from his previous life in this life there was also a prideful ghost servant who was tangled up in a entanglement leading to a soul-stirring secret
He was the most powerful Divine General of his generation, yet he was condemned as a God. The God of Slaughter, Samsara, the man who died with grievances, annihilated the three kingdoms, won ten thousand academies, trespassed into the Demon Area, conquered the human world, conquered the Spirit Realm, fought the Beast World, and entered the Six Daos. How could the mighty God of Slaughter fear the heavens?
The same was true for terrifying humor. Different methods used to catch ghosts were the same. My name is Bao Yang, a legend with a rooster and a ghost.
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