The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.
The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.
Yaron Harel has constructed a dramatic story of how eleven chief rabbis all became the subject of controversy and were subsequently dismissed. This took place against a background of crime and licentiousness rarely documented in the context of Jewish society. Set firmly in the social and political developments of the time, this colourful picture is very different from the commonly accepted image of Jewish communities in the Ottoman Empire.
This pioneering study offers a comprehensive account of Syria's key Jewish communities at an important juncture in their history that also throws light on the broader effects of modernization in the Ottoman empire. The Ottoman reforms of the mid-nineteenth century accelerated the process of opening up Syria up to European travellers and traders, and gave Syria's Jews access to European Jewish communities. The resulting influx of Western ideas led to a decline in the traditional economy, with serious consequences for the Jewish occupational structure. It also allowed for the introduction of Western education, through schools run by the Alliance Israélite Universelle, influenced the structure and the administration of Jewish society in Syria, and changed the balance of the relationship between Muslims, Christians, and Jews. Initially Syria's Jewish communities flourished economically and politically in these new circumstances, but there was a developing recognition that their future lay overseas. After the opening of the Suez Canal in 1869, the bankruptcy of the Ottoman empire in 1875, and the suspension of the Ottoman constitution in 1878, this feeling intensified. A process of decline set in that ultimately culminated in large-scale Jewish emigration, first to Egypt and then to the West. From that point on, the future for Syrian Jews lay in the West, not the East. Detailed and compelling, this book covers Jewish community life, the legal status of Jews in Syria, their relationship with their Muslim and Christian neighbours, and their links with the West. It draws on a wide range of archival material in six languages, including Jewish, Christian Arab, and Muslim Arab sources, Ottoman and European documents, consular reports, travel accounts, and reports from the contemporary press and by emissaries to Syria of the Alliance Israélite Universelle. Rabbinic sources, including the archive of the chief rabbinate in Istanbul, are particularly important in opening a window onto Syrian Jewish life and concerns. Together these sources bring to light an enormous amount of material and provide a broad, multifaceted perspective on the Syrian Jewish community. The Hebrew edition of the book was the winner of the Ben Zvi Award for Research in Oriental Jewry in 2004. ‘For the first time in the historiography of the Jews of Muslim countries we are presented with a rich picture, well written and riveting, of the history of important Jewish communities in the period of the Tanzimat.’ From the award citation
Yaron Harel has constructed a dramatic story of how eleven chief rabbis all became the subject of controversy and were subsequently dismissed. This took place against a background of crime and licentiousness rarely documented in the context of Jewish society. Set firmly in the social and political developments of the time, this colourful picture is very different from the commonly accepted image of Jewish communities in the Ottoman Empire.
Jewish society in the Ottoman Empire has not been the subject of systematic research. The seventeenth century is the main object of this study, since it was a formative era. For Ottoman Jews, the 'Ottoman century' constituted an era of gradual acculturation to changing reality, parallel to the changing character of the Ottoman state. Continuous changes and developments shaped anew the character of this Jewry, the core of what would later become known as 'Sephardi Jewry'.Yaron Ben-Naeh draws from primary and secondary Hebrew, Ottoman, and European sources, the image of Jewish society in the Ottoman Empire. In the chapters he leads the reader from the overall urban framework to individual aspects. Beginning with the physical environment, he moves on to discuss their relationships with the majority society, followed by a description and analysis of the congregation, its organization and structure, and from there to the character of Ottoman Jewish society and its nuclear cell - the family. Special emphasis is placed throughout the work on the interaction with Muslim society and the resulting acculturation that affected all aspects and all levels of Jewish life in the Empire. In this, the author challenges the widespread view that sees this community as being stagnant and self-segregated, as well as the accepted concept of a traditional Jewish society under Islam.
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