Perhaps Greece's most important poet, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. The three volumes of Ritsos's poetry translated here—Parentheses, 1946-47, Parentheses, 1950-61, and The Distant, 1975—represent a thirty year poetic journey and a developing sensibility that link the poet's subtler perceptions at different moments of his maturity. In his introduction to the poems, and as an explanation of the book's title, Edmund Keeley writes: "The two signs of the parenthesis are like cupped hands facing each other across a distance, hands that are straining to come together, to achieve a meeting that would serve to reaffirm human contact between isolated presences; but though there are obvious gestures toward closing the gap between the hands, the gestures seem inevitably to fail, and the meeting never quite occurs." In terms of the development of Ritsos's poetic vision, the distance within the parenthesis is shorter in each of the two earlier volumes than in the most recent volume. There the space has become almost infinite, yet Ritsos's powerfully evocative if stark landscape reveals a stylistic purity that is the latest mark of his greatness. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Yannis Ritsos is a poet whose writing life is entwined with the contemporary history of his homeland. Nowhere is this more apparent than in this volume, which presents a series of three diaries in poetry that Ritsos wrote between 1948 and 1950, during and just after the Greek Civil War, while a political prisoner first on the island of Limnos and then at the infamous camp on Makronisos. Even in this darkest of times, Ritsos dedicated his days to poetry, trusting in writing and in art as collective endeavors capable of resisting oppression and bringing people together across distance and time. These poems offer glimpses into the daily routines of life in exile, the quiet violence Ritsos and his fellow prisoners endured, the fluctuations in the prisoners’ sense of solidarity, and their struggle to maintain humanity through language. This moving volume justifies Ritsos’s reputation as one of the truly important poets in Greece’s modern literary history.
In the dramatic monologues that make up The Fourth Dimension--especially those based on the grim history of Mycenae and its royal protagonists--the celebrated modern Greek poet Yannis Ritsos presents a timeless poetic paradigm of the condition of Greece, past and present. The volume also contains a group of modern narratives, including the famous, and much-anthologized, "Moonlight Sonata." Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety. From "Philoctetes" All the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hall where glasses and voices sparkled, and the veil of an unseen dancer rippled silently like a diaphanous, whirling wall between life and death. This throbbing our childhood nights, lightening the shadows of shields etched on white walls by slow moonlight.
A collection of the three volumes by Yannis Andricopoulos on ancient Greek wisdom applied to modern culture and society, including: - Volume 1: In Bed with Madness - Volume 2: The Greek Inheritance - Volume 3: The Future of the Past In Bed with Madness Globalism endowed us with McDonald's, 'the world's local bank', English football teams without English players and an irrepressible desire for more as enough is never good enough - the blanket is always too short. Our personal world as much as our social and political realities seem to have blithely surrendered to the madness of a civilization which views anything from corporate greed and global warming to military adventures and religious fundamentalism as normal as a door banging in the wind. The destructive capabilities of our age have run too far ahead of our wisdom. However, the process is not irreversible if our thinking can postpone its retirement. In Bed with Madness is 'a well-argued, powerful and profound indictment of contemporary culture', stylishly written - a reviewer said he would have bought it just for its humour! The Greek Inheritance The culture of ancient Greece, a culture of joy, was replaced by the Judaeo-Christian culture of faith and then by the capitalist culture of profit. Yet it is the only culture worth fighting for if we want a world run by humans rather than theocracies, nanotechnologies or private equity funds. Yannis Andricopoulos views the Greek culture as the front line of the battle against individualism, materialism, authoritarianism and religious extremism. In a world turned into the corporations' playground, this is also the battle for human values, civic virtues and an ethical society. The Greek Inheritance traces the conflict between Greek values and those of the repressive, religious or capitalist order throughout the millennia. The book is challenging and well-written with a light, humorous touch. The Future of the Past Universalism in its old forms has, just like door-to-door milkmen, gone for good. But the search for some universally accepted ethical standards cannot be abandoned - values are not colourless as the wind and odourless as thoughts. Looking into our world from the classical Greek point of view, Yannis Andricopoulos wonders whether we cannot place Justice again at the heart of our morality, look forward to the happiness of the individual rather than the upgrading of his or her consumer fantasies, and endeavour to create, not more wealth, but a just and honourable world. The Future of the Past is written in 'a lively, challenging style guaranteeing to stimulate debate on the most pressing issues of our time'.
The most extensive and most comprehensible anthology of modern Greek poetry in English.While many serious readers in Canada will have been exposed to the ancients, and to the works of some, high-profile modernists--like Cafavy, Seferis and, perhaps, even Ritsos --most modern Greek poetry has remained largely out of reach for English-speaking monoglots. But that is changing quickly, chiefly as the result of the efforts of one man. Enter Manolis Aligizakis, a Greek-Canadian poet of considerable lyrical achievements of his own. Quite apart from having published many volumes of his own much-celebrated poems, Manolis has, for years now, devoted himself to preparing high-quality and nuanced translations of the works of modern Greek poets. He has to this point given us his take mainly on the above-mentioned and better-known writers (for which we are all grateful). Now, however, he has graduated to a truly Heraclean undertaking, one that opens the door for English-speaking readers to the work of many highly respected Greek poets who, it is to be regretted, are essentially unknown outside their own country. Neo-Hellene Poets: An Anthology of Modern Greek Poetry, 1750 - 2018 is a skeleton key to the poems of 60 Greek moderns whose writings, we can now easily see, deserve a wider readership. The deft and skilled translations that make up the Anthology are helpfully supplemented by brief but informative biographical profiles of the subject poets, putting them on the map for Englishspeaking readers in a way that has never been done before.
Perhaps Greece's most important poet, Yannis Ritsos follows such eminent predecessors as Cavafy, Sikelianos, and Seferis in the dramatic and symbolic expression of a tragic sense of life. The three volumes of Ritsos's poetry translated here—Parentheses, 1946-47, Parentheses, 1950-61, and The Distant, 1975—represent a thirty year poetic journey and a developing sensibility that link the poet's subtler perceptions at different moments of his maturity. In his introduction to the poems, and as an explanation of the book's title, Edmund Keeley writes: "The two signs of the parenthesis are like cupped hands facing each other across a distance, hands that are straining to come together, to achieve a meeting that would serve to reaffirm human contact between isolated presences; but though there are obvious gestures toward closing the gap between the hands, the gestures seem inevitably to fail, and the meeting never quite occurs." In terms of the development of Ritsos's poetic vision, the distance within the parenthesis is shorter in each of the two earlier volumes than in the most recent volume. There the space has become almost infinite, yet Ritsos's powerfully evocative if stark landscape reveals a stylistic purity that is the latest mark of his greatness. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ritsos, una de las más grandes voces de la lírica europea, extrajo del caudal trágico griego una serie de monólogos de excepcional sutileza en los que cada palabra, surgida de un fondo lejanísimo, se traslada a nuestro tiempo con mágica ductilidad. Con el que hoy presentamos, dedicado a Áyax, continuamos la publicación de estos soliloquios dramáticos en versión de Selma Ancira.
Yannis Ritsos is a poet whose writing life is entwined with the contemporary history of his homeland. Nowhere is this more apparent than in this volume, which presents a series of three diaries in poetry that Ritsos wrote between 1948 and 1950, during and just after the Greek Civil War, while a political prisoner first on the island of Limnos and then at the infamous camp on Makronisos. Even in this darkest of times, Ritsos dedicated his days to poetry, trusting in writing and in art as collective endeavors capable of resisting oppression and bringing people together across distance and time. These poems offer glimpses into the daily routines of life in exile, the quiet violence Ritsos and his fellow prisoners endured, the fluctuations in the prisoners’ sense of solidarity, and their struggle to maintain humanity through language. This moving volume justifies Ritsos’s reputation as one of the truly important poets in Greece’s modern literary history.
In the dramatic monologues that make up The Fourth Dimension--especially those based on the grim history of Mycenae and its royal protagonists--the celebrated modern Greek poet Yannis Ritsos presents a timeless poetic paradigm of the condition of Greece, past and present. The volume also contains a group of modern narratives, including the famous, and much-anthologized, "Moonlight Sonata." Ritsos, rightly, regarded the The Fourth Dimension as his finest achievement. It is now presented to English- speaking readers for the first time in its entirety. From "Philoctetes" All the speeches of great men, about the dead and about heroes. Astonishing, awesome words, pursued us even in our sleep, slipping beneath closed doors, from the banqueting hall where glasses and voices sparkled, and the veil of an unseen dancer rippled silently like a diaphanous, whirling wall between life and death. This throbbing our childhood nights, lightening the shadows of shields etched on white walls by slow moonlight.
In The Killer Knows Why, pulp fiction author Yannis Mitsopoulos draws readers in with ease by throwing open the doors to his home of Greece, letting them experience the romance of the settings tucked in the mountains and coasts, along with the secrets that entice them to read each of his seven spellbinding stories with complete abandon. Mitsopoulos weaves the stories in and out of everyday lives, traditions, and beliefs as he allows his readers to become voyeurs into the minds of those that kill for a reason. The first story tells the tale of a woman whose life has been one of missed opportunities, only to regain a life for herself through the secret found in her father's journal. In the second story, a little boy's love for a race car carries him to a tragic end. The Killer Knows Why tells five more tales: Greek tragedies intertwine old curses through modern lives only to end, well, tragically as a family spins their tale for everyone to see. An artist finds that Death can be an inspiring muse. A young ex-soldier finds that fatherhood can push him to fight even the devils of the deep to bring his daughter back. A man that tries to not let others poison his life, his thoughts ends his life while attempting to poison the one that poisoned him. And, a mother that knows what is best for her daughter ensures with a little help that both their lives are secure. Seven stories wrap around the reader like a bright, beautiful day only to find that even beautiful days have their moments of cold. Yannis Mitsopoulos draws his inspiration from real life events, situations, and places, lending to the ambience with which he weaves into his fiction. Mitsopoulos invites readers to experience a taste of Greece, so do not hesitate! Grab your favorite sweater then let yourself experience the warmth and chill of The Killer Knows Why. Review written by Jason Rutherford
A collection of the three volumes by Yannis Andricopoulos on ancient Greek wisdom applied to modern culture and society, including: - Volume 1: In Bed with Madness - Volume 2: The Greek Inheritance - Volume 3: The Future of the Past In Bed with Madness Globalism endowed us with McDonald's, 'the world's local bank', English football teams without English players and an irrepressible desire for more as enough is never good enough - the blanket is always too short. Our personal world as much as our social and political realities seem to have blithely surrendered to the madness of a civilization which views anything from corporate greed and global warming to military adventures and religious fundamentalism as normal as a door banging in the wind. The destructive capabilities of our age have run too far ahead of our wisdom. However, the process is not irreversible if our thinking can postpone its retirement. In Bed with Madness is 'a well-argued, powerful and profound indictment of contemporary culture', stylishly written - a reviewer said he would have bought it just for its humour! The Greek Inheritance The culture of ancient Greece, a culture of joy, was replaced by the Judaeo-Christian culture of faith and then by the capitalist culture of profit. Yet it is the only culture worth fighting for if we want a world run by humans rather than theocracies, nanotechnologies or private equity funds. Yannis Andricopoulos views the Greek culture as the front line of the battle against individualism, materialism, authoritarianism and religious extremism. In a world turned into the corporations' playground, this is also the battle for human values, civic virtues and an ethical society. The Greek Inheritance traces the conflict between Greek values and those of the repressive, religious or capitalist order throughout the millennia. The book is challenging and well-written with a light, humorous touch. The Future of the Past Universalism in its old forms has, just like door-to-door milkmen, gone for good. But the search for some universally accepted ethical standards cannot be abandoned - values are not colourless as the wind and odourless as thoughts. Looking into our world from the classical Greek point of view, Yannis Andricopoulos wonders whether we cannot place Justice again at the heart of our morality, look forward to the happiness of the individual rather than the upgrading of his or her consumer fantasies, and endeavour to create, not more wealth, but a just and honourable world. The Future of the Past is written in 'a lively, challenging style guaranteeing to stimulate debate on the most pressing issues of our time'.
This innovative, extensively illustrated study examines how classical antiquities and archaeology contributed significantly to the production of the modern Greek nation and its national imagination. It also shows how, in return, national imagination has created and shaped classical antiquities and archaeological practice from the nineteenth century to the present. Yannis Hamilakis covers a diverse range of topics, including the role of antiquities in the foundation of the Greek state in the nineteenth century, the Elgin marbles controversy, the role of archaeology under dictatorial regimes, the use of antiquities in the detention camps of the Greek civil war, and the discovery of the so-called tomb of Philip of Macedonia.
A diverse selection of plays from the nineties, noughties and 2010’s from a range of established and up-and-coming playwrights based in Greece. The collection includes a foreword and introductions to each play by prominent academics in Greek Contemporary Theatre. 1. M.A.I.R.O.U.L.A by Lena Kitsopoulou, translated by Aliki Chapple (2012) 2. Angelstate by Nina Rapi, translated by the author (2015) 3. Wolfgang by Yannis Mavritsakis, translated by Christina Polyhroniou (2008) 4. Hungry by Charalampos Giannou , translated by the author (2016) 5. Juliet by Akis Dimou, translated by Elizabeth Sakellaridou (1995)
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