Longlisted for the 2022 Andrew Carnegie Medal for Excellence in Fiction An extraordinary debut collection of short stories by a three-time Pushcart Prize winner following Chinese women in both China and the United States who turn to signs and languages as they cross the alien landscapes of migration and motherhood. "Ye’s writing thrives when dissecting the contradictions in life and in language."—Javier C. Hernández, The New York Times "Gentle . . . Slow, somber and often elegant, Hao thematically foregrounds language . . . Ye shows how words operate as weapons, comforts, memories and insufficient—if sometimes beautiful—representations of intent." —Tracy O’Neill, The New York Times Book Review "The most common word in Chinese, perhaps, a ubiquitous syllable people utter and hear all the time, which is supposed to mean good. But what is hao in this world, where good books are burned, good people condemned, meanness considered a good trait, violence good conduct? People say hao when their eyes are marred with suspicion and dread. They say hao when they are tattered inside." By turns reflective and visceral, the stories in Hao examine the ways in which women can be silenced as they grapple with sexism and racism, and how they find their own language to define their experience. In “Gold Mountain,” a young mother hides above a ransacked store during the San Francisco anti-Chinese riot of 1877. In “A Drawer,” an illiterate mother invents a language through drawing. And in “Stars,” a graduate student loses her ability to speak after a stroke. Together, these twelve stories create "an unsettling, hypnotic collection spanning centuries, in which language and children act simultaneously as tethers and casting lines, the reasons and the tools for moving forward after trauma. "You’ll come away from this beautiful book changed” (Julia Fine, author of The Upstairs House).
How could he not be caught sneaking around on the edge of filming? Ji Chun had been careless and had been targeted by a powerful man.Ji Chun: You got the film back, I didn't see anything.Young Master: I'm so handsome, but you didn't see me do it?
One Soul Shocking Sword, Heaven and Earth Ghost Shock! Meng Chun Lou was the owner of this sword. The Spring Pavilion could be defeated, but the Soulshake Sword would always be invincible, because the person who wielded the sword was no ordinary person. The Spring Pavilion could die, but it would never die by the hands of an enemy, because the Spring Pavilion had no enemies. It was a pity that there was no Spring Pavilion after the Spring Pavilion, unless one looked around and saw Jiang Sheng. Close]
A Canadian teenager travels to China to explore her ancestry and search for her birth mother in a dramatic and moving YA novel. Throwaway Daughter tells the story of Grace Dong-mei Parker, whose biggest concern is how to distill her adoption from China into the neat blanks of her personal history assignment. Aside from the unwelcome reminders of difference, Grace loves passing for the typical Canadian teen — until the day she witnesses the Tiananmen massacre on the news. Horrified, she sets out to explore her Chinese ancestry, only to discover that she was one of the thousands of infant girls abandoned in China since the introduction of the one-child policy, strictly enforced by the Communist government. But Grace was one of the lucky ones, adopted as a baby by a loving Canadian couple. With the encouragement of her adoptive parents, she studies Chinese and travels back to China in search of her birth mother. She manages to locate the village where she was born, but at first no one is willing to help her. However, Grace never gives up and, finally, she is reunited with her birth mother, discovering through this emotional bond the truth of what happened to her almost twenty years before.
Five hundred years ago, the most outstanding disciple under the Grand Yi Sect, Zhong Ming, was killed by the Chou Clan's leader, Ouyang Duan, while he was cultivating in seclusion. At this critical moment, Zhong Ming forced out his three souls. Thus, after his three souls had wandered around the world for hundreds of years, in the end, on a pitch-black night, they possessed a body that belonged to Zhong Wentao, who was born on the same day as the son of the next year. From then on, Zhong Wentao was no longer the diaosi Zhong Wentao. He was a genius doctor with superb medical skills. His path of life had skyrocketed. He would beat up the second generation, pick up beauties, take revenge for his blood feud, and become famous throughout the world ...
She was the proudest assassinator of the twenty-first century while she was killed by her senior brother unintentionally, and run across the time to the Jiu You Continent.The first thing she did upon opening eyes was climbing out of the pit. Because of her cowardice, cunning and foolishness, she had been bullied when she was little. Falling into the pit this time was because the Emperor granted her to marry Prince Xiang, which aroused the hostility from her fourth sister.However, at this moment, an aloof and arrogant man looked at her with disdain ...Unexpectedly, not long after, this aloof man said, "Once we have our own child, I will take up the world for you!"☆About the Author☆Er Ye is an online novelist. He started writing from 2017. Currently, there are two novels of his The Cold Prince Dotes On His Wild Wife and One Inch Affection with One Inch Ash.
If love could be betrayed, then it was only because the love was not deep enough! When revenge comes, do you have to change your original plan? His former lover was now his enemy! How can you talk about our country under heaven when you're bathing in blood ... Inside and outside the palace walls, my heart leaves you a blank space. [If you are familiar with the art, I will do it myself ...]
The current Queen Ao Jiao who dominated the Azure Sea, had been reborn as the ninth lady of the Leng Clan of a foreign land. Who would have thought that trash would actually be a peerless genius among top elementalists! His talent was outstanding, yet he was pretending to be a pig to eat the tiger while leaning on a tree to conceal his strength. When the family suffered a calamity, who would turn the tide and restore their prestige? When the top elementalist school came to recruit new students, who was it that was able to amaze and shock the entire audience? In the continent's selection test, who broke the record and reached the top in glory? A sword, a book, a beautiful face. But when she met him, the Queen met the King, the firewood met the fire, and the burning flower of love spanned ten thousand years. He said, "If the people of the world bully you, humiliate you, slander you, I will destroy the world!" She said, "If someone loves you, kisses you, loves you, I'll give it up ..." From her point of view, this was an extremely good deal. In his eyes, it was an extremely arduous and dangerous journey to find a wife. Fire and dry wood? A pair! This was a strong alliance between strong men and strong women. This was a sweet pursuit by a running man.
Neither Runner Yang wrongly became the Yao Jun's master's concubine, opening the door to a new world from then on ...Song Sanyue was fearless, and relied on his hemi-demon's body to mix in well at Spiritual Realm."Lord Yao Jun, your Concubinage stole another family's treasure!""Buy it and give it to her.""Lord Yao Jun, your Concubinage is beating him up in the street!""You guys go over and help her.""Lord Yao Jun, your Concubinage is snatching the groom in broad daylight!""She dares?!"Just as Yao Jun was about to raise his sword up, he saw a slip of paper pressed down by the sword.Lu Jiuxiao, if you don't turn around, I will bring the man and go far away from Gao Fei! Bye bye, you ~
Longlisted for the Andrew Carnegie Medals of Excellence A harrowing and redemptive immigrant story for readers of Pachinko A Chinese railroad worker and his young daughter—sold into servitude—in 19th century California search for family, fulfillment, and belonging in a violent new land "Heaven and earth do not pick and choose. They see everything as straw dogs." A sweeping historical novel of the American West from the little-seen perspective of those who helped to build it, Straw Dogs of the Universe traces the story of one Chinese father and his young daughter, desperate to find him against all odds. After her village is devastated by famine, 10-year-old Sixiang is sold to a human trafficker for a bag of rice and six silver coins. Her mother is reluctant to let her go, but the promise of a better life for her beloved daughter ultimately sways her. Arriving in America with the profits from her sale and a single photograph of Guifeng, her absent father, Sixiang journeys across an unfamiliar American landscape in the hopes of reuniting her family. As she makes her way through an unforgiving new world, her father, a railroad worker in California, finds his attempts to build a life for himself both upended and defined by along-lost love and the seemingly inescapable violence of the American West. A generational saga ranging from the villages of China to the establishment of the transcontinental railroad and the anti-Chinese movement in California, Straw Dogs of the Universe considers the tenacity of family ties and the courage it takes to survive in a country that rejects you, even as it relies upon your labor.
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
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