This ground breaking work is the result of research by Plan International China and the China Agricultural University on children who have been left behind in their rural villages when their parents migrate to cities in search of work.
Five hundred years ago, the most outstanding disciple under the Grand Yi Sect, Zhong Ming, was killed by the Chou Clan's leader, Ouyang Duan, while he was cultivating in seclusion. At this critical moment, Zhong Ming forced out his three souls. Thus, after his three souls had wandered around the world for hundreds of years, in the end, on a pitch-black night, they possessed a body that belonged to Zhong Wentao, who was born on the same day as the son of the next year. From then on, Zhong Wentao was no longer the diaosi Zhong Wentao. He was a genius doctor with superb medical skills. His path of life had skyrocketed. He would beat up the second generation, pick up beauties, take revenge for his blood feud, and become famous throughout the world ...
This book presents an English translation of the Samten Migdron (Lamp for the Eye of Contemplation) by Nubchen Sangye Yeshe, a seminal 10th-century Tibetan Buddhist work on contemplation. This treatise is one of the most important sources for the study of the various meditative currents that were transmitted to Tibet from India and China during the early dissemination of Buddhism in Tibet. Written from the vantage point of the Great Completeness (Dzogchen) and its vehicle of effortless spontaneity, it discusses, in the manner of a doxography, both sutra-based-including Chan-and tantric approaches to meditation. The unabridged, annotated English translation of this Tibetan treatise is preceded by a general introduction situating the author-a pivotal figure in what would become the Nyingma school of Tibetan Buddhism-and their work in historical and doctrinal context. The detailed annotations provide elucidating comments as well as crucial references to the numerous texts quoted by the Tibetan author. This book makes this groundbreaking Tibetan work on meditation accessible in English and opens fascinating windows on early forms of contemplative practice in Tibet.
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
Nanjing has a prominent place in Chinese culture and history as having been a capital city for ten times throughout history. The city of Nanjing is a fine history textbook. If one pores over this city, one will evoke the history of China itself. Every historic site in Nanjing is saturated with the character of human affairs. Whichever ruins one might visit, they are all part of a deep historical dialogue. In terms of scenery, Nanjing has mountains and rivers, enough to match any city. But the city's strength is in its history, and its unique culture. This book is a collection of prose about the unique history, culture and atmosphere of the city as well as the temperament and customs of its people, by the renowned Nanjing-born writer, Ye Zhaoyan. "An elegant city with the European and American planning models adopted at the macro level, and the traditional Chinese style at the micro level – the most beautiful, clean and well-planned modern city in twentieth-century China." — Ye Zhaoyan, remarks on the modern Nanjing city
One Soul Shocking Sword, Heaven and Earth Ghost Shock! Meng Chun Lou was the owner of this sword. The Spring Pavilion could be defeated, but the Soulshake Sword would always be invincible, because the person who wielded the sword was no ordinary person. The Spring Pavilion could die, but it would never die by the hands of an enemy, because the Spring Pavilion had no enemies. It was a pity that there was no Spring Pavilion after the Spring Pavilion, unless one looked around and saw Jiang Sheng. Close]
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