This book explores the development of the discipline of Criminology on the island of Ireland, through conversations with leading criminologists. Adding depth and breadth to the understandings of this growing discipline, leading scholars discuss their personal journey to Criminology, their research areas, their theoretical influences and the impact of the discipline of Criminology on how we think about criminal justice in Ireland and beyond. Research topics include desistence, victims’ rights, parole, policing and research methods. The book explores what influences framed the work of key thinkers in the area and how Criminology intersects with policy and practice within and beyond the criminological and criminal justice fields. It provides an insight into how the discipline has emerged as a discrete subject through a discussion of Ireland's key historical moments. It argues that Ireland's unique historical, cultural, political, social and economic arrangements and research about Ireland have much to offer the international field of Criminology. This volume also reflects on future directions for Irish Criminology, as well as sounding warnings to ensure the healthy development of the field as a discipline in its own right and as an interdisciplinary undertaking.
Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.
Everything you always wanted to know about Islam -- but didn't know to ask! What does it mean to be Muslim in America? Ask ten different people and you'll probably receive ten different answers. Islam is as dynamic as it is misunderstood, and has been in a state of constant change and development for almost fourteen hundred years. So how can you reconcile being a teenager in America with being a Muslim? It's not as difficult as you might think! Written by teens for teens, The American Muslim Teenager's Handbook covers everything from basic Islamic history and reading the Quran to addressing the issues of drinking and dating, and also includes thoughts and opinions from Muslim teenagers across the country. Positive, informative, and honest, here is the indispensable primer -- for Muslims and non-Muslims alike -- for learning about and finding a place in Islamic American culture today.
Merely obtaining a favorable arbitral award or judgment at the end of a dispute holds little value unless the prevailing party is able to enforce it. This book, more thoroughly than any other source, shows practitioners how to navigate the relevant laws in New York—a leading global financial center known for its pro-enforcement policies and the powerful discovery tools it makes available to creditors. No other resource explores the current state of the law in New York as comprehensively as this book. Beyond its sheer practical significance given the likelihood of debtors having assets in (or routing U.S. dollar transactions through) New York, this book provides creditors and their counsel with the critical information they need to define their global enforcement strategy and facilitate their enforcement efforts not only in New York but potentially worldwide. Among the issues and topics that the book tackles are the following: • review of the fundamentals of U.S. practice and procedure for non–New York practitioners; • easy to understand, jargon-free explanation of the often daunting state and federal procedures for enforcement; • up-to-date, clear presentation of the relevant case law, including key state and federal decisions; • explanation of how state and federal laws intersect with international law; • review of significant recent developments impacting a creditor's ability to reach foreign defendants and their assets outside the U.S. in post-judgment execution proceedings; and • comprehensive advice on the practicalities of executing a judgment. Given the critical role New York plays in a host of cross-border transactions and its status as a hub for worldwide judgment and award enforcement, the demand to better understand the laws and judicial system within the state has never been higher. This comprehensive yet practical guide to navigating award and judgment enforcement in New York provides the understanding both the basics and the nuances in this area that is critical for any domestic or international practitioner when advising a client as to the likelihood of collection in or through New York.
In 1960s Egypt a group of writers exploded onto the literary scene, transforming the aesthetic landscape. Space in Modern Egyptian Fiction explores how this literary generation presents a marked shift in the representation of rural, urban and exilic space, reflecting a disappointment with the project of the postcolonial nation-state in Egypt. Combining a sociological approach to literature with detailed close readings, Yasmine Ramadan explores the spatial representations that embodied this shift within the Egyptian literary scene and the disappearance of an idealized nation in the Egyptian novel. This study provides a robust examination of the emergence and establishment of some of the most significant writers in modern Egyptian literature, and their influence across six decades, while also tracing the social, economic, political and aesthetic changes that marked this period in Egypt's contemporary history.
The Lebanese photographer Marie al-Khazen seized every opportunity to use her camera during the years that she was active between 1920 and 1940. She not only documented her travels around tourist sites in Lebanon but also sought creative experimentation with her camera by staging scenes, manipulating shadows, and superimposing negatives to produce different effects in her prints. Within her photographs, bedouins and European friends, peasants and landlords, men and women comfortably share the same space. Her photographs include an intriguing collection portraying her family and friends living their everyday lives in 1920s and '30s Zgharta, a village in the north of Lebanon. Yasmine Nachabe Taan explores these photographs, emphasizing the ways in which notions of gender and class are inscribed within them and revealing how they are charged with symbols of women's emancipation to today's viewers, through women's presence as individuals, separate from family restrictions of that time. Images in which women are depicted smoking cigarettes, driving cars, riding horses, and accompanying men on hunting trips counteract the common ways in which women were portrayed in contemporary Lebanon.
In a series of riveting dispatches, Cairo native Yasmine El Rashidi provides an eyewitness account of the entire 2011 Egyptian Revolution as it unfolded, from its origins in the days leading up to the first January 25 protest in Tahrir Square through the violent confrontations with the regime and the fall of Egyptian President Hosni Mubarak, to the subsequent military takeover and the March 2011 constitutional referendum. Drawing on her deep knowledge of the Egyptian capital and its underlying social divisions, El Rashidi brings together a vivid story of the uprising itself with subtle insights about the strengths—and limits—of the protest movement and the prospects for large-scale political change in the September 2011 parliamentary elections. With a preface by the Oxford scholar of revolutions Timothy Garton Ash. The Battle for Egypt is available as an e-book only. There is no print edition of this book.
A young Egyptian woman recounts her personal and political coming of age in this brilliant debut novel. Cairo, 1984. A blisteringly hot summer. A young girl in a sprawling family house. Her days pass quietly: listening to a mother’s phone conversations, looking at the Nile from a bedroom window, watching the three state-sanctioned TV stations with the volume off, daydreaming about other lives. Underlying this claustrophobic routine is mystery and loss. Relatives mutter darkly about the newly-appointed President Mubarak. Everyone talks with melancholy about the past. People disappear overnight. Her own father has left, too—why, or to where, no one will say. We meet her across three decades, from youth to adulthood: As a six-year old absorbing the world around her, filled with questions she can’t ask; as a college student and aspiring filmmaker pre-occupied with love, language, and the repression that surrounds her; and then later, in the turbulent aftermath of Mubarak’s overthrow, as a writer exploring her own past. Reunited with her father, she wonders about the silences that have marked and shaped her life. At once a mapping of a city in transformation and a story about the shifting realities and fates of a single Egyptian family, Yasmine El Rashidi’s Chronicle of a Last Summer traces the fine line between survival and complicity, exploring the conscience of a generation raised in silence.
This edited work offers a critical look at the legacy of free trade, how corporate Canada is pushing for deeper integration while Ottawa cozies up to Washington, and why another Canada is possible.
War Remains traces the poetics of ruination and resistance in select contemporary Lebanese wartime literature, cultural production, and sites of memory. Drawing upon work from southern Lebanon and Beirut, Khayyat examines how war remains are employed as a resistant trope in the intellectual spaces of war’s aftermath. She focuses on "Southern Counterpublics," a collective of poets, novelists, activists, artists, and ordinary citizens and their war-inspired creative productions that speak to the ruins’ capacity to be reframed, recycled, and recontested. Khayyat argues that the ruins of war can be thought of as a generative milieu for resistant thought and action. An ambitious and provocative work, War Remains ventures to the so-called margins to archive the texture and substance rendered invisible when studies of memory rely solely on data furnished by official narratives and military accounts of war.
The Poplars housing development in suburban Paris is home to what one resident called the “Little-Middles” – a social group on the tenuous border between the working- and middle- classes. In the 1960s The Poplars was a site of upward social mobility, which fostered an egalitarian sense of community among residents. This feeling of collective flourishing was challenged when some residents moved away, selling their homes to a new generation of upwardly mobile neighbors from predominantly immigrant backgrounds. This volume explores the strained reception of these migrants, arguing that this is less a product of racism and xenophobia than of anxiety about social class and the loss of a sense of community that reigned before.
In a series of riveting dispatches, Cairo native Yasmine El Rashidi provides an eyewitness account of the entire 2011 Egyptian Revolution as it unfolded, from its origins in the days leading up to the first January 25 protest in Tahrir Square through the violent confrontations with the regime and the fall of Egyptian President Hosni Mubarak, to the subsequent military takeover and the March 2011 constitutional referendum. Drawing on her deep knowledge of the Egyptian capital and its underlying social divisions, El Rashidi brings together a vivid story of the uprising itself with subtle insights about the strengths—and limits—of the protest movement and the prospects for large-scale political change in the September 2011 parliamentary elections. With a preface by the Oxford scholar of revolutions Timothy Garton Ash. The Battle for Egypt is available as an e-book only. There is no print edition of this book.
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