If love could be betrayed, then it was only because the love was not deep enough! When revenge comes, do you have to change your original plan? His former lover was now his enemy! How can you talk about our country under heaven when you're bathing in blood ... Inside and outside the palace walls, my heart leaves you a blank space. [If you are familiar with the art, I will do it myself ...]
The heaven and earth gave birth to all living things. I saw that the heavens and the earth gave birth to all living things, and I could pick any ancient Emperor's treasure; the ancient Emperor's treasure would definitely be given to me and the Emperor's treasure would be given to me; divine weapons were destined to be given to me after the birth of a peerless weapon. If I were to follow brother, I would definitely be promoted to an Imperial Armament in the future. I can't, I remember now, it's the fate of the previous life is not over, in this life we will continue the fate.
If love could be betrayed, then it was only because the love was not deep enough! When revenge comes, do you have to change your original plan? His former lover was now his enemy! How can you talk about our country under heaven when you're bathing in blood ... Inside and outside the palace walls, my heart leaves you a blank space. [If you are familiar with the art, I will do it myself ...]
Longlisted for the 2022 Andrew Carnegie Medal for Excellence in Fiction An extraordinary debut collection of short stories by a three-time Pushcart Prize winner following Chinese women in both China and the United States who turn to signs and languages as they cross the alien landscapes of migration and motherhood. "Ye’s writing thrives when dissecting the contradictions in life and in language."—Javier C. Hernández, The New York Times "Gentle . . . Slow, somber and often elegant, Hao thematically foregrounds language . . . Ye shows how words operate as weapons, comforts, memories and insufficient—if sometimes beautiful—representations of intent." —Tracy O’Neill, The New York Times Book Review "The most common word in Chinese, perhaps, a ubiquitous syllable people utter and hear all the time, which is supposed to mean good. But what is hao in this world, where good books are burned, good people condemned, meanness considered a good trait, violence good conduct? People say hao when their eyes are marred with suspicion and dread. They say hao when they are tattered inside." By turns reflective and visceral, the stories in Hao examine the ways in which women can be silenced as they grapple with sexism and racism, and how they find their own language to define their experience. In “Gold Mountain,” a young mother hides above a ransacked store during the San Francisco anti-Chinese riot of 1877. In “A Drawer,” an illiterate mother invents a language through drawing. And in “Stars,” a graduate student loses her ability to speak after a stroke. Together, these twelve stories create "an unsettling, hypnotic collection spanning centuries, in which language and children act simultaneously as tethers and casting lines, the reasons and the tools for moving forward after trauma. "You’ll come away from this beautiful book changed” (Julia Fine, author of The Upstairs House).
During the Cultural Revolution over 14 million Chinese high school graduates were sent from the cities to live and work in the countryside. They were known as zhiqing – ‘educated youth’. They fell in love, married, had children. In the late 1970s the policy changed and they were allowed to return, but not their families. Many jumped at the opportunity, leaving spouses and children behind. Ten years later the children, now teenagers, began to turn up in the cities, looking for their parents. Educated Youth follows five such children, who have travelled across China from a province in the south west to Shanghai in the east, only to discover that their mothers and fathers have remarried, and have new families, in which there is no room for them. Their reappearance brings out the worst in the parents – their duplicity, greed and self-interest – and the best too, as they struggle to come to terms with their sense of love and duty.
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